SINGLES BAR 25

A round-up of recent EPs and singles with compliments of the season

Singles Bar 25WOLFNOTE are a new trio from Berkshire making their debut with an EP, Frightened Of Your Own F#. The three female members, Bex, Gill and Ceri, have strong voices and harmonise well and between them play guitar, violin, cello, dulcimer and recorders and their silent partner, Mike, plays guitar, bass and cajon. The record starts with a cover of Dylan’s ‘Girl From The North Country’ taken a little more quickly than most people do – it can drag, sometimes. The other songs are originals and ‘Love And Light’ is particularly good. The production is excellent, concentrating on the voices with the instrumental leads clear and bright. A name to watch.
https://www.facebook.com/wolfnoteband/

‘The Tug Of The Moon’ is the first single to be taken from If We Dig Any Deeper It Could Get Dangerous, the forthcoming album by SARAH McQUAID. This could be the only song ever inspired by Newton’s third law of motion and its effect on sidereal time.  Behind the science is the thought that we are all spinning towards the end of the universe and perhaps we should make the most of our time. Sarah creates a wonderful sound with fingerpicked electric guitar drenched in reverb.
www.sarahmcquaid.com

While her new band settles in DARIA KULESH releases a single supported by two of her duo partners, Jonny Dyer and Marina Osman. ‘Vasilisa’ is an old Russian fairy tale from a book that Daria read as a child and still has. The story contains certain elements of Cinderella but far nastier and involves a supposedly deadly errand, the famous witch Baba Yaga and some unpleasant deaths. It has the mysterious air of Daria’s other Russian adaptations with the drone of a shruti box, dramatic piano, percussion and bouzouki.
http://www.daria-kulesh.co.uk/

It’s that time of year, so folk have been getting into the festive mood for seasonal singles. First up comes the rather lovely download (from the usual sources) only ‘What Will Christmas Be’, a melancholic piano (Danny Mitchell) and cello (Chelsea McGough) ballad duet from BEN GLOVER and NATALIE SCHLAB about absence and loss at a time traditionally about being together, set off with a final peal of bells.
https://www.benglover.co.uk/

Season Bright is a seasonal EP from EMILY EWING & ROBERT LANE. Robert is well known to folking readers and Emily is a singer-songwriter with a download EP to her name and a growing reputation. The lead tracks begins with Robert and Emily lamenting the fact that they’ll be spending Christmas alone (surely not) and moves on to the exhortation to “keep your loved ones near” over some lovely ringing electric guitar. The other tracks are the guitar-led ‘Get You’ and ‘Own It’, built around Emily’s piano. Available from iTunes.
http://www.robertlanemusic.co.uk/

Jo Whitby aka LAURENCE MADE ME CRY mirrors the mood with her download single ‘It’s Not You, It’s Christmas’ (from her bandcamp site), a slow walking fuzzed reverb guitar (sounding like a kazoo on acid) and drums ditty about choosing to spend the festivities alone at home, although she still wishes everyone seasonal cheer.
http://laurencemademecry.com/

SKINNY LISTER also get into the act with ‘Christmas Calls’ (XtraMile), an epic sounding arms-linked swayalong anthem very much in the Pogues ‘Fairytale’ mould, complete with military drums, bells and whistles.
http://skinnylister.com/

From last year’s Edison Gloriette album, JESS MORGAN releases download Jay Chakravorty remix of the Moonstruck-inspired ‘Come To The Opera With Me Loretta’ (Drabant Music) that removes the piano, putting more focus on the vocals and giving it an anthemic seasonal synths and drums shimmer makeover.
http://www.jessmorgan.co.uk/

Away from the holly and ivy,Yorkshire’s FRAN WYBURN self-releases ‘Foolish Sea’, George Birkett’s fingerpicking and Rachel Brown’s cello backdropping her pure, little girl vocals on a quirky tale of unrequited love that serves as a taster to her forthcoming album.
http://www.franwyburn.com/

There is not so much Christmas spirit but an awful lot of pain in ‘Love Left Lost’, the second single from Brighton-based singer-songwriter JOSH McGOVERN. Quite which subterranean depths that voice comes from is hard to say but the tragedy is delivered over minimal acoustic and with soulful backing vocals on the choruses.
https://www.facebook.com/Joshmmusic

To mark the twentieth anniversary of the death of blues guitarist LUTHER ALLISON Ruf records have released a limited edition eleven disc box set of his later work. As a taster there is a 7” vinyl single: ‘You Can’t Always Get What You Want’ and ‘Night Life’. The lead track starts with a deceptively simple Hammond organ and Luther waits until the chorus comes round for the band to kick in and then it takes off with some wonderful “doo-de-doo” backing vocals.
http://www.rufrecords.de

SAM RYAN – The Traveller EP – (own label)

TravellerDevon based up and coming singer songwriter Sam Ryan, has released his debut EP at 19 years of age, and has a bevvy of fans already.With an excellent pedigree of folk legend talent in his family, Sam’s amazing raw edged debut EP entitled The Traveller will be launched in Exeter at The Sorry Head on August 26th. All four tracks are self-penned, and have great story telling lyrics.

First track – ‘High’ – gives an interesting mix of lyrics and skiffle type riffs. It has cracking passionate guitar work with attitude too.

‘Men’ has lots of passionate guitar work. The lyrics talk about different aspects of men, fathers and sons, brothers, Kings etc. A line in there asks ‘when will we learn’?

‘Shield Wall’ is about three brothers. I sense a kind of rap in this track, alternating with regular guitar. Rather progressive. Catches you off guard!

‘The Beach Of Camlann’ is about thoughts and actions I believe. It has an interesting guitar rhythm and perhaps my favourite track, but the whole album is good.

I would like to mention that Sam wrote and played on the title track of his father, Rev Hammer’s, latest album with Nick Harper entitled Skald. A talent in the making and one to watch on the up and coming circuit.

You can purchase the digital download by contacting Sam on his Facebook Page: www.facebook.com/sam.ryan.3720 and on Twitter: www.twitter.com/SamuelRyan8

Jean Camp

CONNOR WALSH – The Hardest Path EP (own label)

The Hardest PathConnor Walsh – a very talented, young, upcoming musician, based in Devon is to release his new EP, The Hardest Path, on September 2nd, and a fabulous EP it is! Connor has written this from experiences in his own life, and says that “…there is a strange beauty in the Darkest of Times”. All tracks are self-penned. The Hardest Path has four tracks and perfectly shows his wealth of talent.

‘Down The Line’. A story of relationships and time. Starting slowly and then reaching a high point, beautifully crafted and belted out on the guitar, harmonies and bodhran from Emma Mcelhinney.

‘Fellow Man’ has a strong Irish flavour asking us to rise your glass to those that look after our country, and hoping that they will not be sent to a foreign land. Very dramatic and rhythmic track played on mandolin. Harmonies and bodrhan from Emma.

‘Hold On’ leads us into a false quiet beginning then let’s rip as only Connor can do! In the song he is experiencing pain, and needs holding on to. Very clever voice mix and guitar, you can feel the anguish.

‘The Call’ is probably my favourite track. Dramatic beginning then ends with frenetic guitar. Listen to ‘The Call to guide us home to our sons’! Amazing song writing and tune! Again harmonies and bodrhan from Emma.

Connor is certainly going to be going places on the music scene and is already making waves in the local Devon area. He is very confident and has a great stage presence. The album launch will be August Bank Holiday weekend at The Sorry Head in Exeter, and I’m looking forward to seeing him live again.

Folk-rock legend Rev Hammer, who has also helped sponsor the album with Barry Walsh says this of Connor’s work:

“A great collection of street balladry from the Gutter Rat King. Powerful and evocative song writing aided and abetted by dancing fiddle and some sweet, sweet backing vocals. This perfectly captures the live essence of the man”

Says it all really!

Ably produced by Alex Johnstone in Exeter.

Jean Camp

Artist’s website: www.connorwalsh.co.uk

‘Hold On’ – official video:

SINGLES BAR 24

A round-up of recent EPs and singles

Singles Bar 24MERRY HELL describe the title track of their new EP, Come On, England, as an alternative National Anthem. Needless to say, the song bears no resemblance to the chants of the football terraces or EDL marches. Instead Bob Kettle invokes the Diggers and the Levellers and “the spirit that will never lie down”. The song has a singalong roll that almost disguises its powerful lyrics. The second track is brother John’s ‘We Need Each Other Now’, also from the Bloodlines album, which complements ‘Come On, England’ as a rallying call. ‘Lean On Me, Love’ is a taster for the band’s forthcoming acoustic album – looking forward to that – and the set closes with a live version of ‘The War Between Ourselves’. It’s all inspiring stuff.
www.merryhell.co.uk

Singles Bar 24Based in Devon, VELVET & STONE line up as Lara Snowden and Roger Styles on vocals and guitars, Barry Muir on bass and double bass and Kathryn Tremlett providing violin and piano with producer Gareth Young on hand for percussion and Caroline Lavelle, who’se worked with Radiohead, Muse and Afro Celt Sound System on cello. The self-released ‘Raise Your Ghosts/Embers’ is a two track single taster for October’s EP and, while I’d have thought it would make more sense to release them all altogether rather than fans buying the numbers twice, it certainly whets the appetite. The first has definite mid-tempo Fleetwood Mac shades, or more specifically Stevie Nicks, while the second is a more reflective ballad, Lara’s soft vocals enrobed with strings as the song swells to a head. Nice stuff, but, as I say, waiting for the EP would seem the more sensible option.
https://www.velvetstonemusic.com/

The Things That Matter is the debut record from Irish/American duo THE 19th STREET BAND. Caolaidhe Davis and his wife Meghan are the principals, doing the singing and playing guitars, fiddle and mandolin, and are supported by Brian White, Patty Dougherty and Tom Verratti on bass, drums and banjo. Their sound is a mixture of Americana styles: ‘Jump In The Water’ is heavy bluegrass with modern lyrics while ‘Long Runs The Fox’ is sort of slide guitar blues – Meghan has a hell of a voice for that. ‘It’s True What They Say’ is a real shit-kicker; in fact, the pace barely lets up until the closing title track.
https://19thstreetband.com/

Singles Bar 24You’ve Been Away So Long is a self-released 5-track EP from Boston singer-songwriter and guitar picker  ALICE HOWE that winningly draws on such retro 60s American folk influences as Guthrie, Rambling Jack, Kate Wolff, Judy Collins and Joni Mitchell, while, accompanied on dobro by Jeff Fielder, opener ‘Homeland Blues’ has definite echoes of Baez.

Described by folk singer Vance Gilbert has having a voice like “a broken angel’s bell”, she brings an emotional catch to ‘Nothing But You’, an elegy to her late father while, another Baez echo, the playful Appalachian-flavoured country waltz ‘Make A Fool Out Of Me’ pays homage to Steve Martin. Her fingers work the frets for ‘Don’t Worry Honey’, a cleverly ambiguous fatalistic love song and how “it’s always in the dark that I liked you best” that has her doing her best Joni soaring notes.

In the unlikely event you’ve not yet been won over, the closing title track makes resistance futile, Fielder on a Gibson L-1 archtop for a song about knowing yourself and being comfortable with who you are. Putting me in mind of Dar Williams’ ‘Mercy of the Fallen’, with its cascading melody lines and her wistfully dusty voice, it’s up there with the very best of Mary Chapin Carpenter, Gretchen Peters and Williams herself, as well as those icons of her raising.

I confess I’d not come across her before and this is her first release in three years following an eponymous EP in 2009, her debut album in 2013 and the Tiger Lily EP a year later. I’ll be adding those to the collection and trusting a new full album will be down the road sometime soon.
https://www.alicehowe.com/

Loose |EndsThe covering letter that accompanied Loose Ends, the second record from CHRIS FOX, asked if we’d consider reviewing it for fRoots. Ignoring the poor first impression, Loose Ends turns out to be pretty good. Chris does everything himself: finger-picked acoustic guitar, tasteful bass and percussion that make the record very easy to listen to. Chris wrote seven of the eight tracks and they are thoughtful, often witty – the line about lying drunk on the lawn “holding on to the grass to keep myself from falling” is particularly memorable: ‘Howl At The Moon’ is a cracking opener and says what a lot of us are probably thinking. The only non-original track is ‘Lord Franklin’, a gentle, reflective reading of the song.
www.chrisfoxmusic.org

Small WorldADRIAN BATES makes his recording debut with a four-track EP, Small World, of original songs supported by Chris Miley, Carl Leighton and David Leighton. The opener, ‘Hard Working Man’, is a particularly fine song, putting a 21st century spin on the age-old complaint of the put-upon worker. ‘The Apple’, featuring the Leightons’ violin and cello, is a reflective piece in which the writer laments that he has become what his father was and what he swore he would never be. In the final song, ‘Winding Wheels’, Adrian looks back on his childhood in the Yorkshire coalfields and, in doing so, laments the loss of an industry. An impressive start.

Singles Bar 24‘The Man Who Ate A Hurricane’ is the first single to be drawn from Standing Still Will Kill You, the third album from Essex based singer-songwriter OWEN WILLIAMS. It’s a gritty, hard-edged song with apocalyptic lyrics, supported by piano and backing vocals. We’re looking forward to the album.
https://www.facebook.com/owenwilliamsmusic/

A singer-songwriter from Swindon, ROB RICHINGS delivers a shuffle along busker-like song about not closing our eyes to the social problems around us with ‘Carry On Regardless’ (Crescent), its catchy loping crunchy percussion chorus about how “we all stick our head in the sand and carry on regardless” firmly lodging itself in those singalong neurons.
http://www.robrichings.com/

BLIND RIVER SCARE – Pastures New (Creosote CR004CD)

Pastures NewBlind River Scare is the performing vehicle for South Wales based singer-songwriter, Tim Manning, here, on their fourth album, working as a trio with Steve Loosemeore on upright bass and Mike Hopkins providing harmonium, mandolin and Hammond augmenting his acoustic and resonator guitar. Musically, he’s rooted in Americana, alt-country and roots, the gently rolling resonator backed cowboyish ‘Restless Soul’ nodding to the genre’s retro influences.

It’s only a six track release, but Manning ensures each one counts, opening with the strummed title ballad about two lonely souls in a bar looking for, as it says, pastures new but experienced enough to realise they may not necessarily be green.

More fingerpicked, ‘Close To Home’ is another old school flavoured number, a song about a driver and a series of encounters with, variously a young girl, old lady and a drunk, all in need of help with no idea where they came from or how they got there, driving home on the road past the local cemetery; this being country, the presumption is they’re all ghosts.

Nodding to folksier influences and with mandolin frills, ‘But Still You Stay’ is another relationship themed song, this time about domestic abuse and the victim’s inability to leave, while, with more of a percussive guitar style with bluegrass notes, ‘No Jericho’ concerns dreams unfulfilled, falling apart not in some dramatic crash but slowly, stone by stone, over the years.

It ends, all too soon, but on an hopeful note that echoes how it began, with ‘Sideways Slide’, a honky-tonk waltzer about a chance encounter across a railway carriage between two people in need of someone to want them. They’re gigging throughout the late summer and autumn around the Midlands and the South, if they’re in your neck of the woods you should check them out and pick up a copy of this their other CDs while you’re at it.

Mike Davies

Artist’s website: www.blindriverscare.co.uk

 

‘Close To Home’ – live:

SINGLES BAR 23

A round-up of recent EPs and singles

Singles Bar 23SAILING STONES is the name by which Irish born, London-based Jenny Lindfors plies her trade, the digital self-produced, self-released ‘Telescopes’ her second release, piano, brass and mellotron coming together for an atmospheric five-minute electro-folk reflective ballad about learning what love is and means that seems sure to garner yet more Laura Marling comparisons.
http://www.thisissailingstones.com/

Singles Bar 23‘Opium Of The Masses’ is the new single from SHARON LAZIBYRD. Sharon plays ukulele which gives the song a deceptively light opening but which is quickly overtaken by a much bigger arrangement, including a gorgeous piano passage, featuring Damon and Kate Bridge and Tom Cory. This is a powerful song about consumerism and pressure to conform to market forces. And no, Sharon, it’s not just you.
https://www.facebook.com/Sharon-Lazibyrd-324663394401783/

Singles Bar 23A Norwegian Americana trio comprising Mari Sandvaer Kreken, husband Tor and Kjetil Steennaes, DARLING WEST lay the ground for next year’s new album with two singles, ‘After My Time’ and ‘While I Was Asleep’ (Ja), the first a strong combination of psychedelic folk, pop and swirling Appalachian influences, while the other foregrounds mellotron, harmonica and mandolin for a mid-tempo folk pop number that perhaps suggests a middle ground between First Aid Kit and Lady Antebellum. The respective B-sides, the dreamier ‘Someone Like You’ and the banjo accompanied, and to my mind, catchiest number, ‘The Sweetest Tune’ both easy on the ear, melodic mid tempo ballads that should raise anticipation for the album.
https://www.facebook.com/darlingwestmusic/

Singles Bar 23There’s some nice finger-picking and slide guitar on You’ve Been Away So Long, the new EP from ALICE HOWE. A lot of the guitar work is down to Jeff Fielder but the songs are all Alice’s. The opener, ‘Homeland Blues’, is a catchy song with a heavy country vibe belying the fact that Alice is from Boston and the record was made in Seattle. ‘Make A Fool Out Of Me’ is a country waltz with contrasting hard-bitten lyrics and the title track is a lovely atmospheric piece.
https://www.alicehowe.com/

Singles Bar 23Although curiously not mentioned in the press release, MARK OLSON was, alongside Gary Louris, co-founder of seminal 80s Americana outfit The Jayhawks, quitting in 1995 to join then wife Victoria Williams in The Original Harmony Ridge Creekdippers, subsequently reuniting with Louris for their duo album Ready For The Flood and, eventually a Jayhawks reunion. Since 2007, he’s also had a solo career and now he and wife Ingunn Ringvold, the Norwegian multi-instrumentalist, are readying their second album together. As a taster, he’s releasing the jangling, chords cascading ‘Dear Elizabeth(Glitterhouse) paired with the equally tumbling backwoods folksy ‘You Are All’. If the rest of the album matches these, it should be a real treat.
http://markolsonmusic.com/

Singles Bar 23More country-pop comes from JESSICA LYNN’s EP Crazy Idea which was produced by Patrick Hamilton at Globe Studios in Belgium. She’s been dubbed ‘the new Shania Twain’ and she sure has a powerful voice and big band behind her – that must be Steven Wright-Mark playing the screaming lead guitar on ‘After Party’.
https://www.jessicalynnmusic.org/

Singles Bar 23Where do bands get their names from these days? THE ANATOMY OF FRANK are a trio from Charlottesville, Virginia and, ahead of their latest album South America, they release a single ‘Holy Mountain’. Nice finger-style guitar and ethereal voices: it is a song about death and loss.
http://www.abadgeoffriendship.com/artists/the-anatomy-of-frank

Singles Bar 23Neil Wardleworth used to be in Steel Threads, a band we rather liked. Now he’s teamed up with Harriet Brooke McDonnell in HARRIET! who have a debut double-A side single on both CD and vinyl. ‘Just Sign’ is heavy without being overwhelming and features Harriet’s lead vocals while ‘Those Three Words’ presents a (slightly) more acoustic duet. Nice one.
www.harriet-music.com

Singles Bar 23SEÁN KEANE sings ‘The Coast Of Labrador’ composed by Brendan Graham and Denis Carey as part of the celebration of Canada’s 150th anniversary and now available from iTunes. The song is set during the period of Irish emigration and tells of a young man who finds a new life with an Inuit girl and eventually teaches his son to play hurling on the ice. Who knows what that might lead to?