Amy Speace – the former Shakespearean-trained actor who is known for her literate, detailed songwriting and versatile, expressive vocals – has announced the September 6th release of Me And The Ghost Of Charlemagne, a collection of exquisite lyrical portraits in miniature that she says “is about life and death and the journey of all dreamers.”
Produced by longtime collaborator Neilson Hubbard and recorded during the final weeks of Speace’s pregnancy with her first son at age 50, ‘Me And The Ghost Of Charlemagne’ captures Speace at her most nakedly honest, with sparsely-decorated songs that double down on her larger-than-life voice and detail-rich songwriting. It’s an album about the colliding of dreams and reality, full of characters making sense of their lives when something is lost and then found. Really, it’s an album about the trials and triumphs of an artist’s journey – a journey that’s no longer focused upon the destination, but upon the actual trip itself.
Discovered and mentored by folk-pop icon Judy Collins, Speace left her career as a classically-trained Shakespearean actress and, instead, kicked off a string of acclaimed albums, including Songs For Bright Street, The Killer In Me, and How to Sleep In A Stormy Boat. Championed by The New York Times, NPR and more, she received further acclaim as a member of Applewood Road , a harmony-heavy trio whose self-titled album became a critical success in the UK, earning a five-star review from The Sunday Times .
Speace blends the best parts of American roots music — gospel, alt-country, folk, classic pop — into her own songs. Me And The Ghost Of Charlemagne follows in that diverse tradition, but it also shines its light on a new Amy Speace: a clear-eyed, re-energized songwriter who’s done with chasing things that don’t matter…but isn’t anywhere close to being done with her art.
Amy plays The Green Note on Wednesday September 4th and The Long Road Festival on Sunday September 8th
So here they are: the Folking Award winners of 2017.
First of all, a big thank you to everyone who voted – more than 20,000 votes were cast. Congratulations to the winners and commiserations to the runners-up, although all our nominees are winners to the writers who enjoyed their music, either live or on record, over the last year and placed them on the short list. Here are the public vote winners and now, may I have the first envelope please… no, not that one!
Soloist of the Year – Ralph McTell
Listen to the Darren Beech/ Paul Johnson interview with Ralph at Cropredy 2016 here
Best Duo – Show Of Hands
Read all about Show Of Hands’ Big Gig at the Royal Albert Hall here
Best Band – Harp And A Monkey
This was a very close vote but we’re delighted that Harp And A Monkey triumphed in the Best Band category even though they narrowly beat another of our favourites.
As before, there are no actual trophies to present (but if anyone would like to tender for making some in the future please let us know). However, everyone on the long lists and on the short lists as well as the winners can rejoice that they made an impression on a lot of people during 2016.
Have another great musical year!
The Folking team
If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website.
In September 2014, three songwriters met for the first time in a cafe in East Nashville. By the next morning they had put the finishing touches to their first song, ‘Applewood Road’, which they recorded live to tape at Nashville’s all analogue studio, Welcome to 1979.
The song’s nostalgic air, along with the clear, sparse arrangement of three vocals accompanied by double bass, drew immediate positive response, and they decided to expand the idea into a full album.
Six months later, they reconvened to write, rehearse and record songs for the self-titled album Applewood Road. The songs were again performed live around a single microphone at Welcome to 1979 and recorded to two-track tape with minimal accompaniment from some of Nashville’s finest session players, including Aaron Lee Tasjan, Josh Day, Fats Kaplin, Jabe Beyer, and Telisha Williams.
The tapes were assembled at London’s most exclusive high-end mastering suite, Gearbox Records, mastered through their vintage analogue outboard, and lacquers cut in-house on their own Haeco lathe.
Applewood Road is Emily Barker, Amber Rubarth and Amy Speace.
Welcome to the 2017 Folking Awards. Last year’s inaugural poll was such a success that we had to do it again. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with sweat, tears and not a little blood by the Folkmeister and the Editor.
There are five nominees in each category, all of whom have been featured in the pages of folking.com in 2016.
As with the format last year, all are winners in our eyes. However, its not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.
Soloist Of The Year
Cathryn Craig & Brian Willoughby
Ange Hardy & Lukas Drinkwater
O’Hooley & Tidow
Show Of Hands
Afro Celt Sound System
Harp And A Monkey
Nancy Kerr and The Sweet Visitor Band
Best Live Act
The James Brothers
Robb Johnson and the My Best Regards Band
Sam Kelly & The Lost Boys
Mad Dog Mcrea
Tall Tales & Rumours – Luke Jackson Ballads Of The Broken Few – Seth Lakeman/Wildwood Kin Preternatural – Moulettes Somewhere Between – Steve Pledger Dodgy Bastards – Steeleye Span
Rising Star Act
The Brewer’s Daughter
Said The Maiden
Emily Mae Winters
Best International Act
The public vote closed Midday Saturday 22 April 2017 and the winners have now been announced HERE
If you would like to consider ordering a copy of an album for any of our award winners (in CD or Vinyl), download an album or track or just listen to snippets of selected songs (track previews are usually on the download page) then type what you are looking for in the search bar above.
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Those for whom the highlight of the Oh Brother soundtrack was the coming together of Emmylou Harris, Alison Krauss, Gillian Welch will undoubtedly have been disappointed that no further recordings by the trio followed. This album is for them. Meeting for the first time in the autumn of 2014, within two hours Emily Barker, Amber Rubarth and Amy Speace had written their first song. So pleased where they with the following week’s recordings, they decided to get back together and record some more. Six months later, with the help of guitarist Aaron Lee Tasjan, Telisha Williams on upright bass, drummer Josh Day, Jabe Beyer on harmonica and the great Fats Kaplin on accordion and fiddle, the album was completed, live to stereo tape.
Barker will, of course, be familiar from both her solo work and with Red Clay Halo, not to mention being responsible for the theme music to the BBC series Wallander and The Shadow Line, the latter of which won an Ivor Novello. A former actress, Peace, who was discovered by Judy Collins, has also released several critically acclaimed albums, among them How To Sleep In A Stormy Boat and That Kind of Girl, her song ‘Weight of the World’ being ranked fourth best Folk Song of the Decade by leading New York radio station WFUV.
Rubarth is probably a lesser known quantity, though she too has released a clutch of well reviewed albums as well as co-founding Brooklyn indie outfit The Paper Raincoat whose work has featured in, among others, One Tree Hill.
Here, they variously contribute collaborative and solo material, kicking off with the eponymous title track, the first and only song they wrote together, a dreamy, slow strummed close harmony leaving home number, the three voices backed just by upright bass. Next up is the first from Rubarth (whose name appears on seven of the 13 credits), co-writing with Norah Jones’ guitarist Adam Levy on ‘To The Stars’, a song that combines wishes, the magic of radio, love, life and mortality all in three minutes.
Elsewhere Rubarth joins writing forces with Adrianne Gonzalez and Garrison Starr on the guitar snare and claps gospel shuffle ‘Honey Won’t You’, and, Peace taking lead, Josh Day for the Van Gogh inspired ‘Row Boat’, the boat bobbing rhythm carried by a drum played in the manner of a tape loop.
Writing solo, she contributes ‘Old Time Country Song’, which, featuring fiddle, banjo and a false start to capture that live moment, sounds exactly as you would expect from the title; the Louvinsesque front porch good time ‘Lovin’ Eyes’ with Tasjan picking nylon string guitar; and the brief album closer lullaby ‘My Love Grows’.
Other than the title track, Peace is only credited on two numbers, her solo offering being ‘Josephine’, a mid-tempo, fiddle and guitar backed free spirit song to her niece written from the perspective of her twin brother. She also co-writes with Robby Hecht on the gentle first flames of romance that is ‘Give Me Love’ featuring Barker’s plucked banjo and Kaplin’s wheezing accordion. Hecht also pairs with Barker on ‘I’m Not Afraid Anymore’, Tasjan playing slide on a keening song about acknowledging when a relationship has run its course.
The album’s remaining three tracks are all penned by Barker, the first up being ‘Home Fires’ which, with minimally picked acoustic guitar and soaring three part harmonies, uses winter imagery to speak of how when you open your heart, you have to take in hurt as well as joy, but how you need to keep the fires burning to survive the cold. Built around a banjo riff and harmonica ‘Sad Little Tune’, an upbeat number about not taking things you already have for granted while wishing for more. And, finally, written, like that, in Western Australia and inspired by the bushfires burning while she was there, there’s the breezy cooing harmonies of the 30s flavoured ‘Bring The Car Round’, a similarly themed song about holding on to what matters. Unfussy and rather lovely, their voices flowing beautifully together this is a true delight and it’s to be hoped that this road is the start of a journey rather than the culmination of one.
In September 2014, three songwriters – Emily Barker, Amber Rubarth and Amy Speace – met for the first time in a cafe in East Nashville. Two hours later they had written the song they called ‘Applewood Road’. They booked studio time at Nashville’s super cool analogue studio Welcome To 1979 and the following week recorded the song live to tape with just double bass as accompaniment.
So excited were they by the song and the way that their voices blended together, they decided to expand the idea into a whole album. So, six months later, they reconvened in Nashville to write, rehearse and record twelve more songs with both the project and album called Applewood Road.
Back at Welcome To 1979, the songs were all recorded live to stereo tape with minimal accompaniment from some hugely talented session players – guitarist Aaron Lee Tasjan, Fats Kaplin on accordion, Telisha Williams on upright bass, Jabe Beyer on harmonica and drummer Josh Day. The completed album was then handed over to the expert hands of Gearbox Records in London to be mastered at their vintage analogue studio, complete with their own 1967 Heaco Scully lathe, Westrex amplifiers and Studer tape machines.
Applewood Road made their performance debut in Nashville during AmericanaFest 2015. A visit to the UK followed with live shows including Union Chapel in London, a showcase at Tileyard Studios and album playback at Gearbox Records, as well as a live radio session for Dermot O’Leary’s BBC Radio 2 show where they performed ‘Applewood Road’ and REM’s ‘Losing My Religion’.
The album Applewood Road will be released on 12th February 2016 as a 180gram vinyl album with free 24-bit 48kHz download. It will also be released as a compact disc and digital stream & download.
Emily, Amber and Amy will return to London for the launch of the album in early February and are available for interview. “Making our way down Applewood Road…….”
Emily Barker is the award-winning songwriter and performer of the theme to BBC TV’s Wallander. She has also provided the theme music to BBC drama The Shadow Line (which won an Ivor Novello for best TV soundtrack) and has recently composed music for Daniel Barber’s The Keeping Room as well as her first feature length soundtrack, for Jake Gavin’s UK road movie Hec McAdam starring Peter Mullan. Her music is a blend of roots influences from country to folk via 60s pop and her most recent release is a collection of solo versions of songs from her previous albums: The Toerag Sessions. Emily’s last critically acclaimed album with The Red Clay Halo, Dear River, garnered four and five star reviews in national and specialist publications alike and debuted in the UK Independent Album Breakers chart at #3, spending 5 weeks in the top 20.
‘Heartfelt songwriting… bridging the gap between folk, country and Fleetwood Mac’ The Times
‘Emily Barker has a gift for great melodies’ The Guardian
‘ambitious and beautifully wrought’ Q
‘singer-songwriters are hardly an endangered species in 2013 but there should still be room for those as talented as Emily Barker’ Evening Standard
Amber Rubarth is a critically acclaimed American folk singer and songwriter who has independently released six albums. She tours regularly throughout Europe, the USA and Japan and has performed with many artists including Emmylou Harris, Kenny Loggins, Marc Cohn, Richie Havens, Dr. Ralph Stanley and Jason Mraz. Winner of the NPR Mountain Stage New Song Contest, her sixth studio album “A Common Case of Disappearing” was produced by Grammy Award winning producer Jacquire King (Tom Waits, Norah Jones) and performed well on the iTunes Singer-Songwriter charts.
In addition to her solo work, Rubarth co-founded the Brooklyn based indie band The Paper Raincoat whose music has been featured widely on TV and films (Disney’s The Last Song, One Tree Hill, Google and Aquafina commercials). Their debut album based on an original fictional story, is currently being expanded into a musical theatre production. Rubarth has also composed for films, including Sundance Film Festival winner Joan Rivers: A Piece of Work and the award-winning documentary Desert Runners. She is currently making her acting debut co-starring with Joe Purdy in a feature film set for 2016 release.
Baltimore–born, Nashville-based Folk/Americana songwriter Speace has enjoyed rave reviews for her solo work, including latest album “That Kind Of Girl” and her 2013 record, “How To Sleep In A Stormy Boat,” a song cycle inspired by Shakespearean characters – fittingly for Speace since she started her creative career as an actress with The National Shakespeare Company in NYC before being discovered in a folk club by Judy Collins. Her debut “Songs For Bright Street” was released in 2006 on Collins’ Wildflower Records. “The Killer In Me” followed in 2009 with NPR comparing her to a young Lucinda Williams, then “Land Like A Bird” on the Thirty Tigers label. Her track “The Weight of the World” was named #4 Folk Song of the Decade by NYC’s premiere AAA radio station WFUV. Her songs have been recorded by Judy Collins, Red Molly, Memphis Hall of Fame blues artist Sid Selvidge and others. She has recorded duets with Ian “Mott The Hoople” Hunter, Gary Louris (The Jayhawks), Sid Selvidge, Soozie Tyrell (The E-Street Band), John Fullbright and John Moreland and has toured with Nanci Griffith, Guy Clark, Mary Gauthier, Ian Hunter, Judy Collins, Shawn Colvin, Alejandro Escovedo and many others.
“Amy Speace channels the classics” Billboard Magazine
“The next time someone tells you they don’t make good music anymore, tell them they must not have heard of Amy Speace. She is a timeless singer/songwriter”. No Depression