I was beginning to muse about why it is that Irish, and indeed Scottish, musicians have such a deep desire to rework and circulate the music from their native lands and then I read that Steph Geremia is actually from New York. Up She Flew is Steph’s second album, almost ten years on from her debut and she is now ensconced in the north-west of Ireland from which much of her repertoire is drawn. North Connaught is her home and the source of her inspiration. Steph principally plays flute – more delicate and fluid than whistle or pipes – which makes this a very pretty record. She also plays soprano sax on two tracks and sings on one but doesn’t dwell on it.
Most of the material is traditional but among the credits you’ll find the names of Charlie Lennon, Martin Wynne and, venturing away from Ireland, Chris Stout. Steph is punctilious about noting the sources of her tunes so we learn that ‘The Housemaid’ is a version of ‘The Humours Of Glendart’ via Chris Sheridan and I suppose that we’ll one day read that a particular tune comes from the playing of Steph Geremia. I suppose, too, that that’s been going on for a few hundred years.
Steph has a fine supporting band, notably percussionist Jim Higgins and Aaron Jones on bouzouki and guitar but she remains on top of everyone and I suspect that co-producer Donal O’Connor has a lot to do with that. Even when Ben Gunnery’s fiddle or Michael Rooney’s harp is an integral part of a track it’s very restrained. If you’re a session player you’ll probably find several tunes that you’ll want to learn and if not, well, it’s a very pleasant album for a summer’s day.
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Artist’s website: http://stephgeremia.com/
‘Come Up To The Room I Want Ye/Ebb Tide’ – live: