Cropredy 2020 line-up announced

Cropredy

Fairport’s Cropredy Convention three-day open-air music festival announces the line-up for the 2020 event.

Now in its forty-first year, the festival will take place on Thursday 13, Friday 14 and Saturday 15 August 2020 on its usual farmland site in north Oxfordshire.

“We’re really pleased with this year’s line-up”, says Fairport bassist Dave Pegg. “It consolidates Cropredy’s core appeal, celebrates Fairport’s rich heritage and also introduces a wide and diverse range of music. It’ll be a particular pleasure to have Richard Thompson playing with us again during our three-hour headline set on the Saturday evening.”

Cropredy will feature two sets by host band Fairport Convention. On Thursday 13 August they will open the festival with a short acoustic set. On Saturday they will close the event with their customary extended headline performance.

Fairport’s Saturday set will include a fiftieth anniversary celebration of Full House, the band’s acclaimed 1970 LP. The Full House line-up of Simon Nicol, Richard Thompson, Dave Mattacks, and Dave Pegg will be joined by Chris Leslie (standing in for the late Dave Swarbrick) to play the whole album.

Thursday 13 August

Fairport Convention
Host band Fairport will open the festival on Thursday with a short acoustic set

Thumping Tommys
This London-based bluegrass outfit plays barn-storming blues-infused Irish, American, and English folk music.

Edward II
Cropredy favourites Edward II play a fusion of world music, folk and reggae blending the rhythms of the Caribbean with traditional British songs.

Clannad
Multi-award winning band Clannad has arguably done more than any other band to bring Irish music to a worldwide audience.

Trevor Horn Band
One of the most influential producers in popular music, Trevor has worked with Frankie Goes To Hollywood, Grace Jones, Pet Shop Boys, Seal and Robbie Williams among many others.

Friday 14 August

Maddie Morris
Cropredy will present a set by singer-songwriter Maddie, winner of the 2019 BBC Radio 2 Young Folk Award.

Emily Barker
A Cropredy debut for this acclaimed Australian singer-songwriter and multi-instrumentalist whose repertoire encompasses Americana, country and folk.

Home Service
Co-fronted by John Tams and John Kirkpatrick, Home Service is one of the UK’s best-loved folkrock groups and is characterised by a distinctive brass sound and great repertoire.

Martyn Joseph
Legendary singer/songwriter Martin returns to Cropredy with his rich voice and spellbinding songs.

The Slambovian Circus of Dreams
Hillbilly meets Pink Floyd in this surreal New York band. Rootsy psychedelia from the cool end of Americana.

The Sharon Shannon Quartet
Irish musician Sharon is known for button accordion, fiddle and whistle. Springing from Irish folk, her music reveals wide-ranging influences.

Turin Brakes
Indie folk rockers Turin Brakes are making their first appearance at Cropredy. They have seven studio albums and a million record sales to their credit.

Steve Hackett – Genesis Revisited
One of the most Britain’s most accomplished and celebrated guitarists returns to Cropredy. Steve’s extraordinary musical versatility draws on influences as diverse as jazz, world and blues to recreate the unique sound of prog-rock legends Genesis.

Saturday 15 August

Richard Digance
BAFTA nominee Richard returns to his traditional Saturday slot to get the day off to a flying start.

Holy Moly & The Crackers
Fronted by vocalist Ruth Patterson, this Newcastle sextet mixes British folk with dollops of rock’n’soul, indie, balladeering and a touch of psychedelia. They describe their sound as “riotous party music for the masses.”

The Bar-Steward Sons of Val Doonican
This comedy folk and parody band from Barnsley completely stole the show when they played Cropredy in 2018 and are back by popular demand.

Rosalie Cunningham
Rosalie Cunningham is an English singer/songwriter with a distinct style who has appeared on Later with Jools Holland and supported Jack White’s UK tour.

Matthews Southern Comfort
Fronted by ex-Fairport singer Iain Matthews, Matthews Southern Comfort plays melodic laid-back Americana.

Richard Thompson
Virtuoso guitarist and renowned songwriter Richard will take the Cropredy stage twice in 2020; in his own solo set and as part of the fiftieth anniversary of the Full House album.

Fairport Convention
Saturday’s traditional extended headline set from Fairport will include the band’s 1970 line-up playing the whole of Full House in album order plus the current line-up performing a wealth of material old and new.

Cropredy tickets on sale

Cropredy three-day tickets are on sale from today.

The first 1,000 orders will receive a Christmas card signed by all five members of Fairport Convention the first 2,000 will get a souvenir Cropredy car window sticker.

Tickets are available via Fairport Convention’s website www.fairportconvention.com

 

 

MARRY WATERSON & EMILY BARKER – A Window To Other Ways (One Little Indian)

A Window To Other WaysA musical meeting of minds at a writing retreat led by Kathryn Williams led to Waterson, the daughter of Lal Waterson as, as such, English folk royalty, and Stroud-based Australian singer Emily Barker writing a song entitled ‘I’m Drawn’.

That, a dark, dank foliage folk plucked banjo number featuring cello and their two voices, now appears as part of this first collaborative album, produced by multi-instrumentalist Adem Ilhan, another attendee at the retreat, and featuring contributions by Lukas Drinkwater on guitar and bass and drummer Rob Pemberton. Following this initial collaboration, the pair continued to meet, at their respective home, to write these other songs that push their respective folk boundaries into other fields.

First up comes the pensive (and perhaps project descriptive) people watching title track with its eerie lyrics (“I’m a fly on the wall.. a lone ghost taking notes”) and sombre bass and cello, the mood immediately upended with the walking beat and handclaps of Richard Thompson meets The Bangles folk rock ‘Perfect Needs’.

A personal favourite is the hypnotic ‘Little Hits Of Dopamine’, a vaguely Eastern rhythmic chug with clicking percussion, trippy double bass groove and nervy banjo about social media addition with its “instant gratification” and “one click communication”.

Opening with and featuring thumb piano, the heady musical atmosphere continues on the alt-folk ‘All Is Well’, another Eastern snakelike rhythm weaving around traditional folk roots that calls to mind Robert Plant’s experiments in melding different folk cultures. The mood and tempo’s sustained as Barker takes lead on the late 60s psychedelia-shaded ‘We Don’t Speak Anytime’, a pulsing drone and sparse bass underpinning the vocally shared slow coma JOMO waltz ‘Drinks Two and Three’.

Barker’s spooked, plucked banjo provides the bedrock to ‘I’m Drawn’, the harmonies kicking in on the chorus, nimble fingerpicked acoustic taking over on the folksiest number, ‘Twister’ which, with lines like “he’s an eight ball” and the refrain “Let’s stay curious”, musically calls to mind the solo work of Linda Thompson or, perhaps more so, daughter Kami, at least until it suddenly takes off into a brief bridge of backward sounds.

The creative balance has, generally speaking, Waterson providing the lyrics and Barker the music, but the latter does have one lyric of her own, albeit ‘Disarm’ being just a 57 second naked bluesy track written at the retreat with Adem and set to a music box backing created by making holes in a paper scroll and then then fed through the machine to create the sound.

‘It’ll Be Good’ returns to piano for a lovely apology for not “being in the mood to be a person today”, Barker’s echoey distant backing vocals counterpointing Waterson’s note of weary self-convincing optimism before treated whispery vocals misleadingly introduce ‘Trick Of The Light’ which then, anchored by Drinkwater’s bass and reveals itself as a sultry sung 40s jazzy blues that echoes Barker’s own most recent album. After mention of illumination, it ends with the achingly beautiful ‘Going Dark’, a slow and soulful dual vocal piano waltz around the ballroom of depression (“when I go so low, when I go dark”) that dances with the ghost of Sandy Denny to a cello serenade.

The press release describes the album as a truly special one-off collaboration. Let’s hope not.

Mike Davies

Artists’ websites: www.marrywaterson.com   www.emilybarker.com

‘We Don’t Talk Anytime’ – official video:

Applewood Road bio

Applewood Road

In September 2014, three songwriters met for the first time in a cafe in East Nashville. By the next morning they had put the finishing touches to their first song, ‘Applewood Road’, which they recorded live to tape at Nashville’s all analogue studio, Welcome to 1979.

The song’s nostalgic air, along with the clear, sparse arrangement of three vocals accompanied by double bass, drew immediate positive response, and they decided to expand the idea into a full album.

Six months later, they reconvened to write, rehearse and record songs for the self-titled album Applewood Road. The songs were again performed live around a single microphone at Welcome to 1979 and recorded to two-track tape with minimal accompaniment from some of Nashville’s finest session players, including Aaron Lee Tasjan, Josh Day,  Fats Kaplin, Jabe Beyer, and Telisha Williams.

The tapes were assembled at London’s most exclusive high-end mastering suite, Gearbox Records, mastered through their vintage analogue outboard, and lacquers cut in-house on their own Haeco lathe.

Applewood Road is Emily Barker, Amber Rubarth and Amy Speace.

Artists’ website: http://applewoodroadmusic.com/

‘Losing My Religion’ live at Union Chapel:

APPLEWOOD ROAD – Applewood Road (Gearbox GB1531)

Applewood RoadThose for whom the highlight of the Oh Brother soundtrack was the coming together of Emmylou Harris, Alison Krauss, Gillian Welch will undoubtedly have been disappointed that no further recordings by the trio followed. This album is for them. Meeting for the first time in the autumn of 2014, within two hours Emily Barker, Amber Rubarth and Amy Speace had written their first song. So pleased where they with the following week’s recordings, they decided to get back together and record some more. Six months later, with the help of guitarist Aaron Lee Tasjan, Telisha Williams on upright bass, drummer Josh Day, Jabe Beyer on harmonica and the great Fats Kaplin on accordion and fiddle, the album was completed, live to stereo tape.

Barker will, of course, be familiar from both her solo work and with Red Clay Halo, not to mention being responsible for the theme music to the BBC series Wallander and The Shadow Line, the latter of which won an Ivor Novello. A former actress, Peace, who was discovered by Judy Collins, has also released several critically acclaimed albums, among them How To Sleep In A Stormy Boat and That Kind of Girl, her song ‘Weight of the World’ being ranked fourth best Folk Song of the Decade by leading New York radio station WFUV.

Rubarth is probably a lesser known quantity, though she too has released a clutch of well reviewed albums as well as co-founding Brooklyn indie outfit The Paper Raincoat whose work has featured in, among others, One Tree Hill.

Here, they variously contribute collaborative and solo material, kicking off with the eponymous title track, the first and only song they wrote together, a dreamy, slow strummed close harmony leaving home number, the three voices backed just by upright bass. Next up is the first from Rubarth (whose name appears on seven of the 13 credits), co-writing with Norah Jones’ guitarist Adam Levy on ‘To The Stars’, a song that combines wishes, the magic of radio, love, life and mortality all in three minutes.

Elsewhere Rubarth joins writing forces with Adrianne Gonzalez and Garrison Starr on the guitar snare and claps gospel shuffle ‘Honey Won’t You’, and, Peace taking lead, Josh Day for the Van Gogh inspired ‘Row Boat’, the boat bobbing rhythm carried by a drum played in the manner of a tape loop.

Writing solo, she contributes ‘Old Time Country Song’, which, featuring fiddle, banjo and a false start to capture that live moment, sounds exactly as you would expect from the title; the Louvinsesque front porch good time ‘Lovin’ Eyes’ with Tasjan picking nylon string guitar; and the brief album closer lullaby ‘My Love Grows’.

Other than the title track, Peace is only credited on two numbers, her solo offering being ‘Josephine’, a mid-tempo, fiddle and guitar backed free spirit song to her niece written from the perspective of her twin brother. She also co-writes with Robby Hecht on the gentle first flames of romance that is ‘Give Me Love’ featuring Barker’s plucked banjo and Kaplin’s wheezing accordion. Hecht also pairs with Barker on ‘I’m Not Afraid Anymore’, Tasjan playing slide on a keening song about acknowledging when a relationship has run its course.

The album’s remaining three tracks are all penned by Barker, the first up being ‘Home Fires’ which, with minimally picked acoustic guitar and soaring three part harmonies, uses winter imagery to speak of how when you open your heart, you have to take in hurt as well as joy, but how you need to keep the fires burning to survive the cold. Built around a banjo riff and harmonica ‘Sad Little Tune’, an upbeat number about not taking things you already have for granted while wishing for more. And, finally, written, like that, in Western Australia and inspired by the bushfires burning while she was there, there’s the breezy cooing harmonies of the 30s flavoured ‘Bring The Car Round’, a similarly themed song about holding on to what matters. Unfussy and rather lovely, their voices flowing beautifully together this is a true delight and it’s to be hoped that this road is the start of a journey rather than the culmination of one.

Mike Davies

Artists’ website: http://applewoodroadmusic.com/

‘Lovin’ Eyes’ – official video:

Applewood Road – debut album

Applewood Road

In September 2014, three songwriters – Emily Barker, Amber Rubarth and Amy Speace – met for the first time in a cafe in East Nashville. Two hours later they had written the song they called ‘Applewood Road’. They booked studio time at Nashville’s super cool analogue studio Welcome To 1979 and the following week recorded the song live to tape with just double bass as accompaniment.

So excited were they by the song and the way that their voices blended together, they decided to expand the idea into a whole album. So, six months later, they reconvened in Nashville to write, rehearse and record twelve more songs with both the project and album called Applewood Road.

Back at Welcome To 1979, the songs were all recorded live to stereo tape with minimal accompaniment from some hugely talented session players – guitarist Aaron Lee Tasjan, Fats Kaplin on accordion, Telisha Williams on upright bass, Jabe Beyer on harmonica and drummer Josh Day. The completed album was then handed over to the expert hands of Gearbox Records in London to be mastered at their vintage analogue studio, complete with their own 1967 Heaco Scully lathe, Westrex amplifiers and Studer tape machines.

Applewood Road made their performance debut in Nashville during AmericanaFest 2015. A visit to the UK followed with live shows including Union Chapel in London, a showcase at Tileyard Studios and album playback at Gearbox Records, as well as a live radio session for Dermot O’Leary’s BBC Radio 2 show where they performed ‘Applewood Road’ and REM’s ‘Losing My Religion’.

The album Applewood Road will be released on 12th February 2016 as a 180gram vinyl album with free 24-bit 48kHz download. It will also be released as a compact disc and digital stream & download.

Emily, Amber and Amy will return to London for the launch of the album in early February and are available for interview. “Making our way down Applewood Road…….”

EMILY BARKER

Emily Barker is the award-winning songwriter and performer of the theme to BBC TV’s Wallander. She has also provided the theme music to BBC drama The Shadow Line (which won an Ivor Novello for best TV soundtrack) and has recently composed music for Daniel Barber’s The Keeping Room as well as her first feature length soundtrack, for Jake Gavin’s UK road movie Hec McAdam starring Peter Mullan. Her music is a blend of roots influences from country to folk via 60s pop and her most recent release is a collection of solo versions of songs from her previous albums: The Toerag Sessions. Emily’s last critically acclaimed album with The Red Clay Halo, Dear River, garnered four and five star reviews in national and specialist publications alike and debuted in the UK Independent Album Breakers chart at #3, spending 5 weeks in the top 20.

‘Heartfelt songwriting… bridging the gap between folk, country and Fleetwood Mac’ The Times

‘Emily Barker has a gift for great melodies’ The Guardian

‘ambitious and beautifully wrought’ Q

‘singer-songwriters are hardly an endangered species in 2013 but there should still be room for those as talented as Emily Barker’ Evening Standard

AMBER RUBARTH

Amber Rubarth is a critically acclaimed American folk singer and songwriter who has independently released six albums. She tours regularly throughout Europe, the USA and Japan and has performed with many artists including Emmylou Harris, Kenny Loggins, Marc Cohn, Richie Havens, Dr. Ralph Stanley and Jason Mraz. Winner of the NPR Mountain Stage New Song Contest, her sixth studio album “A Common Case of Disappearing” was produced by Grammy Award winning producer Jacquire King (Tom Waits, Norah Jones) and performed well on the iTunes Singer-Songwriter charts.

In addition to her solo work, Rubarth co-founded the Brooklyn based indie band The Paper Raincoat whose music has been featured widely on TV and films (Disney’s The Last Song, One Tree Hill, Google and Aquafina commercials). Their debut album based on an original fictional story, is currently being expanded into a musical theatre production. Rubarth has also composed for films, including Sundance Film Festival winner Joan Rivers: A Piece of Work and the award-winning documentary Desert Runners. She is currently making her acting debut co-starring with Joe Purdy in a feature film set for 2016 release.

AMY SPEACE

Baltimore–born, Nashville-based Folk/Americana songwriter Speace has enjoyed rave reviews for her solo work, including latest album “That Kind Of Girl” and her 2013 record, “How To Sleep In A Stormy Boat,” a song cycle inspired by Shakespearean characters – fittingly for Speace since she started her creative career as an actress with The National Shakespeare Company in NYC before being discovered in a folk club by Judy Collins. Her debut “Songs For Bright Street” was released in 2006 on Collins’ Wildflower Records. “The Killer In Me” followed in 2009 with NPR comparing her to a young Lucinda Williams, then “Land Like A Bird” on the Thirty Tigers label. Her track “The Weight of the World” was named #4 Folk Song of the Decade by NYC’s premiere AAA radio station WFUV. Her songs have been recorded by Judy Collins, Red Molly, Memphis Hall of Fame blues artist Sid Selvidge and others. She has recorded duets with Ian “Mott The Hoople” Hunter, Gary Louris (The Jayhawks), Sid Selvidge, Soozie Tyrell (The E-Street Band), John Fullbright and John Moreland and has toured with Nanci Griffith, Guy Clark, Mary Gauthier, Ian Hunter, Judy Collins, Shawn Colvin, Alejandro Escovedo and many others.

“Amy Speace channels the classics” Billboard Magazine

“The next time someone tells you they don’t make good music anymore, tell them they must not have heard of Amy Speace. She is a timeless singer/songwriter”. No Depression

Artists’ website: http://applewoodroadmusic.com/

‘Applewood Road’ live in the studio:

 

Land Of Hope & Fury – what it’s all about

Land Of Hope & Fury

A message from Jamie & Stevie Freeman:

We woke up on May 8th to election results that left tens of millions of people feeling disenfranchised and without a voice. Rather than wait quietly for another five years before we got to have our say, we decided to return to the proud musical tradition of the protest song. Our votes might have counted for nothing, but we could still make our voices heard.

We contacted our many friends in the roots music world and asked them to contribute something to a compilation of contemporary protest songs, and the results were an incredibly diverse range of musical, emotional and political styles. Land Of Hope & Fury was born. Sixteen artists in total donated songs with nine of them written specifically for the album. This coming together of people, all acting out of simple desire to make the world a better place, has been the single most encouraging aspect of this project, It is the proof that Margaret Thatcher’s suggestion that “there’s no such thing as society” is as wrong today as ever it was.

38 Degrees

We didn’t want to profit financially from the album, so we looked for a suitable beneficiary that was aligned with our frustrations, but not bound to one set of policies. Politics had let us down, so a campaigning group from outside of the political system seemed like a good choice. We felt 38 Degrees’ mix of online petitioning and real-world actions was just right for Land Of Hope And Fury, and they were delighted to take part. We couldn’t be happier to have them alongside us.”

Jamie’s brother Martin Freeman (The Hobbit, The Office, Sherlock) made a video supporting the Labour Party, so his family are no stranger to politics.

Track List

Luke Jackson – Forgotten Voices
Mark Chadwick (Levellers)  –  No Change
Emily Barker – Doing The Best I can
Moulettes – Lullaby
Lucy Ward – Bigger Than That
The Jamie Freeman Agreement – Homes for Heroes
The Self Help Group  – Funeral Drum
The Dreaming Spires – Follow The Money
Mountain Firework Company – Filthy Lucre
Phil Jones (Hatful Of Rain) – New Homes
O’Hooley & Tidow – The Hum
Will Varley  – The Sound Of The Markets Crashing
Chris TT – A-Z
Plumhall – Never Forget My Name
Grace Petrie – If There’s a Fire In Your Heart
Danni Nicholls  – A Little Redemption

Buy it from https://unionmusicstore.com