Winner of 2018’s BBC Radio Scotland’s Young Traditional Musician award, Hannah Rarity, has just successfully crowdsourced her debut album, and it’s exquisitely lovely. ‘Neath The Gloaming Star’ can only – rightly – enhance her growing reputation within Scottish traditional music.
Rarity has that crystal clarity often found in female Celtic voices, but with a misty breathiness around the edges. Her pure diction makes it a joy to follow her expressive storytelling as she makes tiny tweaks in rhythm or tempo, acutely adjusting phrasing to keep the listener hanging onto every word.
Opener, ‘The Moon Shined On My Bed Last Night’ foregrounds that voice, sparsely instrumented with piano and guitar. As the verses progress, the instrumentation intensifies and her singing gains force. It’s a strong start on an album of well-judged arrangements, like the loose groove and layered vocal of title track, ‘Neath The Gloamin’ Star At E’en’. There are other neat touches like the descending fiddle phrase as ugly witch ‘Alison Cross’ strikes her reluctant suitor down to the ground. Only some brief electric guitar harshness on a slowed-down ‘Braw Sailin’ On The Sea’ provides a minor jarring moment.
A couple of songs from Rarity’s 2016 EP, ‘Beginnings’ are redrawn here for a bigger band. Andy M Stewart’s ‘Where Are You (Tonight, I Wonder)?’ is thoughtful and intimate, taken slowly, underpinned by dark strings, piano and muted whistle, yet some of its former intensity is subdued. Conal McDonagh’s elegant whistle also rounds out a fuller arrangement of that lively tale of mistaken identity, ‘Erin Go Bragh’. (The short, fronted ‘a’ sound used here for “bragh” might well be logical, but it rather irksomely defeats the song’s internal rhyme scheme).
Both of Rarity’s featured self-compositions slot deservedly well into the album. The modernity of ‘Wander Through This Land’, punctuated by a soft, militaristic drum, is evident in its choppier phrasing and rhythms, whilst ‘Wasting Time’ reveals an intriguing, throatier aspect to her voice.
Moving performances of ‘Land O’The Leal’ and ‘Hallowe’en’ are reminders of the strength of Rarity’s interpretative talents, while Davy Steele’s ‘Rose O’Summerlee’ makes a perfect album closer, the vocal interwoven with Phil Cunningham’s tender accordion is simply stunning.
Artist website: www.hannahrarity.com
‘Land O’ The Leal’ – live:
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