Jon Boden announces new album and live dates

Jon Boden And The Remnant Kings

Chicago-born and Sheffield-based folk outlier Jon Boden has recently announced his fourth solo album, Rose In June, which is due for release November 1st on Hudson Records, and is now sharing the second single from the album, ‘Leviathan’. In support of the album, Boden will play six UK live dates, commencing at Bristol’s St George’s on November 20 and including London’s Union Chapel on November 21.

Rose In June, which follows 2017’s post-apocalyptic concept album Afterglow, sees Boden back in the studio with his trusted band, The Remnant Kings. He says of the album, recorded at the legendary Rockfield Studios:

“Since this band was debuted live at Cambridge Folk Festival on the main stage in 2016 we’ve been able to tour the UK and play many festivals in this bigger line-up so it felt very important to get into the studio and record lots of the stuff that is central to the live set, but has never been committed to tape.”

As such, live favourites have all been lovingly rendered here by producer and long-time collaborator, Andy Bell. Across twelve tracks, the new album is comprised of traditional songs (‘Rose In June’, ‘All Hang Down’, ‘Seven Bonnie Gypsies’, ‘Rigs of the Time’), alongside Boden’s own arrangements (‘Leviathan / Tombola’, ‘Going Down To The Wasteland’, ‘Ruin Reel’) and covers of Ewan MacColl (‘Sweet Thames Flow Softly’) and Kate Bush (‘Hounds of Love’).

Despite the many projects he’s been involved in, Jon Boden is no doubt best known as the lead singer and main arranger of Bellowhead. After twelve years, a quarter of a million album sales, seven singles on the Radio 2 playlist and selling out hundreds of venues throughout the land and beyond. Widely respected as an interpreter of traditional song, it’s been through his solo live shows where he’s truly been able to showcase his instrumental talents on fiddle, guitar and concertina, as well as his trademark ‘stomp box’ which he and John Spiers introduced into to the world of traditional music in 2001. Through his solo work and his work with Bellowhead and Spiers & Boden, Jon has won eleven BBC Radio 2 Folk Awards.

His most recent album Afterglow was released in October 2017 and continued Jon’s explorations of a post-oil world (a theme first explored on 2009’s Songs From The Floodplain), this time following the course of two lovers over the night of a fire-lit city carnival. The first single from the album ‘All The Stars Are Coming Out Tonight’ was playlisted on BBC Radio 2. The release was followed by the launch of the 11-piece Jon Boden & The Remnant Kings which toured the UK in autumn 2017 and spring 2018. Summer 2018 saw the big band in demand for major folk festivals including Wickham Festival, Beautiful Days, Snape Proms and Shrewsbury Folk Festival. 2019 saw Jon touring with the three string players from the band and performing in both the 6 piece and 11 piece versions of the Remnant Kings.

Following months on the road, Rose In June captures Boden’s inimitable folk storytelling backed by The Remnant Kings after they’ve been hardened by touring, the songs constantly evolving as they were performed by a rotating cast of members. The resulting album finds both Boden and band at the top of their game.

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD

Physical link for the UK Store is: https://folking.com/folking-store/


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD

Physical link to the US Storehttps://folking.com/folking-us-storefront/


Artist’s website: http://www.jonboden.com/

‘Leviathan’:

TOUR DATES

20 November 19 – St George’s, Bristol

21 November 19 – Union Chapel, London

22 November 19 – The Old Market, Brighton

23 November 19 – Royal Spa Centre, Leamington Spa

24 November 19 – RNCM Concert Hall, Manchester

25 November 19 – Sage, Gateshead

ELIZA CARTHY – Restitute (Topic TSCD599)

RestituteHitherto only available direct from Carthy’s website, Restitute was originally recorded as a fund raiser for the Wayward Band after they lost funding for the Big Machine album project halfway through and, though eventually rescued by Topic, no one got paid, hence the prevalent theme of betrayal. Save for a couple of numbers, featuring predominantly traditional material it was recorded entirely solo in Carthy’s bedroom and marked her first such album in fourteen years.

Now made commercially available as part of the label’s 80th anniversary, Restitute opens with an arrangement of the traditional ‘Friendship’ featuring Carthy on chopsticks, violin, viola, octave violin and, er, wooden skeleton giving it an almost Japanese koto flavour. Joined by dad Martin on guitar accompanying her octave violin, the near seven-minute ‘The Leaves In The Woodland’ is a stunning reading of the Peter Bellamy number that shows her voice in fine powerful fettle.

Bellamy’s also called on for his setting of Rudyard Kipling’s ‘Gentleman Rankers’, a poem about English army troopers, the legions of the lost, sung a capella and featuring the lost sheep baa baa chorus.

Two other potent figures from the folk heritage are represented, firstly with Carthy joined by Jon Boden on wheezing concertina for a stripped down take on Leon Rosselson’s ‘The Man Who Puffs The Big Cigar’, a song written as part of the early 70s protests against the development of Piccadilly Circus which brings together the stories of a property developer and two lovers, a stripper and trapeze artist, who arrange to meet at the Eros statue but are confounded by the building work. A long-time staple of her live set, this is its second recording (first, was with Boden for a collection called “And they all sang Rosselsongs” a few years ago) as indeed is also the case for ‘Dream of Napoleon’, rousingly performed a capella with Boden.

The other heritage name is that of Robert Burns, represented with a voice and violin revisiting of ‘The Slave’s Lament’, originally recorded for the first Waterson:Carthy album, punctuated here with her own haunting instrumental ‘Farewell To A Dark Haired Friend’.

Two further traditional numbers follow with her solo voice and violin arrangement of ‘Lady All Skin And Bone’, the lengthier and lyrically darker version of an old children’s playground Halloween song, and, another graveyard song, ‘The Old Sexton’, a lively rendition for which space was found in the bedroom for David Delarre’s acoustic guitar and Ben Somers’ double bass. It ends with Ben Seal on keys for his and Carthy’s liltingly waltzing setting of ‘The Last Rose Of Summer’, written in 1805 by Irish poet Thomas Moore, a terrific finale for an album that strips Carthy’s work back to its raw material and which will surely be greeted with open arms.

P.S. Restitute, the deluxe double disc edition featuring hand-drawn postcards and the unabridged audiobook of The Announcer’s Daughter read by Carthy with music by her and Seal broadcast on Radio 4 in 2014 is now sold out and no longer available.

Mike Davies

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD

Physical link for the UK Store is: https://folking.com/folking-store/


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD

Physical link to the US Storehttps://folking.com/folking-us-storefront/


Artist’s website: www.eliza-carthy.com

‘Gentlemen Rankers’ – live:

VARIOUS ARTISTS – Resound (Shrewsbury Folk Festival)

ResoundCurated by Hannah James and released by Shrewsbury Folk Festival, Resound is a multi-tasking album. Firstly, it’s a tribute to Alan Surtees, founder and organiser of the festival and secondly, it’s a fundraiser for the Alan Surtees Trust which aims to give grants to young musicians and new musical projects. All the music comes from artists who have been associated with Shrewsbury over the years, often through projects commissioned by the festival.

The album has been, for the most part, cleverly sequenced. It opens with Oysterband’s powerful acapella version of ‘Bright Morning Star’ which certainly makes you sit up and pay attention and follows that with Jon Boden’s mighty ‘Audabe’. The foot comes off the loud pedal just a little wiith Patsy Reid’s ‘Thugainn’. I like the way that ‘Song For Lola’ by Lucy Ward is followed by Fay Hield’s ‘Raggle Taggle Gypsy’ – two unashamedly northern voices side by side. Perhaps living in those climes during my formative years has made me equate the accent with authenticity. I wish that Kefaya’s ‘Indignados’ had been placed beside Grace Petrie’s ‘They Shall Not Pass’ – two songs about Spanish politics, albeit separated by several decades should be available to compare and contrast. The Demon Barbers’ version of ‘Ranzo’ is as good as anything they do but perhaps it could have been saved for a big finish.

The album now turns to pastoral themes. ‘The Lincolnshire Song’ by Miranda Sykes is gorgeous (although I’m holding out for the Peak District, Miranda) and Leveret’s ‘Bagpipers’ is one of their gentler pieces. ‘Vanished Birds’, another fine song by Jack Harris is followed by the lightest version of ‘Neil Gow’s Lament’ I’ve ever heard. Hannah modestly saves her own contributions for late in the proceedings. First comes ‘Tuulikki’s Tune’ from her Jigdoll album and then ‘Order & Chaos’ by Lady Maisery.

Karine Polwart’s ‘We’re All Leaving’ makes for an appropriate ending although I can never decide if a record like this is better served with a period of reflection at the end or something rousing and defiant. Whatever you think, you should buy this album – you wiill enjoy it and you’ll be contributing to a good cause.

Dai Jeffries

Project website: www.shrewsburyfolkfestival.co.uk/more/alan-surtees-trust/

‘Tuulikki’s Tune’ – live:

Jon Boden’s intimate bonfire

Jon Boden
Photograph by Tim James

Jon Boden performed tracks from his recent album Afterglow round a campfire at a secret location in London on 22 March 2018 in preparation for the main tour (click the photo below to see all our shots from the night).

Jon Boden Secret London Campfire Concert

Jumping through the rabbit hole, Darren Beech found himself in a secret garden and alternative living space near Tower Hamlets, where Jon and his lovely string section shock the cold from our bones in the twinkling firelight and wood-smoke scented atmosphere.

Here is an unamplified performance of “Moths In The Gas Light” which pretty much summed up the evening.

Off the back of curating last year’s Cambridge Folk Festival, Afterglow is Boden’s first solo release since disbanding his hugely successful crossover folk outfit Bellowhead (over quarter of a million records sold, with sellout shows including the Royal Albert Hall). This special performance comes in anticipation of Jon’s headline UK tour throughout April and May.

Featuring other former members of Bellowhead amongst his own Remnant Kings band, Jon drew various inspiration for Afterglow from the writings of the likes of Margaret Atwood and Richard Jeffries, Lewes’ notorious coastal Bonfire Night celebrations, and The Dark Mountain Project (a creative collective who’ve also recently influenced the work of Susanne Sundfør).

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD

Physical link for the UK Store is: https://folking.com/folking-store/


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD

Physical link to the US Storehttps://folking.com/folking-us-storefront/


Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us. Can’t find what you are looking for? Search Amazon Store below.

Artist’s website: https://www.jonboden.com/

Read Jean Camp’s review of Afterglow here:

http://folking.com/jon-boden-afterglow-hudson-records-hud004/

The 2018 Folking Awards

Welcome to the 2018 Folking Awards and thank you again to everyone who participated last year. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with considered argument and arm-wrestling by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have impressed our writers during 2017.

As with the format last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

*The Public Vote for each category will close at 9.00pm on Sunday 1st April (GMT+1).


Soloist Of The Year

 Jon Boden
Ange Hardy
Daria Kulesh
Richard Thompson
Chris Wood


Public Vote

*And the winner is: Open envelope!

 


Best Duo

Kate & Raphael
O’Hooley & Tidow
Kathryn Roberts & Sean Lakeman
Laura Smyth & Ted Kemp
Winter Wilson


Public Vote

*And the winner is: Open envelope!

 


Best Band

Sam Kelly & The Lost Boys
Merry Hell
Peter Knight’s Gigspanner
Police Dog Hogan
The Unthanks


Public Vote

*And the winner is: Open envelope!

 


Best Live Act

CC Smugglers
Eliza Carthy & The Wayward Band
Fairport Convention
Lau
Merry Hell


Public Vote

*And the winner is: Open envelope!

 


Best Album

Bring Back Home – Ange Hardy
Pretty Peggy – Sam Kelly & The Lost Boys
Long Lost Home – Daria Kulesh
A Pocket Of Wind Resistance – Karine Polwart/Pippa Murphy
Strangers – The Young ‘Uns


Public Vote

*And the winner is: Open envelope!

 


Best Musician

Kevin Crawford
Seth Lakeman
Richard Thompson
Karen Tweed
Ryan Young


Public Vote

*And the winner is: Open envelope!

 


Rising Star

Sam Brothers
Siobhan Miller
Jack Rutter
Sound Of The Sirens
The Trials Of Cato


Public Vote

*And the winner is: Open envelope!!

 


Best International Artist

Rodney Crowell
Anna Coogan
Michael McDermott
Le Vent Du Nord
The Wailin’ Jennys


Public Vote

*And the winner is: Open envelope!

 


Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
Physical link for the UK Store is: https://folking.com/folking-store/


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
Physical link to the US Storehttps://folking.com/folking-us-storefront/


Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us. Can’t find what you are looking for? Search Amazon Store below.

Folkies 2018

JON BODEN – Afterglow – Hudson Records HUD004

AfterglowFolk royalty Jon Boden’s latest album, Afterglow, is an excellent follow on from Songs From The Floodplain, which was released in 2009, and was Jon’s second solo album. Jon is a twelve time BBC Folk Award Winner who partnered celebrated concertina player John ‘Squeezy’ Spiers in Spiers and Boden, fronted Bellowhead, and comes out to play with his Remnant Kings now and again.

Afterglow is a story of urban lovers after dark. The ten fabulous tracks portray a journey after dark into the early morning leaving the previous night behind – their adventures into the night and what they experience.

The album starts with ‘Moths In The Gaslight’ – in true Boden melodic style then leading into the title track and bringing in a drum beat. ‘Wrong Side Of Town’ brings in the traditional Boden irregular beat we all know and love. ‘Fires Of Midnight’ is a spoken lyric in the traditional style of Boden. One of my favourites, ‘All The Stars Are Coming Out Tonight’ is a foot tapping track including fiddle, bodhran, Cajun and all!

‘Dancing In The Ruins’ includes off-beat rhythm and an electric guitar taking the listener into ‘Burning Streets’ telling the tale of the lovers escaping down the back streets to a racy beat. The penultimate track – ‘Yellow Light’ – has Jon’s traditional concertina, cello and quietens the mood down after the night’s activities. Afterglow ends with a track entitled ‘Aubade’ – the dawn is now breaking bringing the end of the night, the birds are now singing heralding in the dawn and a new day.

An excellent album as we would expect from a master of his craft. Ex-Bellowhead members Paul Sartin, Sam Sweeney and Ben Nicholls (Seth Lakeman Band) are involved on this album as are members of The Remnant Kings together with producer Andy Bell, and recorded in Sheffield. As always, Jon Boden’s albums are vivid and give beautiful imagery in the lyrics. This album is no exception to his pure talent.

Afterglow is now on general release. Available as a single CD, a de luxe version and a vinyl version and from the 6th November Jon is on tour solo. Jon while the Remnant Kings are touring in November from the 17th.

Jean Camp

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
Physical link for the UK Store is: https://folking.com/folking-store/


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
Physical link to the US Storehttps://folking.com/folking-us-storefront/


Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us. Can’t find what you are looking for? Search Amazon Store below.

Artist’s website: www.jonboden.com

‘All The Stars Are Coming Out Tonight’ – official video: