ODETTE MICHELL – The Wildest Rose (Own Label)

The Wildest RoseAs previously mentioned on Folking.com, Odette Michell is following up her well-received debut EP from 2018 (By Way Of Night) with a full-length album called The Wildest Rose. The new CD will be launched at TwickFolk, held in the Cabbage Patch in Twickenham, on April 14th 2019, and is due for release on the 26th April. The launch will feature special guests Richard Lee & Phil Beer which gives you some idea of the regard in which she’s held among her fellow musicians. Talking of which, Odette’s vocals, guitar and bouzouki are more than ably supported here by Phil Beer on fiddle and backing vocals (tracks 1, 3 and 10), Stu Hanna on a variety of instruments (especially violin) and backing vocals on most tracks, and Toby Shaer on fiddle and whistle (tracks 2, 7 and 8).

Here’s the track list.

  1. If the sleeve didn’t tell me that ‘The Wildest Rose’ was written by Odette, I’d have assumed it was a traditional song I hadn’t met before: not only because of the cast of the lyrics – it seems to be a trademark of hers to write lyrics that are strongly influenced by traditional forms – but because of the shape of the very strong melody which has more than a hint of Irish. Some fine fiddling (of course) from Phil Beer here.
  2. ‘The Banks Of Annalee’ is also along traditional lines lyrically but a little more contemporary in presentation, with very striking vocal multi-tracking on the chorus, and nice doubling up between the fiddle and whistle.
  3. ‘Rolling Shores Of England’ is a nostalgic song that benefits from vocal harmony from Phil Beer.
  4. The title of ‘Bless The Ground You Grow On’ kind of speaks for itself. The vocal harmonies (which reminded me a little of Alison Krauss) and mandolin are particularly effective here.
  5. It would be a trifle perverse to make a song featuring the ‘Great Old Northern Line’ sound very traditional, I guess, and in fact this one leans a little (not too much!) towards country, but as ever, it has a very strong chorus that I could well imagine being popular in sessions. Very striking lyrics: it’s a pity there’s no lyric sheet with the CD. I almost catch myself being nostalgic for the 25 years I spent commuting on the Tube.
  6. ‘True Lovers Farewell’ is a very classy minor-key version of a song sometimes known as ‘Fare Thee Well’ or ‘Ten Thousand Miles’ or even ‘The Turtle Dove’ (under which title it was arranged by Vaughan Williams, though this is a very different reading). Beautifully sung with very tasteful guitar harmonies.
  7. ‘I Once Loved A Shepherd’ starts with striking double-tracked whistle before moving into a very accomplished story-song, though the tune is a little reminiscent of Joni Mitchell’s ‘Urge For Going’ in the chorus.
  8. There are many broadside ballads about the Gunpowder Plot, but ‘Light Up London Town’ takes a more contemporary approach, and yes, includes a strong chorus.
  9. ‘Dance Me Through The Night’ is perhaps the most ‘modern’ song here, but still fits very well in delivery and instrumentation with the rest of the CD.
  10. ‘The Eastern Seas’ could easily pass as an Irish air, and a good one at that. A lovely finish to the CD.

All in all, this is a fine collection of excellent melodies, beautifully sung and played, most of which give a nod lyrically and or melodically to UK traditional forms without straying too far into pastiche, and are notable for their irresistible choruses.

David Harley

Artist’s website: www.odettemichell.com

‘The Banks Of Annalee’ – live:


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