TRADARRR – Further Tales Of Love! Death! And Treachery! (Hedge Of Sound HOS25)

Further TalesBetween their first and second albums Mark Jolley left has Tradarrr to be replaced by Tim Harries (more serious folk-rock credentials) and Phil Bond has moved on with his place taken by singer, fiddler and pianist Gemma Shirley. Thus Further Tales Of Love! Death! And Treachery! sees a seven-piece band plundering the English folk tradition even further.

This is straight down-the-line folk-rock – no Ralph Vaughn Williams or Oliver Goldsmith this time and individual members of the band have taken songs and done their own thing with them rather like Steeleye Span in their pomp. Some of the songs are perhaps not very well-known. Greg Cave reworks ‘The Bonny Lass Of Anglesey’ as Martin Carthy did forty years ago. ‘Dream Not Of Love’ was collected by John Clare and adapted by Cave and Guy Stevens as was ‘The Crafty Lover’. Similarly, Cave amalgamates several variants of ‘The Bailiff’s Daughter Of Islington’ and throws in a Stones’ riff for good measure.

The material that is more familiar can come as bit of a surprise. ‘Rap Her To Bank’ is now almost pretty – just don’t let the Wilson Family hear it – and if I didn’t know better I’d say that Pete Scrowther and PJ Wright didn’t really understand what the song was about but the final verse is a protest at the closure of the mines so I know that’s wrong. Instead of a song of anger at a tragedy it is here presented as something like a lament but with Mark Stevens’ cornet and Wright’s electric guitar giving it an edge. It took me a couple of plays to get into it but I think I understand what they’re doing now. Marion Fleetwood’s interpretation of ‘The Cuckoo’s Nest’ is quite sensuous – we all know that it’s about sex but it’s not always presented quite so blatantly.

‘Lowlands Of Holland’ and ‘Spencer The Rover’ are pretty faithful adaptations but the instrumental set ‘Madame Bonaparte/The Golden Eagle’ gives the rock part of the band free rein. PJ describes Further Tales Of Love! Death! And Treachery! as “still with the silly name but a serious bid, musically” – he knows that I really don’t like the band’s name – and I can’t argue with any of that.

Dai Jeffries

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the TRADARRR – Further Tales Of Love! Death! And Treachery! link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

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Artists’ website: www.tradarrr.com

‘The Bonny Lass Of Anglesey’ – live rehearsal:

NIGEL STONIER – Love And Work (Shameless SHAME017)

Love And WorkNigel Stonier is probably best known as a producer and a man who writes songs with and for other people so it came as a surprise to discover that Love And Work is his sixth solo album but not that it’s a work of great class.

I suppose that you would describe Nigel’s music as sophisticated pop-rock but don’t be put off if you think that sounds a bit MOR. It isn’t. Nigel is a multi-instrumentalist and a witty songwriter and his wit extends to his arrangements. Take the single ‘You Need Love’. Nigel says that he didn’t want it to sound too sweet so asked James Hallawell to impersonate Al Kooper’s Hammond style – and then topped it off with as fine a Dylan harmonica impersonation as you could wish to hear. It only lasts a few seconds but it’s just perfect.

It is inevitable that Nigel is a bit of a musical magpie given that he’s worked alongside Thea Gilmore, Robert Plant, Gretchen Peters and Fairport Convention among others – things are bound to rub off. He’s no mere copyist, though, and everything undergoes a transformative process. You might say that the opener, ‘Ready To Begin’, is Byrds-like but it’s not really; it just embodies the spirit of Roger McGuinn’s guitar. ‘You Breathe New Life Into Me’ features a pulsing mellotron which Nigel describes as “Strawberry Fields” and it is but it gives the feeling of bellows on a pump organ, breathing life into the song.

Other top tracks are ‘Turnaround Town’ – lots of clever words that I haven’t figured out yet – and ‘Work In Progress’ and I really like the last track. ‘The Extra Song’ is just that and Nigel ropes in his children, Asher and Egan on percussion, fiddle and vocals. The cover doesn’t tell you that they are aged five and ten and you wouldn’t know it to listen There’s a lot of talent in that family. The icing on the cake of that particular song is Nigel’s wife Thea Gilmore playing whistle on the coda. Love And Work is a brilliant, clever album.

Dai Jeffries

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the NIGEL STONIER – Love And Work link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

DOWNLOAD – [CD]

Artist’s website: http://www.nigelstonier.com/

Videos of Nigel are about as rare as rocking horse droppings but we couldn’t resist this one:

BOO HEWERDINE – Swimming in Mercury (REVEAL072CDX)

Swimming In MercuryBoo Hewerdine’s new album Swimming In Mercury will be released on April 28th and the single ‘Satellite Town’ on April 21st. He has a pedigree which stretches back more than thirty years and is acclaimed as one of the UK’s best songwriters: ‘Patience Of Angels’ was nominated for an Ivor Novello Award in 1995; his musical partnerships include Eddi Reader, Brooks Williams (in State of the Union), Chris Difford, Kris Drever; he is in demand as a producer; and he has written music for film and television.

Swimming in Mercury is an album of stories from his younger days, beautifully smooth in its production. On ‘The Year That I Was Born’, he takes us back to 1961 not just with a reminder of historical events (an American in space, building the Berlin Wall, the Beatles in the Cavern) but also with a language that you don’t hear nowadays “you had to count each penny” and ending with “another mouth to feed/…….that was me”.

‘A Letter to my Younger Self’ is classic Hewerdine – a lyric which captures the idea (impossible to achieve and something we’ve probably all wished for) of letting his younger self know what he’s learned as an older person. It has catchy rising lines in the verse and imagery like “On Battersea bridge with a mindful of rain” topped off in a chorus with brass and bop bop bop ba da ba driving the conclusion “After all I’ve been through and I’m still just the same”’ and the hard learned truth “Let somebody love you”.

The title track was written about David Bowie: “You were the ultra violet on our new colour TV” and “So many mothers and fathers said is it a he or a she” – if you saw the performance of ‘Starman’ on Top of the Pops in 1972 you’ll know how well this takes you back to that evening.

‘The Boy Who Never Cried Wolf’ is another gem. ‘The Voice Behind The Curtain’ is about those who “never got to shine” and could only have been written by a man whose greatest hits is self-effacingly called My Name In The Brackets. ‘American TV’ references California and has Beach Boy harmonies played delicately in the background. ‘My First Band’ sings of “broken strings and cheap guitars” and “on old cassettes I find/ from time to time/ my first band”. These are all songs that recreate that period in the sixties and seventies when, for those of us who weren’t Twiggy or John Lennon et al, our lives were much harder than the backdrop of glamour we saw on the TV.

Swimming In Mercury is an album that repays more, and closer, listening. To give two examples: ‘My First Band’ has a line about the old band meeting up and “we slip into the old routine” – to no more than three seconds of crashing drums and loud lead guitar; ‘Gemini’ didn’t strike me as a stand out track as I listened to the album as a whole but when I had new music on shuffle in the car it came on and blew away the tracks that had been playing previously. It is an album crafted by, as Ian Cripps says on Hewerdine’s website, “a unique talent”.

We may not be able, knowing what we know now, to write that letter to our younger self but this album recreates Hewerdine’s youth with all the skill of his older age. His own summary of Swimming In Mercury is “Time is precious and this is the music that I needed to make”.

Mike Wistow

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the BOO HEWERDINE – Swimming in Mercury link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: http://boohewerdine.net

‘The Year That I Was Born’:

ELEPHANT SESSIONS – All We Have Is Now (Elephant Sessions CDTES02)

All We Have Is NowThis CD, All We Have Is Now, recently released by Elephant Sessions has nine exceptional tracks. Each one is a masterpiece of arrangements and instrumental skills. Many of the tracks are over five minutes long and should be described as ‘productions’. However, I find it difficult to place their music. I don’t know if you need to, but I am afraid music does fall into categories. I am aware that Elephant Sessions play at folk festivals but the heavy drum accompaniment and jazz like arrangements do not fit into the folk world I love. Some of the tracks could be described as ‘drummer’ with musical accompaniment.

When I first listened to All We Have Is Now, I had lost interest by the time I had reached the fourth track. I then listened to the CD many times but only a few tracks at a time. The production of each track varies considerably from any others on the CD and as I said earlier, is brilliant. I love each track but I will never listen to the full CD in one hit.

I am struggling to fairly assess the album because it is obviously very good but it is a bit overpowering. The cover is, in my opinion, very poor. It gives us absolutely no information about the reasoning or the origins of each track. It is in black and white with a collage of photographs of very little interest to anybody.

Elephant Sessions fans will love this. The heavy drumming will delight young festival goers but out and out folkies will struggle with it. Still, it is a top-quality production and will, I am sure, do very well.

Fraser Bruce

Artists’ website: http://elephantsessions.com/

‘Wet Field Day’ – official video:

Tim Grimm and the Family Band – new album and tour

Tim Grimm

A Stranger In This Time ranges from Tim Grimm’s signature reverence for the people and the land where he grew up, to sharply crafted and damning indictments of the times in which we live; from deep, poetic ballads of bittersweet love to edgy, groove-driven social commentary.

The opening track, ‘These Rollin’ Hills’ invites us in with love of Grimm’s home ground and a subtle foreboding about the upcoming winter, both actual and metaphorical. The songs ‘Gonna Be Great’ and ‘Black Snake’ give a nod to both Leonard Cohen and Bob Dylan in their gritty production and social-political protest vibe; both full of stunning guitar riffs, electric and acoustic, as well as compelling bass and drum beats. There are songs of lush soundscape and potent images with the mesmerizing urgency of ‘Over The Waves’, and ‘Finding Home’, which evokes deep yearning. ‘Thirteen Years’ is pure, classic Tim Grimm; a song about the tree that fell on his grandfather’s farm and that many years later became the wood for the guitar on which he recorded the album. Continue reading Tim Grimm and the Family Band – new album and tour

Argyll Gathering – new Scottish festival debuts in August

Argyll Gathering is a new Scottish event celebrating the best of music, culture and the arts opening its doors August 19th – 20th 2017 in the stunning setting of Helensburgh. The event will showcase the best in traditional contemporary Scottish music, local food and drink and feature interactive workshops. Community is at the heart of the festival and its goal is to celebrate the best of what Scotland has to offer culturally; Argyll Gathering is not just a festival, but a platform for people to interact and form an artistic movement.

So far, artists confirmed are the former lead singer of one of Scotland’s most celebrated groups, Runrig‘s Donnie Munro, who will be performing live with a full band. The most famous bagpipe band in the world, Red Hot Chilli Pipers will be bringing their ground-breaking fusion of traditional Scottish music and rock/pop anthems, Scottish supergroup Treacherous Orchestra are the third of the festival’s headliners – their foot-stomping, Celtic rock performance is sure to blow spectators away.

The festival also boasts additional praised artists, Bwani Junction who will perform Graceland by Paul Simon, Elephant Sessions, Manran, Federation of the Disco Pimp, Jarlath Henderson Band, Blue Rose Code, Daimh, Fat-Suit, Pronto Mama and, finally Nae Plans (Adam Sutherland & Hamish Napier) will perform over both days with special guests and added surprises.

A community workshop tent, aimed at all ages will showcase music, art and the Gaelic language. There will be delicious food courtesy of Food From Argyll, sweet treats, a carefully selected beer and ale bar, an independent spirits bar and children’s entertainment will be on offer making the festival something for all the family to enjoy.

Having been born and raised in Helensburgh, Festival organiser James Windebank has seen the town evolve and change over 30 years.

“The one thing that I always wanted my hometown to have was a spectacular event that focussed on bringing people together to listen to great music, have a dram and really enjoy themselves as a community of people!”

Together with co-curator, Nick Lawrie, he and Windebank have independently worked on some of the largest cultural projects in the world and wanted to curate an event to bring out the best facets of that they have learnt working events over the years. Windebank goes on to say:

“We believe that an event such as this should enhance its home turf, and really bring something to the table. That could be a great music line up that speaks to its patrons, showcasing the gorgeous larder of Scotland, or exposing people to the rich creative culture that exists all around us.”

Helensburgh and its surroundings are renowned for their picturesque backdrop. The area is steeped in Scottish history, it has also offered events such as highland games and piping championships to carry on traditions.

Full details available from the festival website