Twenty years to the day since their first gig, Dàimh release their seventh album, The Rough Bounds. While the title might aptly describe the burly chap gracing the cover, it actually relates to the area around West Lochaber where the band originates, “Na Garbh Chrìochan” in Gaelic.
Dàimh (meaning “kinship”) are now a six-piece, with the addition of fiddler Alasdair White to complement Gabe McVarish. The album also features Duncan Lyall (double bass), Martin O’Neill (bodhran) alongside ex-band member Calum Alex MaxMillan, Ewen Henderson and Kathleen MacInnes (backing vocals).
A lively puirt à beul trio (about chickens, Owen’s boat and picking cockles), ‘‘S Trusaidh mi na Coilleagan’ fairly bubbles along like a clear mountain stream. Followed up by ‘12th Of June’, a strong, driving pipe-led set of jigs, these two tracks make an immediately engaging opening to the album.
Sorrowful òran, ‘Tha Fadachd orm Fhìn’ features a delicate metallic sheen of percussion courtesy of guest artist Signy Jakobsdottir, well-partnered with Ellen MacDonald’s expressive vocal. MacDonald’s crystal clear voice is edged with a subtle smokiness and, aside from the liveliness of puirt à beul, the songs of love, loss and longing featured here allow her melancholy lyricism to the fore. (A witty set of icons printed alongside the song titles provides helpful clues about the subject matter: those accompanying ‘Bodach Innse Chrò’ are particularly brilliant).
The tunes mix the band’s arrangements of traditional material with their original compositions, all of which sit together extremely comfortably. New and old interweave unobtrusively. A pair of Donald MacLeod reels, an homage to one of the band’s favourite composers, makes for an interesting diversion. Here, beaty guitar and assertive fiddle provide the framework for a deftly twisting, turning interplay of pipes and whistles.
Arrangements are rich but not overloaded, with the band’s skilful, energetic playing breathing fresh vitality into the tunes. The album culminates with a haunting and lamenting instrumental version of the murderous, ‘Chì mi’n Toman’, with its eerie, lingering final pipe notes.
The Rough Bounds makes a most welcome and assured addition to the Scottish traditional music canon. From here, Dàimh are looking strong and confident as they embark on their next twenty years.
Artist website: www.daimh.net
‘Dhannsamaid Le Ailean’ – live:
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