Gillian Frame was Scotland’s first Young Traditional Musician Of The Year. That was back in 2001 and it’s taken her the fifteen years since to release her first solo album. Of course she recorded three with the band she helped found, Back Of The Moon, played sessions for other bands and taught fiddle and the songs and tunes performed on Pendulum have been with her from those early days.
There are some fine musicians on the album – a core band of Mike Vass, Anna Massie and Euan Burton with guests Adam Holmes (who is making a name for himself with his own band) and Phil Hague. Despite this fine cast, what I like about this album is its essential directness and simplicity. The songs speak for themselves and the instrumental sets are not excuses for displays of ego.
The record opens with a vigour that initially surprised me. The song is ‘Rothes Colliery’, written by Gillian’s husband, Findlay Napier. It’s a straightforward song about the loss of a colliery and is sung in an appropriately straightforward manner – an excellent start. ‘Lovely Molly’ is a song of romantic trickery, played with a light touch and, like all the songs, sung without false emotion.
I’m in no way swayed by the fact that one of my all-time favourite Scottish songs, ‘Silver Tassie’, is included in the set with Holmes sharing lead vocals and that it’s followed immediately with ‘Fine Flooers In The Valley’ with ‘The Echo Mocks The Corncrake’ as a bonus. This is an excellent album.
Artist’s website: www.gillianframe.com