This album bays loudly and stampedes the listener with a sound that has been created by the fusion of a classic Rock technique thrust into a delicate layer of traditional folk. Liz Prendergast’s vibrant electric fiddle and gritty vocal control works beautifully on tracks like “Rabbit in the Headlights” and “Dragons, Milk and Coal”. Nic Waulker hammers out the funky drum parts, Rob Khoo keeps it all pinned together with his thumping bass line, while Martyn Standing’s provides trail blazing guitar antics in “Liberty”. Another gem from the album is “Barbara Allen” a high-energy tale of treachery and love with foot stomping fiddle and guitar parts. Continue reading Bluehorses – Dragons Milk and Coal
Orginal folking.com Posting date – 17-May-2001
Flook are like a well-oiled machine, with the many parts working in harmonious precision. Driving the sound is the flute interplay of Brian Finnegan and Sarah Allen, supported by the deft rhythm section of guitar and bodhran. ‘Flatfish’ is full of vitality and energy, from the outset the track ‘Calico’ sets the scene with it’s flutey fruity antics. ‘Eb reels’ moves the sound into overdrive, with a frantic cascade of intricate flute parts. Slower and more reflective moods are captured in ‘The Gentle Giant’ and ‘Flatfish’. ‘Happy Jigs’ is uplifting and sprightly, while ‘Flutopia’ is a rich cornucopia of European styles which twist and turn at every corner. This album’s unique flute based sound gives it a cutting edge, which holds your attention from start to finish.
Gjallarhorn’s unique mix of world music finds its roots in the Swedish folk music of Finland. It features a layered style of mythical medieval ballads, whirling minuets, prayers in runo-metric chants and Icelandic rimur epics.
There are some moments of sheer improvisation and others that are “composed” and influenced in the classic Indian style.
Twin fiddles or fiddle and viola add depth and variation and a wonderful slide-didge creates a sharmanistic pulse that underpins many of the compositions. Jews Harp is also used to produce really interesting effects and Afro-Cuban, Indian and Middle-Eastern percussion heightens the dance as the drum beats out a trance-like rhythm. Continue reading Gjallarhorn – Sjofn