ROWAN RHEINGANS – The Lines We Draw Together (Red Dress Records CD01)

The Lines We Draw TogetherThe Lines We Draw Together, from banjoist, fiddle player, singer and innovative songwriter Rowan Rheingans is a bit of a juxtaposition with the music being relaxing and melancholy and some of the subject matter covering challenging topics. Listening to it is like having a gentle comforting hug.

It contains ten original songs from Rowan, which the PR notes describe as “ten brilliantly poetic meditations on history, war, family, birdsong, dance, trauma recovery, sorrow and hope” and there is certainly some wonderful story telling in the songs.

The album certainly pushes the envelope of folk and some of it reminded me of a Peter Gabriel album in terms of the originality and composition, especially the title track ‘Lines’. That said there is still the essence of folk songs and tunes in her writing.

There is some gentle banjo playing on ‘Fire’ and listen out for the percussion on ‘Brave’. ‘Sky’ is a short almost spoken song, with very little musical accompaniment. In contrast ‘Traces’ is nearly nine minutes long, starts with mournful strings goes into a repeated short verse and closes with clarinet.

The combination of clarinet from Jack McNeil (Propellor) and strings on many of the songs intertwine wonderfully. Much of it was recorded live, which can be felt by the listener as the interaction between the musicians is very apparent.

Other musicians involved include Michele Stoddart (The Magic Numbers), percussionist Laurence Hunt (The Wayward Band) and electronic musician Robert Bentall all help enforce the originality of the album and the lack of fear of moving away from her more recognized genre. The producer was Andy Bell who has also worked with Jon Boden and Karine Polwart.

I really enjoyed all the songs and if you’re feeling in a reflective mood stick this album on kick back, relax and enjoy the embrace of that hug.

Duncan Chappell

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The first single, ‘Fire’ – live:

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Rowan Rheingans announces her first solo album and tour dates

Rowan Rheingans

Rowan Rheingans is a fiddle player, banjoist, singer and songwriter widely regarded as one of the foremost innovators in folk music today. Best known for her work with acclaimed bands Lady Maisery, The Rheingans Sisters and Songs of Separation, Rowan has won two BBC Radio 2 Folk Awards (‘Best Original Track’ in 2016 & ‘Best Album’ in 2017) and is a five-time nominee. On August 23rd 2019, Rowan will release her much-anticipated solo album The Lines We Draw Together: a heartfelt, unflinching and genre-melding debut.

In what will surely prove to be a career-shifting year, Rowan premiered her ambitious and deeply personal one-woman show Dispatches On The Red Dress, inspired by her own grandmother’s youth in 1940’s Germany, with a ten date national tour in June. A two-week run at the prestigious Edinburgh Fringe Festival in August (15th-26th) coincides with the hotly anticipated release of solo album The Lines We Draw Together, which features songs from the live show as well as previously unheard material.

Not one to simply repeat but choosing instead to constantly innovate, The Lines We Draw Together is best understood as an artistic piece in its own right rather than as an attempt to capture the inimitable musical essay on the power of small acts of resistance that is Dispatches On The Red Dress. Rowan explains how “they are different but very connected pieces; the album is a deeply intertwined and yet wholly different artistic journey through some of the same themes as my one-woman show. In the live show, the songs provide the emotional landscape to a very big story. On the album, these songs fully express their own, complex individual stories and I am inviting different meanings and different interpretations to them here.”

The Lines We Draw Together comprises ten original songs by Rowan, whose song ‘Mackerel’ scooped the esteemed ‘Best Original Track’ award at the 2016 BBC Radio 2 Folk Awards. Already widely celebrated as a songwriter by music critics, The Lines We Draw Together is Rowan’s most self-assured work yet. This is adventurous and necessary new writing that asks fundamental and troubling questions with Rowan’s characteristically deep emotional charge, razor-sharp sense of purpose, audacious musicality and disarming warmth.

While fans of her many other projects have celebrated one or two new Rheingans songs with each new record, here come ten brilliantly poetic meditations on history, war, family, birdsong, dance, trauma recovery, sorrow and hope. The songs ‘Lines’ and ‘Traces’ draw on deep ancestral journeying while the contemporary spaciousness of ‘Walls’ (featuring Rowan on electric guitar) tugs on the universal experience of dance as a way to know human connection.

At the records centre (the achingly bare song ‘Sky’, a song about imprisonment and impending death, sung to the eerie accompaniment of the sounds of children playing in a park) are the glowing words of Etty Hillesum, the Dutch diarist who found great beauty in the world and the people around her while she was experiencing the persecution and oppression that would lead to her death, aged 29, in Auschwitz in 1943. Hillesum’s radical humanism and attitudes towards hatred and evil, love and human possibilities have been constant companions in the process of writing The Lines We Draw Together. But the result is not only a set of truly pertinent and timeless anti-war songs (the stand-out banjo blues track ‘Sorrow’ in particular is dedicated to Etty). More than this, Rowan reaches deep into the complexity of our own complicity in injustice and horror. Songs ‘Fire’ and ‘Brave’ shine light on the uncomfortable truth that we all have in us a capacity for both beauty and horror; for fighting injustice and for obeying orders. In this way, as well as being Rowan’s most personal writing (the album is dedicated to her grandmothers), The Lines We Draw Together is also Rowan’s most courageously political work; it is a brave provocation for our current political climate while also a triumphant celebration of human capabilities of transformation, resilience and hope.

Characteristically pushing the boundaries of genre and form, Rowan approaches her songwriting more in the tradition of the poets and prose writers whom she thanks in the credits as “her truest collaborators” than of other songwriters. The late art critic and philosopher John Berger is a huge influence on Rowan’s understanding of the importance of nuance, heart, political clarity and the power of good storytelling. Equally evident is the influence of the direct and deep empathy with the world of late American poet Mary Oliver.

While the imprint of old folk songs and melodies remain firmly threaded throughout her new compositions, Rowan also reaches out beyond the folk soundscape and chooses cathartic collaborations for this album with indie, jazz, classical and electronic musicians, including bassist Michele Stodart (The Magic Numbers) and clarinetist Jack McNeill (Propellor), experimental percussionist Laurence Hunt (The Wayward Band) and electronic musician Robert Bentall, once again cementing her reputation as a relentless creative.

Jack McNeill’s soaring clarinets are a central force on the record, with much of the clarinet and strings recorded live, Rowan and Jack achieving a palpable instrumental empathy and connection that continues the humanist thread of this record. The closing moments of the final track Keep Breathing’, a composition for viola and bass clarinet, leaves listeners as if standing suddenly alone on an oceans edge and witnessing the vastness of the task before us. ‘I trust us’ are the only additional notes Rowan gives and she does – her trust is implicit throughout this record. Just as she trusts her own musical journey enough to push at the edges of genre and form, she also trusts her listeners to be part of that journey and trusts her own artistic motivations enough to know that all of this is part of an ongoing conversation about what it is to be human together.

On 5th September 2019 Rowan will perform a special launch concert for The Lines We Draw Together at London’s Kings Place. For one night only, she will be joined by four exceptional musicians from the record in a completely unique live experience where the intimacy of a folk gig will meet the ancient traditions of storytelling and the wide and fierce soundscapes of genre-melding new music and on stage improvisations.

Created with funding from PRS Women Make Music and Arts Council England, The Lines We Draw Together is produced by Andy Bell (Jon Boden, Karine Polwart) and released on Red Dress Records on Friday August 23rd 2019.

Rowan is touring Dispatches On The Red Dress in June, August (Scottish Storytelling Centre each day 15th – 19th & 21st – 26th August, 18:00pm) October & November (UK tour dates below).

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Tour Dates

Rowan Rheingans: Dispatches On The Red Dress

September 5TH: LONDON – Album Launch
Hall 1, Kings Place, 90 York Way N1 9AG 8pm
Tickets:  || 020 7520 1490

This will be a totally unique performance of ‘Dispatches on the Red Dress’, complete with guest musicians from ‘The Lines We Draw Together’ including Michele Stoddart (The Magic Numbers) and Jack McNeill (Propellor) and previously unheard music.

Manchester Folk Festival, HOME, M15 4FN 7pm

Hartlepool Folk Festival

Wyeside Arts, Castle Street, LD2 3BN
Tickets: || 01982 552 555

MOMA, The Tabernacle, Heol Penrallt, Powys SY20 8AJ
Tickets: || 01654 703 355

Wingfield Barns, Church Road, Wingfield, IP21 5RA
Tickets: || 01379 384505

The Stables, Stockwell Lane, MK17 8LU 8:45pm
01908 280 800

November 7th: ABERGAVENNY
The Art Shop & Chapel, 8. Cross Street, NP7 5EH
Tickets: || 01873 736430 / 852690

Lancaster Arts, The Nuffield Theatre, Lancaster University, LA1 4YW
Tickets: || 01524 594151

November 9TH: LEEDS
All Hallows Church, 24 Regent Terrace, Hyde Park, LS6 1NP 7:45pm

November 10TH: OSWESTRY
Hermon Chapel Arts, Chapel Street, SY11 1LF
Tickets: || 01691 662 196

November 11TH: CARDIGAN
Theatr Mwldan, Bath House Road, SA43 1JY 7:30pm
Tickets: || 01239 621200

Jack McNeill & Charlie Heys TWO FINE DAYS

“The Birmingham-based, Young Folk Awards-nominated duo’s free-spirited music sounds centuries old. It’s not, and their fresh guitar and violin set-up adds a rare sparkle to traditional hues.” Q Magazine

Jack and Charlie’s well-known idiosyncratic approach to folk music and song writing has earned them an enviable reputation as two of the most exciting, heartfelt and challenging musicians around. Writing songs that seem to grow out of the ground and tunes that tell stories in their own right, Jack and Charlie’s original music strings together the past, present and what might yet be of folk music. Their first two albums on Fellside, Light Up all the Beacons and The Northern Road followed them as finalists in the BBC Radio 2 Young Folk Awards, and were met with critical acclaim; their fresh and compelling sound inspiring audiences up and down the country and being described in The Sunday Times as “real folk – not nu-folk, folktronica, or some other apologetically named subgenre – and it doesn’t seem to need reinventing.”

All the music and songs take inspiration from ever-changing landscapes, people and common traditions of hope, fear, love and home. Still feeling inspired and at the start of a growing musical career their enthusiasm resonates with an audience hungry for something new and exciting. For their new album TWO FINE DAYS the duo are joined by Hannah Phillips on Scottish harp (TMSA Young Trad Award Finalist), Sean Law on Double Bass and the renowned percussionist Tom Chapman (The Old Dance School, The Urban Folk Quartet, Chris While and Julie Matthews).

Expanding their musical language, creating beautiful and memorable textures while cooking up an instrumental, breaking storm, Jack and Charlie have come a long way since the folk awards; their live shows are packed with stories, good humour and most importantly, music to remember.

When it comes to the songs on TWO FINE DAYS who better to describe the story behind the songs than Jack McNeill himself; “Debatable Lands is about the bloody history concerning the people who lived in the border lands between England and Scotland. Much has been written and sung about this subject before where for 300 years families were subjected to brutal attacks from both sides, but perhaps the greatest harm would be inflicted upon each other. I was brought up with these stories and this song looks at the worrying question of why rather than unite at such times, people will sometimes destroy each other. In For the Want, ‘A kingdom was lost, all for the want of a nail’… a well-known story about small actions (or lack of) and their large consequences. In this song it’s the kingdom of friendship that is rescued by the knowledge that no-one is free of blame when things go wrong. You’ll find pieces of ‘seaglass’ all over this country’s coastline, bits of glass that have been tossed and tumbled in the waves to finally be thrown back to shore. The idea behind the song ‘Seaglass’ is that sometimes this process of breaking, produces unexpectedly beautiful things. The tune in the middle is called ‘left-boot clog’, it was written remembering a story about a relative of mine who fell overboard and was later identified by his two left shoes which had been hurriedly snatched up, unchecked after a period of time on shore. The title track is of course Two Fine Days. It’s often said that there can be a few small events which can change a whole life, that when we look back on the people, words and decisions shaping where we are now, the ones that really counted are few but unforgettable. Two Fine Days are just that.

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“Undeniably impressively talented…thoughtful and intelligent songs…brimful of interest and promise…this album will turn out to be rather a grower.” fRoots

“Delivered with commitment and passion, these highly descriptive sound-stories are beautifully set against [Jack’s] understated, melodic guitar playing and Charlie’s perfectly judged fiddle accompaniments.” R2 magazine