It was a time not only of music’s charting big names but also exploration by the Incredible String Band, Dr. Strangely Strange, developing folk rock (Pentangle; Fairport Convention; Steeleye Span), folk boomers pushing boundaries (Mick Softley; John Renbourn to whom the box is dedicated with Clive Palmer), and also a vibrant scene of counterculture comics, Alice in Wonderland on the Beeb in experimental form, revived novels by Hermann Hesse, Aldous Huxley, Tolkien, Krishna Consciousness, New Age, and Jesus Movements (one of which is here). David Wells’ myth-dispelling notes tells us that acid-folk was applied in the late ’60s, not retrospectively, as a quieter parallel to acid-rock. Martin Carthy called it “pagan” at the time.
Here, from 1967-72, are not only the famous, plus those of cult status, but also the obscure pressed in a few dozen copies to avoid VAT, unreleased demos, rare singles and soundtrack samples (Magnet, aka Hocket or Lodestone, for The Wicker Man; a very early Vashti Bunyan from Swinging London). It is a cornucopia, an extensive botanical garden of species and one-off hybrids, but why the absence of Dr. Strangely Strange, Forest, Third Ear Band, Blondel, Sweeney’s Men, Strawbs, Dulcimer, Dawnwind, ‘Mac’ Macleod…Why ‘British underground’ without leading Irish or Welsh for what was a cosmopolitan scene? Were Pentangle, Steeleye Span and Joan Armatrading ever underground pray tell? The title seems a bit like a punt into the wrong neighbours’ garden, the link to the sub-title eludes me, but such points are as titchy as a gnat’s boil regarding the overall musical delight. Nowadays box-sets are as much due to label ownership as personal taste or accuracy, hence contents as elastic as an elastic band used to be. Continue reading VARIOUS ARTISTS – Dust on the Nettles: A Journey Through the British Underground Folk Scene 1967-72 (Grapefruit/Cherry Red CRSEGBOX030)