I sometimes feel that I’ve lived with this album for almost as long as Daria has. I heard all the songs as they were released in their various ways; I talked to Daria about the background to the project and some of the stories and even got a sneak preview of the cover art. After all the anticipation I began to have a niggling fear that Long Lost Home might prove to be an anti-climax. What do I know?
Daria’s first solo album, Eternal Child, was autobiographical in the personal sense: the story of a young woman travelling the world and having, shall we say, adventures. Long Lost Home is autobiographical in the historical sense. The long lost home is Ingushetia in the Caucasus, the ancestral home of Daria’s grandmother, a country whose people were displaced in 1944 on the orders of Stalin. There are some harrowing stories here as well as more reflective ones.
The first song we heard was ‘The Moon And The Pilot’ which originally appeared on a Folkstock sampler and then slipped into Kara’s live set. Now in its proper setting it has blossomed to become the keystone of the record. You probably know it by heart if you’ve read this far but if not I won’t spoil the story for you. It sits second on Long Lost Home, following ‘Tamara’, based on words by the Russian romantic painter and poet, Mikhail Yuryevich Lermontov, about an immortal siren – there is an abrupt change in mood from the mythical to the painfully truthful in these two songs. Next comes ‘Safely Wed’ – arranged marriage was normal in Ingushetia but “Auntie Nina” defied the tradition – and the magnificent ‘Amanat’, another song that crept into Kara’s live set.
When I first listened to the record after every song I thought, “go on, top that” and, remarkably, Daria does just that. In the middle of the set is ‘The Panther’, the story of an NKVD officer who refused to aid the deportations and turned vigilante. Movies have been made of slenderer stuff. That’s followed by ‘Like A God’, about Daria’s grandmother’s uncle who defied Stalin in a different way and ‘Heart’s Delight’, based on a traditional Ingush song and set to a martial beat. Many of these songs are linked to Daria’s family going back three or four generations but the subject of ‘Gone’ is herself, still living in a land that is not her own but, unlike the Ingush of seventy years ago, she can return home.
The key musicians supporting Daria are multi-instrumentalists Jonny Dyer and Jason Emberton, who also produced the record and Ingush singer Timur Dzeytov who also plays the traditional dakhchan pandar, providing some of the more exotic sounds. Kate Rouse’s hammered dulcimer is a distinctive presence as are the nyckelharpas and smallpipes of Vicki Swan. Daria is in superb voice as befits these literate songs – the word “operatic” keeps coming to mind but that isn’t right at all. It’s about power and heart and love and melancholy and about telling important stories in a very human way.
Artist’s website: www.daria-kulesh.co.uk
Long Lost Home will be launched at Cecil Sharp House on February 23rd 2017 – the anniversary of the displacement of the Ingush people.
‘The Moon And The Pilot’ – official video:
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