A round-up of festive EPs and singles
It’s been a busy few months for THE CHANGING ROOM, aka Cornish duo Sam Kelly and Tanya Brittain. Having released both their Names On A Wall EP for Armistice Day and the Picking Up The Pieces album, featuring mandolin and accordion, they now return for Christmas special, The Magic Of Christmas. Two of the three tracks are sung in Cornish by Kelly, opening with a lovely snowflake waltzing version of The Pretenders’ 1994 festive hit, ‘2000 Miles’ and closing with a chiming frosty air arrangement of the traditional carol ‘Silent Night’. There’s also a snatch of its melody on ‘There’s Magic In Christmas Eve’, which, sandwiched in-between, is penned by Brittain, who, singing in English, accompanies herself on piano as the song swells midway on drums and strings before a gentle fade.
If you’re more a “Bah Humbug” sort of person JOHN CEE STANNARD’s EP, It’s Christmas Time, should be just up your street. Of course, Christmas can be a sad and lonely time for a lot of people and we shouldn’t take that lightly but the blues does seem to lend itself to the season. Black Ace’s ‘Beggin’ Santa Claus’, first recorded in 1937, is the perfect example of how low things can get while Shifty Henry’s ‘Let Me Go Home – It’s Christmas’ is a plea to whiskey to allow a barfly to get home while he still can. The other three songs are by Stannard and, starting with the title track, they get progressively happier and the closing ‘Winter Love’ is almost soppy. We reckon John’s an old softie really.
‘God Rest Ye Merry Gentlemen’ is a more traditional Christmas single from JOSHUA BURNELL. That said, we’re told that it’s a 15th century protest song – the protest being against the Latin dirges of the church. Joshua gives it an appropriate folk-rock vibe – he usually performs in a trio or a seven-piece band in which Hammond organ features heavily. The second track is ‘The Official Brawle’, a 16th century French dance tune taken at a tasty lick. The tune was, as you all know, co-opted by the church as ‘Ding-Dong Merrily On High’ but Joshua returns it to its original form. Good stuff.
‘Mary’s Boy Child’ was originally written as a calypso so ANDREW JOHN & LISSA decided to record the backing tracks in Trinidad, adding the vocals back home in Denmark while Jime Hoke recorded his flute part in Nashville. It’s very pretty but I can’t help but I do think that an opportunity to do something really original has been missed. Turn up the steel drums and add a Caribbean choir and think on what it could be.
EMILY MAE WINTERS’ single ‘The Star’ was inspired by lines from John Keats and having a star named after her as a birthday present. It doesn’t actually mention Christmas but it has a nicely seasonal feel. It’s a big, piano-driven song awash with strings. It is available only as a digital download at the moment but it will appear on Emily Mae’s debut album next spring.