“A novel, an autobiography, a casserole and as close to a self portrait as I am able to create”: Karen Tweed’s own words on the cover of this remarkable solo album. Traditional tunes, original compositions and music from all over the world come together in five long sets.
For the autobiography we must start with ‘Edelweiss’ and ‘Que Sera Sera’, part of ‘Karine’ – all the tracks are named after people, a homage to The Enigma Variations, perhaps – which we can imagine as part of Karen’s childhood. In fact, Karine might really be Karen and Aidan O’Rouke’s ‘Mattie And Karine’s’ from which the set takes its name might just be a happy coincidence. Continue reading KAREN TWEED – Essentially Invisible To The Eye – MAY MORNING ADVENTURES MMA6327002
ESSENTIALLY INVISIBLE TO THE EYE is Karen Tweed’s latest recording and, in being entirely solo, is a departure from her extensive collaborative work which has dominated her career since the early 1990s.
Born in London in 1963 to an Irish mother and English father, Karen took up the accordion at the age of eleven. Since turning professional in the late 1980s, she has appeared on over thirty albums from her early days with The Kathryn Tickell Band to being a founding member of the pioneering all female Poozies, through the Anglo-Swedish ensemble SWAP, American collaboration Undertoe with Stuart Kenney, Marko Packard and Rodney Miller, to The Two Duos Quartet with Andy Cutting, Chris Wood and Ian Carr. Karen’s duo work with Ian Carr, Andy Cutting and also Roger Wilson and John Dipper has left many an audience mesmerised at her breathtaking musicianship, while her trios with Hannah James and Becky Price in Hell Said The Duchess and with Carolyn Robson and Kevin Dempsey are more examples of her diversity and creativity. Continue reading Karen Tweed – Essentially Invisible to the Eye