MELROSE QUARTET – Dominion (own label MQCD03)

DominionDominion is the long-awaited second album from Melrose Quartet: Nancy Kerr and James Fagan, Jess and Richard Arrowsmith. If you haven’t heard them you should remedy that oversight as soon as possible: four voices and four instrumentalists, equally gifted with unaccompanied harmony and instrumental dexterity. And that’s before we begin to discuss songwriting.

The album is a delightfully eclectic mix of material, you know, the way people used to make albums back in the 70s. It begins, unexpectedly, with a southern Appalachian song, ‘Mariah’s Gone’ originally from Jean Ritchie. Unaccompanied, it makes an arresting statement from the outset – you are going to listen to this record. It is followed by the title track, ‘Dominion Of The Sword’, further adapted from Martin Carthy’s version with a new verse by James. You must expect some politics from the quartet but this is as heavy handed as it gets and the tunes that follow, ‘A Generous Man/Carthy’s March’ are as bright and joyful as you could wish for.

The ebb and flow continues throughout the record. Nancy Kerr’s ‘Hand Me Down’ is about the unifying effect of music and ‘’Ware Out Mother’ is a huge joke. It started out in the tradition but was probably written in its present form by Charley Yarwood and Tom Brown. Jess Arrowsmith’s ‘Anthem Of A Working Mum’ is a song that should be adopted by the tradition. Like the best writing it says a lot in a few words and leaves you to colour in the picture while Nancy’s ‘Rise No More’ is a lament for the lost steel industry told in complex metaphor. Around these we have ‘The Seeds Of Love’, Paul Davenport’s ‘Davy Cross’ and Paul Metser’s lovely ‘Good Intentions’.

Melrose Quartet could play Dominion from start to finish in a folk club and you’d go home knowing that you’d had a good night out. I don’t think that you could ask for much more than that.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the MELROSE QUARTET – Dominion link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: www.melrosequartet.co.uk

Melrose Quartet live at Chester Folk Festival:

Melrose Quartet announce their second album, Dominion, plus launch tour dates

Melrose Quartet

Melrose Quartet are Nancy Kerr (voice, fiddle), James Fagan (voice, bouzouki, guitar), Jess Arrowsmith (voice, fiddle) and Richard Arrowsmith (voice, melodeons). November 2017 sees them release their eagerly-awaited second album, Dominion.

From deep roots in their hometown’s vibrant music, song and dance scene, to smashing concert appearances all over the UK, Sheffield-based Melrose Quartet have attracted a reputation for making music that truly connects with people. All four are internationally renowned singers, instrumentalists and writer/composers and this year they were proud to be named the new patrons of Whitby Folk week. Dominion expands and strengthens the musical presence they first asserted with Fifty Verses, their 2014 BBC Folk Award-nominated debut CD.

Dominion was recorded as close to “live” as possible in a sweetly resonant chapel schoolroom near Sheffield, and captures the quartet’s deft and heartfelt musical spontaneity. Whether the music has its origins in 17th century political poetry via Martin Carthy’s modern-era lens (‘Dominion Of The Sword’), or the lived experience of 21st century women wryly detailed by Jess Arrowsmith (‘Anthem Of A Working Mum’), the intention is to communicate and connect.

The fervour of social dance and the stateliness of Morris have infused Melrose’s repertoire from the start and flourish here on instrumentals ‘Rosslyn Castle’, Dave Swarbrick’s classic ‘Carthy’s March’, Fagan’s ‘Low Quebec’ and wild reel set ‘Gallery/Venus’.

A capella traditions from Britain, America and beyond (‘Mariah’s Gone’, ‘The Seeds Of Love’) are visited with the quartet’s famed unaccompanied zeal, while the voices of the extraordinary ordinary people who populate our folk songs are freshly amplified in a traditional tale of migrant workers facing down bigotry (‘Ware Out Mother’), Paul Davenport’s tragic sea-réquiem ‘Davy Cross’ and Nancy Kerr’s echoing steel-town hymn ‘Rise No More’. And appropriately, Kerr’s ‘Hand Me Down’ and Jess Arrowsmith’s ‘Raise Your Voice’ are songs that embody our needs and our hopes for peace, belonging and community. What Melrose Quartet want is for their music to land squarely in the listener’s heart.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.


Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website:  www.melrosequartet.co.uk

‘Anthem Of A Working Mum’ and ‘Dominion Of The Sword’ – live:

PECSAETAN MORRIS – At One With The Bells – Seville House Records SEVCD02

There are always new ways making records. We’ve had ‘sequester a bunch of songwriters in a lonely house and give them a week to write a complete stage show and album’ and now we’re in the midst of ‘record it live off the floor’ – which is pretty much what Bill Leader did forty-odd years ago in his kitchen.

Here we have a new method. Start with a morris side – invariably a multi-talented bunch – add the bands that members are part of and record: dances, songs, tunes, whatever. Pecsaetan Morris are a women’s Cotswold team from Sheffield who have done just that to celebrate their tenth anniversary and what a great idea it is.

There are six dances with musicians Richard Arrowsmith and Jo Maher and the feet and bells of the team. The songs are mostly well-known but none the worse for that. The first is ‘John Ball’, lead by Jess Arrowsmith and featuring members of The Sheffield Folk Chorale who return later for a Sheffield carol (what else?), ‘Sweet Bells’. Continue reading PECSAETAN MORRIS – At One With The Bells – Seville House Records SEVCD02