HARP & A MONKEY – Live at Grayshott Folk Club

Harp & A Monkey
Photograph by Dai Jeffries

Although they have a new album on the way – pause for cheering – Harp & A Monkey had resolved not to play anything from it. Martin Purdy explained that when they had tried to preview new songs, audiences had been disappointed that they couldn’t buy them there and then. Besides, being such a long way from home gave them a perfect opportunity to explore their back catalogue in front of a new audience.

I’d seen them live once before, doing a support spot but here, in a headline role, they were able to relax and be a little more expansive. Their instrumentation seems minimal, not to say a little odd: banjo, guitar and glockenspiel with touches of accordion, melodica, fiddle and, yes, harp. However they perform over loops and backing tapes – Andy Smith and Simon Jones are both string players and it’s all their own work, so as Martin put it “we’re miming to ourselves” but they’re not, of course. They are playing in a situation where timing is everything and unforgiving and you can’t help but admire the skill when a note rings out a split second before a spoken word section of tape begins.

They began with ‘The Manchester Angel’, one of their adapted traditional songs and one which puts Harp & A Monkey in a geographical and historical context: mill towns, cobble streets and poverty. Many of their original songs encompass the history and geography of their home region as well as its people which is where the semi-traditional ‘Bolton’s Yard’ comes in. But they’re not restrictive as ‘Digging Holes’ proves and sometimes their songs are deeply personal – ‘Dear Daughter’ springs to mind.

The second set began with a selection of songs from War Stories, their Great War album, beginning with ‘The Banks Of Green Willow’. It may be sacreligious but I think I prefer their version of ‘Soldier, Soldier’ to Peter Bellamy’s. Peter emphasised the harshness of the poem whereas Harp & A Monkey bring out the tenderness. The album and songs like ‘Gallipoli Oak’ and ‘Postman’s Song’ concentrate on the other stories of the war – the widows, the bereaved parents and the civilians who kept services going at home but saw the misery and despair.

They finished with the lighter songs: ‘The Molecatcher’, ‘Pay Day’ – not exactly light, perhaps, but very singable – and the delightful ‘Katie And The Twinkly Band’ before encoring with ‘Charlie Chaplin’. A splendid show.

Jim Cozens
Photograph by Dai Jeffries

Harp & A Monkey were supported by singer-songwriter Jim Cozens and Grayshott are very lucky to have a performer of his calibre in their midst. His songs are never formulaic and conjure up wonderful pictures. I particularly liked ‘15th And P Street’, his account of living in Washington DC which he really brought to life.

Dai Jeffries

Artists’ website: http://www.harpandamonkey.com/

‘Soldier, Soldier’ – official video:


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