Feast Of Fiddles – new studio album

Feast Of Fiddles

Feast Of Fiddles was formed in 1994 as a one-off concert ensemble as Hugh Crabtree thought it would be a good idea and Mike Sanderson of Nettlebed Folk Club thought so too!

Their first live recording Live 01 was released in 2002 – quite a long wait for the increasing number of fans of the band. However it was only another two years before the next CD appeared – Nicely Wrong. Three more years before yet another live recording Still Live and then after another three years the first studio album Walk Before You Fly. You guessed it, another three years for the second studio album Rise Above It and with a slight break with tradition it’s taken four years to get to studio album number three. Fast forward and in 2017 their sixth album entitled Sleight Of Elbow will be released.

Feast Of Fiddles embarks on its 24th annual spring tour in 2017 to coincide with the release of their new album.  The band that has been variously likened to a “group of geography teachers” or “Bellowhead with bus passes!” doesn’t seem to be slowing down any.  A band of musical friends that puts on a show of huge dynamic range performed with passion, joy and a liberal dose of fun. It all started at a folk club but has become a folk-rock institution with seven CDs to their name, several festival appearances and sell out shows up and down the UK. Typically, fiddlers Peter Knight (Steeleye Span), Chris Leslie (Fairport Convention), Phil Beer (Show of Hands), Brian McNeill (Battlefield Band), Ian Cutler (Bully Wee), Tom Leary (Lindisfarne) and Garry Blakeley (Band of Two) add their extensive range of fiddle playing styles to the rock back-line of guitars, keyboards, sax and accordion – all held together by legendary drummer Dave Mattacks. A live music entertainment like no other which is guaranteed to be enjoyed by even the most doubting of friends dragged along!

Feast Of Fiddles at the New Forest Folk Festival:

The new album Sleight Of Elbow is something of a departure for the band as it features a lot of original compositions from within the band and only a single traditional tune. One well established feature of the band is well exposed however and that is Feast Of Fiddles arrangements of tunes from other genres, film or TV.

The title track is one of two pieces by guitarist Martin Vincent which was first aired during the 2016 spring tour – the tour that Martin missed because he was in hospital getting a new valve for his heart. ‘McBrides’ is a tune from the band Moving Hearts and a real test piece for a big band. The Scottish band The McCalmans provide the first of only three songs on this recording – ‘Smugglers Song’, this rousing tale of smugglers going about their business complete with engaging chorus. The band’s arrangement of ‘String Of Pearls’ (best known through the Glen Miller Band) demonstrates perfectly the versatility of Feast Of Fiddles. Used as tour opener in 2016 it instigated immediate spontaneous applause at more than one venue. This is followed by the second song – a beautiful original from Alan Whetton who joined the band on sax and keyboards in 2012. ‘Butterfly’s Wing’ picks up the concept of chaos theory which suggests the brief flapping of a butterfly’s wing in England might result in a tornado in the mid-west of America. Another piece from Martin Vincent – ‘Paper Chase’ is probably the nearest the band has got to jazz. Written for a huge school band when Martin was teaching music the title reflects the frustration of most teachers these days dealing with increasing burden of paperwork. The next track, ‘Siamese Kashmir’, is a classic example of what Feast Of Fiddles is all about. A famous film tune segueing into classic rock. ‘The March Of The Siamese Princes And Princesses’ from the film The King And I somehow seemed to naturally lead to Led Zeppelin’s ‘Kashmir’…or so thought bass player Dave Harding a frequent provider of left field material choices to open the show. A great band tune from Alan Whetton – ‘Three Legged Race’ comes next. Then a past top of show track which starts with the theme music of TV series Mission Impossible and joins with another tune from the pen of Alan Whetton ‘Mission Statement’, together almost inevitably entitled ‘Mission Improbable’. The final track on the album is the only traditional tune and one that has been a feature of the band’s repertoire ever since the very beginning. Frequently introduced as a French dance tune that morphs into a drum solo it is ‘Branle Des Chevaux’ or ‘Horses’ Brawl’ as it is better known in the UK.

Artists’ website: http://www.feastoffiddles.co.uk/

“Britain’s fiddling supergroup” – Mark Radcliffe, BBC Radio 2

“The best fiddle players of a generation” – fRoots

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Steve Bonham announces new album

SongsmithSongsmith – a bold new album of powerful and highly individual songs.

“Totally of its time” was how the first comeback album from Steve Bonham, The Moon’s High Tide, was described by one reviewer. Following its release Steve spent a year successfully gigging across the UK re-establishing himself as someone who people wanted to listen to. Now with its follow up Songsmith, released at the end of September, Steve can stake a claim to have really arrived as a distinctive voice in acoustic music producing of body of songs which challenge, intrigue and beguile.

Steve writes songs which draw their inspiration from an eclectic mix of acoustic and folk styles but he is not bound by them. The result is unique, coherent and absolutely belonging to itself. And this musical individuality is also matched by the subject matter and lyrics of the songs. ‘Songsmith is at once highly personal and universal, perhaps best summarised by the writer Jason Webster as a “quest for an authentic life – – reflected in the mirror of adventure”.

But is no collection of restrained introspection: songs like ‘Sister of A Dirty Moon’ and ‘Can Someone Tell Me’ are full on, full tilt featuring great percussion from Jim Higgins; ‘We Were The First’ simmers with anger and frustration at the ongoing genocide of Bushmen of Southern Africa and ‘Take The First Step’, a piece about defiantly going your own way, is just built for live performance. More thoughtful pieces such as ‘Walking the Wall’ and ‘Running Much Too Long’ are unafraid to ask some big questions and the radio hit ‘They Came Home’, is apoignant countryesque song of survival and memory.

The album will be previewed at BAAfest 11-14 September and the launched in with gigs at the Harrison in London (10th October) and National Brewing Museum (11th October) before growing number of list of gigs in the UK Autumn 2014 – Spring 2015.

‘They Came Home’ official video:

Recording Songsmith

Songsmith like the previous album was recorded in Pat Coyne’s little studio in Cong in County Mayo Ireland. It features many of the great local musicians from the area including Pat himself, Jimmy Higgins ex of the Saw Doctors and Altan; on percussion; David Doucey on fiddle and banjo and the astonishing Stephen Doherty on whistles. Once again Chris ‘the Bishop’ Lydon fulfils his role as musical director, keyboard and tuba layer and co-producer keeping things cool and together.

Also contributing, rich and varied playing of fiddle, slide guitar, bazouki,and guitar is folk veteran Tom Leary (Lindisfarne etc). Bass was provided by Steve’s old mate Kev Moore, reuniting the two for the first time in 30 years. Kev is best known for his bass playing with heavy metal and rock bands like Witchcross and Saxon but on Songsmith , Kev proves himself to be equally talented in this genre offering astonishing subtle and adept playing on tracks like ‘Sister of A Dirty Moon’. Songsmith also offered the opportunity for Steve to be reunited with his great friend Nicci Keeling (a folk diva!)on backing vocals along with beautiful voice of Sammy Carter.

Artist’s website: www.stevebonham.net