I sometimes while away an idle moment trying to discern trends in Scottish music and I always fail. There are young musicians playing the oldest tunes they can find, others pushing the boundaries of composition in their reinterpretation of old forms and some playing rock’n’roll on bagpipes and big drums. Paul Anderson falls into yet another category, a composer of new music that sounds as old as the Aberdeenshire hills that he’s celebrating. The High Summit is his third album of his own music.
Paul’s fiddle is the dominant sound, of course, but he has a fine bunch of supporting musicians all whom would grace any album. Top of the list, I suppose, is keyboard player and co-producer Ali Napier who also gets a tune named after him. Then there are guitarists Tony Mcmanus and Malcolm Jones bringing two very different styles to the party, Swedish cittern player Ale Carr and James Gorgon who plays extraordinary percussion on ‘Corporal Hare Of The Royal Marines/The Diamond Special’.
There are eighteen tracks on the album, many quite short, and all save one are instrumentals. Paul names his tunes after places and people in the old-fashioned manner so ‘Anne Cromar Of Morpeth’ and ‘Alastair MacDougall Of Hopewell’ get name-checks. The odd track out is ‘The Bonnie Banks O’ Dee’, co-written and sung by Shona Donaldson, who also has the closing track named for her. Shona has one album to her credit and it’s very tempting to track a copy down but I digress. The song captures perfectly the cadences and feel of the Scots tradition and if a duo album of their original songs doesn’t emerge out of this I’ll be very disappointed.
The High Summit is a lovely album, full of bouncy dance rhythms and beautiful airs. It’s a record that you can easily lose yourself in.
If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the PAUL ANDERSON – The High Summit link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.
Scottish Celtic harmonica might seem like something of a niche market and that’s what I thought at first – but wait. Bho M’ Chridhe translates as From My Heart and that is exactly where this music comes from. The tunes come from all over Scotland and even further afield and feature tunes from Donald’s old friends and musical partners, some played by relatives of the composers, and a fiddle made by his great-uncle.
You know what harmonica sounds like, right? Forget all that – actually there are a few bars of train blues on ‘The Highland Express’, but let’s leave that aside for a moment. Harmonicas are free reed instruments like concertinas, accordions and many others and Donald treats them as such. Oddly enough, the bagpipes are not free reeds but several times I looked to see who was cheating by playing pipes. To put it simply, he is a virtuoso and though fans of blues harp and jazz players will point to their heroes in Donald Black’s hands the harmonica will sit up and beg. Not because of speed, although the second set ‘Pipe Reels’ could raise blisters, but because of flexibility and feel and an understanding of what the instrument can do.
Styles range from the old-fashioned dance band sound of ‘2/4 Marches’ and ‘Highland Schottishe’ to beautiful haunting slow airs like ‘Cumha Mhic Criomain’ and ‘Jimmy Mo Mhile Stòr’ through ‘Gaelic Melodies’, jigs, reels, polkas and waltzes. Donald has a fine cast of supporting musicians: melodeons, accordions, fiddles and keyboards and players include Runrig’s Malcolm Jones, Blazin’ Fiddler Alan Henderson and Skerryvore’s Alec Dalglish who plays the most beautiful electric guitar on Blair Douglas’ ‘New Island Waltz’.
So Bho M’ Chridhe isn’t a solo album in the strictest sense nor is it an academic performance of tunes. It is varied, beautiful, exciting and a whole lot of fun.
If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the DONALD BLACK – Bho M’ Chridhe link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.
With all band members hailing from the Hebridean Isles of Tiree and South Uist, the music and culture that they were raised in remains a pure and refreshing trademark in the sound of Trail West. Rescattermastered represents the next step on the journey for this exciting west coast quartet.
With special guests including Runrig’s Malcolm Jones and iconic Gaelic singer Kathleen MacInnes, this is an album that celebrates everything that is great about traditional music in Scotland and the appreciation that young musicians have for the tradition and culture that has helped to shape their lives.
As with the band’s first release (The One That Got Away, 2013), Rescattermastered demonstrates the incredible musicianship of frontline pair Seonaidh MacIntyre and Ian Smith through high-energy tunes and arrangements, accompanied by the multi-instrumental talents of Andrew Findlater and Alain Campbell. In addition to this, a wide selection of songs now highlight the development and maturity of a band leading the thriving scene of ‘Glasgow Gaels’ ensuring that traditional music in Scotland has a very strong future.
If you would like to download a copy of the album or just listen to snippets of selected tracks then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.