As one half of Miracle Mile, Trevor ‘Jones’ released nine albums of beautiful, literate pop music, the last of which, In Cassidy’s Care, was issued in 2012. He’s a master songwriter, the type that worries beauty into shapes and sounds that unfurl with repeated listening. Together with musical partner and arranger Marcus Cliffe they collected a bouquet of critical acclaim that continues to flower in Jones’ solo career. Carver’s Law is his fifth solo outing, though Cliffe is never far away, helping to produce, record, arrange and play on every one;
Hopeland (2009); Keepers (2010); To The Bone (2014) and Happy Blue (2016). Like King Arthur under his hill, Jones waits patiently for the public to recognise what some of us knew from the start.
In the meantime, we have this wonderful collection and an opportunity to share it.
Avail yourself of a quality malt and an hour of me-time; 2019 marks the return of Jones with his fifth solo album, Carver’s Law. The result of soul-searching on the Suffolk coast and collaborations with Boo Hewerdine and David Bridie, Carver’s Law is another offering of classic songwriting from an artist who breathes the rarefied air of the unsung hero. Cut Jones and he bleeds quality.
What do we want from an artist? Are they duty bound to inform, educate, entertain? Do they dissemble, put words into the mouths of fictional characters that shoulder their creator’s burden, or is the contract approved with read-between-the-lines clauses that swap comfort zones for the twilight variety, the uncertain half-light where you trust images in the corner of your eye more than those you can stare at?
Should they hollow themselves out for us, such that we spend hours listening to their pain as it circles our turntable? In truth, we demand all of this and more. When we get it, it can be beyond anything we dared hope for and hope, like need, is a dangerous master. Carver’s Law is such a record, a long-player of profound beauty, where words twist and tumble like the first leaves of Autumn, coming to rest amongst layers of effortless melody like weary travellers. Here are acutely observed vignettes on life, death and everything that matters in-between. The anticipation of hope, the shadow of fear, doubt and self-analysis, and the slow slow, quick quick slow passing of time. A nervous energy frames these songs, one born of hard won knowledge and experience. The ability to articulate our deepest sorrows, desires, happiness and heartbreaks is a gift.
Carver’s Law is shot through with spirits bottled and biographical, often half full, always haunted, never less than 100% proof.Drink up; time is short and the water is rising. – Paul Woodgate
Artist’s website: http://www.miraclemile.co.uk/
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