The Folking Winners – Public Vote 2016

First of all, a big thank you to the thousands who voted in our inaugural Folkies awards. Congratulations to the winners and commiserations to the runners-up, although all our nominees are winners to the team who enjoyed their music, either live or on record, over the last year and placed them on the short list. Here are the folking public vote winners and now, may I have the first envelope please…

Soloist Of The Year – Steve Knightley

The Folking Winners - Steve Knightley

http://folking.com/steve-knightley-bio/


Best Duo – Show Of Hands

The Folking Winners - Show Of Hands
Photograph by Dai Jeffries

http://folking.com/show-of-hands-bio/


Best Band – Blackbeard’s Tea Party

Best Live Act – Blackbeard’s Tea Party

The Folking Winners - Blackbeard's Tea Party

http://folking.com/blackbeards-tea-party-bio/


Best Album – Disco At The Tavern – The Demon Barbers

The Folking Winners - Disco At The Tavern

http://folking.com/disco-at-the-tavern-review/


Best Musician – Peter Knight

The Folking Winners - Peter Knight

http://folking.com/peter-knight-bio


Rising Star – Will Varley

The Folking Winners - Will Varley

http://folking.com/will-varley-bio


Best International Artist – Gretchen Peters

The Folking Winners - Gretchen Peters
Photograph by Gina Binkley

http://folking.com/gretchen-peters-bio



If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Gretchen Peters – bio

Gretchen Peters - bio

“I remember going on my first radio tour for my debut album and the guys at the radio stations would say, ‘So you’re a songwriter, and now you want to be an artist?’” remembers Gretchen Peters.

In hindsight, it’s a laughable distinction. Over the last three decades, Peters has proven to posses one of the most indelible voices in country and roots music in addition to wielding one the genres’ most enduring pens. But in 1996, as she crossed the invisible Music City barrier between writer and performer, few could have predicted what lay ahead.

Peters first arrived in Nashville in 1987 and quickly established herself as a songwriting force to be reckoned with, with tracks recorded by some of the biggest names in country music. She landed her first #1 with George Strait’s rendition of her “Chill Of An Early Fall,” garnered her first GRAMMY Nomination and CMA Song of the Year win with Martina McBride’s recording of “Independence Day,” and penned hits for Patty Loveless, Shania Twain, Bryan Adams, Trisha Yearwood, Jimmy LaFave, and Etta James among others. “If Peters never delivers another tune as achingly beautiful as ‘On A Bus To St. Cloud,’” People Magazine wrote, “she has already earned herself a spot among country’s upper echelon of contemporary composers.”

Riding the momentum from her remarkable success, Peters signed her first recording contract in 1996 with an independent label and released her debut album, The Secret Of Life. While it fared well critically, Peters fell between the cracks of an industry hungry for easy-to-categorise products to feed the machine. Marketing a nuanced, mature storyteller – one who penned songs like the album’s bittersweet title track and the stirring ‘When You Are Old’ – to mainstream country radio proved to be fruitless, and when the label later folded, Peters bought back the master recordings and vowed to maintain control for the rest of her days in the business, becoming an early adopter of the now-common process of self-releasing albums through licensing and distribution partnerships.

Despite the early commercial stumble in the US, though, Peters found a different appreciation for her songs in the UK, where she earned the admiration of early champions in radio and press, like the legendary BBC host Bob Harris.

“The first time I went over, I played four little gigs with no more than 40 or 50 people at any of them, maybe less,” she remembers. “But I immediately felt completely comfortable in my skin. I felt like those audiences didn’t expect or want me to be anything other than who I was. Everything that wasn’t working here in the States was working really well over there. It was like stepping through the looking glass.”

Over the next twenty years, Peters would self-release seven more studio albums on both sides of the pond and see her profile in the UK reach a new peak with 2015’s ‘Blackbirds,’ which debuted at number 1 on UK Official Country Artists Albums Chart. Uncut hailed her as one of Nashville’s greatest talents of the past two decades,” while The Sun called the album “an Americana tour de force.” The record led to a sold-out UK tour, as well as spots on massive European festival stages from Glastonbury to Roskilde.

All the while, the US was catching up to what they’d been missing out on in their own backyard. NPR called her 2012 release Hello Cruel World “the album of her career,” while Rolling Stone dubbed ‘Blackbirds’ “one of the most affecting murder ballads since Bruce Springsteen’s ‘Nebraska,’” and in 2014, she was inducted into the Songwriters Hall of Fame.

Gretchen Peters is a songwriter and an artist. Both sides are essential to her identity, and one listen to this collection makes it clear that her extraordinary body of work is indeed essential listening for the rest of us.

Artist’s website: http://www.gretchenpeters.com/

Welcome To The Folkies

With Oscar fever rising to a climax it’s time to say “Welcome To The Folkies” – the 2016 Folking Awards. We’ve sifted through the albums and performances of 2015 – always a long and difficult task punctuated by bouts of thumb-wrestling to settle disputes. Adopting the pattern followed by everyone else, here, in no order of precedence, are our nominations. With the exception of one category we have restricted our choices to British acts.

All nominations are 2016 Folking Awards winners.

Welcome To The Folkies

Soloist Of The Year

Steve Tilston
Sam Carter
Kathryn Roberts
Steve Knightley
Ange Hardy

Best Duo

Phillip Henry & Hannah Martin
India Electric Co.
Show Of Hands
Kathryn Roberts & Sean Lakeman
Clype

Best Band

Blackbeard’s Tea Party
Eliza Carthy & The Wayward Band
Tradarrr
False Lights
Merry Hell

Best Live Act

The Demon Barbers XL
Blackbeard’s Tea Party
Eliza Carthy & The Wayward Band
Tradarr
CC Smugglers

Best Album

Layers Of Ages – Peter Knight’s Gigspanner
Head Heart Hand – Megan Henwood
The Girl I Left Behind Me – India Electric Co.
It’s Not Your Gold Shall Me Entice – Elle Osborne
Disco At The Tavern – The Demon Barbers

Best Musician

Dan Walsh
Peter Knight
P.J. Wright
Chris Leslie
Kris Drever

Folking’s Rising Star

Will Varley
Sam Kelly
Wes Finch
India Electric Co.
Chris Cleverley

Best International Artist

Gretchen Peters
Tom Russell
Gandalf Murphy And The Slambovian Circus Of Dreams
Justin Townes Earle
Los Lobos

To give the awards a further edge, we opened the vote to our visitors and run a public poll in all of the 8 categories (as listed above).

The Public Vote closed Sunday 28 February at 20.00 hours and “The Folking Winners” have now been announced here at: http://folking.com/the-folking-winners/


If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

The Essential Gretchen Peters

The Essential Gretchen PetersTwenty years on from Gretchen Peters’ debut solo album, The Secret Of Life, comes a career retrospective double CD set – half greatest hits, half demos and rarities. Gretchen is almost as well known as writer of songs for other singers and a collaborator as for her solo work so her guests on these tracks include some major names: Tom Russell, Bryan Adams, Ben Glover, Matraca Berg and Suzy Boggus.

The set opens with the crunching guitar of ‘Blackbirds’ from her most recent solo album but with her wide-ranging experience there isn’t a single Gretchen Peters sound. Most of her songs are built on her acoustic guitar, of course, but the wistfulness of ‘The Aviator’s Song’ and ‘On A Bus To St. Cloud’ are in complete contrast to the anger of ‘When All You Got Is A Hammer’. I think I prefer her angry.

There are musical touches that don’t let your attention wander. ‘The Matador’, a song reminiscent of both Leonard Cohen and Suzanne Vega, features accordion and percussion that sounds like distant fireworks and ‘Sunday Morning (Up And Down My Street)’ has organ and bells – not “churchy”; the organ is electric and the bells are a glockenspiel, I think, but the feeling of Sunday morning in suburbia is perfectly captured.

The second disc includes a radio edit of ‘Pretty Things’, a live ‘Woman On The Wheel’, a piano-based interpretation of the traditional ‘The Cruel Mother’ and several demos and work tapes. Notably among the latter is ‘Five Minutes’, which appears in full on the hits disc. And don’t forget the cover of ‘Wild Horses’ with Berg and Boggus.

There is a huge variety of styles and moods here and, moreover, some superb songs. If you don’t know Gretchen’s music this is the perfect way to get acquainted

Dai Jeffries

The Essential Gretchen Peters (Proper PRPCD134)

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.gretchenpeters.com/

‘Five Minutes’ – live in the studio:

Gretchen Peters New Album

Gretchen Peters New Album

On The Essential Gretchen Peters, this very special Nashville-based singer-songwriter  combines career-defining tracks with rare outtakes, demos, and B-sides to provide a two-disc snapshot of her remarkable journey as a singularly fearless and creative talent.  The album is released to coincide with her latest UK tour.

“I remember going on my first radio tour for my debut album and the guys at the radio stations would say, ‘So you’re a songwriter, and now you want to be an artist?'” remembers Gretchen Peters.

In hindsight, it’s a laughable distinction. Over the last three decades, Peters has proven to posses one of the most indelible voices in country and roots music in addition to wielding one the genres’ most enduring pens. But in 1996, as she crossed the invisible Music City barrier between writer and performer, few could have predicted what lay ahead.

Peters first arrived in Nashville in 1987 and quickly established herself as a songwriting force to be reckoned with and tracks recorded by some of the biggest names in country music. She landed her first number 1 with George Strait’s rendition of her ‘Chill Of An Early Fall’, garnered her first GRAMMY Nomination and CMA Song of the Year win with Martina McBride’s recording of ‘Independence Day’, and penned hits for Patty Loveless, Shania Twain, Bryan Adams, Trisha Yearwood, Jimmy LaFave, and Etta James among others. “If Peters never delivers another tune as achingly beautiful as ‘On A Bus To St. Cloud,'” People Magazine wrote, “she has already earned herself a spot among country’s upper echelon of contemporary composers.”

All the while, though, she had bigger plans for herself.

“Performing my own material was always in my sights from the time I moved to Nashville,” Peters explains. “I didn’t separate the writing from the performing from the recording in my mind. I always saw myself as a singer-songwriter, and that was all part of the job.”

Riding the momentum from her remarkable success, Peters signed her first recording contract in 1996 with an independent label and released her debut album, The Secret Of Life. While it fared well critically, Peters fell between the cracks of an industry hungry for easy-to-categorize products to feed the machine. Marketing a nuanced, mature storyteller—one who penned songs like the album’s bittersweet title track and the stirring ‘When You Are Old’ (both of which appear on ‘The Essential’ Disc 1)—to mainstream country radio proved to be fruitless, and when the label later folded, Peters bought back the master recordings and vowed to maintain control for the rest of her days in the business, becoming an early adopter of the now-common process of self-releasing albums through licensing and distribution partnerships.

Despite the early commercial stumble in the US, though, Peters found a different appreciation for her songs in the UK, where she earned the admiration of early champions in radio and press, like the legendary BBC host Bob Harris.

“The first time I went over, I played four little gigs with no more than 40 or 50 people at any of them, maybe less”, she remembers. “But I immediately felt completely comfortable in my skin. I felt like those audiences didn’t expect or want me to be anything other than who I was. Everything that wasn’t working here in the States was working really well over there. It was like stepping through the looking glass.”

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.gretchenpeters.com

‘On A Bus To St. Cloud’:

TOM RUSSELL – The Rose Of Roscrae (Proper Records PRPCD130)

RofRThe term “ballad opera” isn’t heard much these days but that is exactly what we have here. There are fifty-two tracks divided into two acts on two discs; some are song length, others are mere vignettes linking them. There are guest appearances from Johnny Cash, Joe Ely, Eliza Gilkyson, Getchen Peters, Ian Tyson. Jimmy LaFave, Ramblin’ Jack Elliott and even Bert Lloyd among many others. Some are playing roles, others providing background colour and some are old recordings co-opted for the show.

The basic package doesn’t offer much in the way of clues except for a quote taken from the narration which is spoken over the overture in which Russell explains that it begins with a hanging – which actually occurs in the middle of the story. Actually, there is a sixty page booklet with annotated lyrics but that’s not for the likes of humble reviewers. The story elements are not necessarily arranged chronologically so it can be confusing but we can say with some certainty that Russell plays an Irish kid called John Sutton who left Tipperary in the 1880s but he has several aliases and as many adventures.

Russell’s original songs tend towards solid country rock, a solid framework on which to hang the story. Except for the narrative pieces like ‘The Last Running’, of course. Other artists do their own thing, so there’s a gorgeous version of ‘Ain’t No More Cane On The Brazos’ by LaFave and Peters and a rocking take on ‘Jesus Met The Woman At The Well’ with Gilkyson joining Russell. Some songs appear more than once in very different guises. Augie Myers, aka Augie Blood, does strange things to ‘A Closer Walk With Thee’ and ‘He’ll Be Dead Before He Hits The Ground’ and the concept of the last frontier are recurring threads.

The second act finds our hero in the guise of Spanish Johnny somewhere around the Mexican border but it begins briefly in Ireland and frequently takes the point of view of the women in John’s life. Some of this section is rather puzzling. ‘Damien’ mentions Belgium and Bergen for reasons which aren’t quite clear but ‘Gallo Del Cielo’, the story of a stolen fighting cock, leads neatly on to memories of Pancho Villa before one of our heroes is ‘Doin’ Hard Time In Texas’ – an excuse to include a Lead Belly song.

The Rose Of Roscrae is a wide-ranging, one might almost say sprawling, story – a collage of music and lives. At first sight it looks like a folly but it’s a glorious one.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.tomrussell.com/