Following their tenth anniversary retrospective Kris Drever, Aidan O’Rourke and Martin Green return with an album of new music and Midnight And Closedown is certainly new.
It opens with a stunning song, ‘I Don’t Want To Die Here’. Drever says that the album is about islands and the listener is left imagining some God-forsaken lump of rock out in the ocean or wondering whether “here” refers to a state of mind or circumstances. Paul Simon wrote ‘I Am A Rock’ about just such a man and that theme is at the forefront of Midnight And Closedown. A long fiddle intro resolves into another song, ‘She Put On Her Headphones’ – the modern method of isolation – and that is followed by ‘Toy Tigers’ which I’m still deciphering. That’s three songs in succession: what’s going on?
‘Echolalia’ is the nearest we get to a “traditional” Lau instrumental track but even here Drever adds some la-la-la vocals and the beginning and the end. ‘Itshardtoseemokwhenyourenot’ seems to link an old and a new Lau. Martin Green’s electronic percussion pounds and Aidan O’Rourke’s fiddle pulses and dances as the track briefly breaks into something resembling rock’n’roll in the middle. It really is a terrific song and is only bettered by ‘Dark Secret’. The slightly sinister lyrics seem to be about therapy, at least in part, and drinking and I can’t believe that it is in any way autobiographical. Drever sings of being “born on the Isle Of Horses” which could refer to Shetland but I don’t want to follow that trail any further.
‘Return To Portland’ is the album’s second big instrumental piece with Green and O’Rourke trading lead lines and Green doing very much what Brian Eno did back in the day. There is noticeably less accordion here than we’re used to. Finally we have the acoustic ‘Riad’, written by O’Rourke although all three share writing credits, harking back to the band’s early days.
Midnight And Closedown is as brilliant as it is unexpected. Decade was full of the power and sheer volume that characterised Lau’s earlier work but this seems like a whole new direction.
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‘Echolalia’ – live: