Having released twenty-four studio albums, starting with his self-titled 1970 debut, at almost yearly intervals, the acclaimed Canadian singers-songwriter found himself hitting a creative block following 2011’s Small Source of Comfort, partly from the distraction of becoming a father again and partly because he’d poured all his energy into penning his memoir, Rumours of Glory.
But then he was approached to contribute a song to a documentary about seminal Canadian poet Al Purdy, and the spark returned. The result of that commission can be heard on the rhythmically chugging ‘3 Al Purdys’, which, featuring trumpet maestro Ron Miles on cornet and Julie Wolf on accordion, is a song written and sung in the gravelly voice of a homeless man who recites Purdy’s poems in the street in return for money and features spoken extracts from Purdy’s works, but extends beyond that as a typical Cockburn social commentary.
The album opens with the smoulderingly taut ‘States I’m In’, which he describes as literally a ‘dark night of the soul’ song about illusion and self-delusion and the tricks you play on yourself as it moves from sunset to dawn with imagery such as that of a drunk shinnying up a greased pole and “the mayor and his uniformed monkeys.”
‘Stab At Matter’ features his signature bluesy fingerpicked style, producer Colin Linden providing slide with gospel call and response vocals from Ruby Amanfu and The San Francisco Lighthouse Chorus, the latter a group of singers from Cockburn’s church who also feature on the subsequent folksier ‘Forty Years In The Wilderness’, this time joined by Mary Gauthier on a song about faith and moving forward.
It’s back to the blues with ‘Café Society’, a drivealong almost rockabilly boogie with treated vocals about the folk who collect at his local coffee shop to chew over the state of the world, slowing the blues groove down for the circling riff of ‘Looking and Waiting’, one of his faith and frustration religious-themed numbers (“scanning the skies for beacon from you”) that sees him on 12 string and mbira, joined by nephew John on accordion and sansula, Linden on slide and the Lighthouse Chorus, this time with Brandon Robert Young.
Cockburn’s name is too often absent when lists of guitar greats are bandied about, but, featuring just his picking and bones the intricate instrumental ‘Bone On Bone’ shows just why it should be mentioned alongside the likes of Clapton, Thompson, Gregson et al.
Its back to vocals for ‘Mon Chemin’ (aka ‘The Road’), accompanying himself on charango and dulcimer and singing (and swearing) in French for a meditation on a physical and existential life on the road that sees Miles providing some striking cornet cork. Bringing back nephew, Linden, Young and the Chorus, ‘False River’ started out as another commission, this time from Victoria poet laureate Yvonne Bloomer who wanted him to pen a spoken word piece about the Kinder Morgan Mountain Pipeline, the controversial pipeline which, built in 1953, carries crude oil from Alberta to the west coast of British Columbia and is the reported source of considerable environmental damage. The final form, however, is a complex rhythmically itchy fingerpicked brooding number with lines about tanker carcasses the planet’s pierced bones and even “a diamond-crusted pendant in the shape of Bart Simpson” in what emerges as a potent environmental warning that “on our own heads be our doom.”
As the title suggests, ‘Jesus Train’ is very much in Cockburn’s gospel mode, a relentless wheels turning chugger about heading for the city of God and marking another spirited turn for Amanfu and the Chorus. Continuing with the spiritual and mysticism themes given a sense of greater urgency in the Trump era, they also line up for ‘Twelve Gates To The City’, a 12 string fingerpicked gospel blues that sees Miles adding New Orleansy jazzed brass flourishes as drummer Gary Craig pins down the persistent rhythmic drive that sees the album out in fine style. The creative drought has given way to a virtual monsoon, so perhaps, following his long overdue induction into the Canadian Songwriters Hall of Fame, we can look forward to a follow up in the not too distant future.
‘States I’m In’:
Artist’s website: www.brucecockburn.com
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