Martin Simpson announces new album

Martin Simpson

Singer, songwriter and guitar virtuoso Martin Simpson releases brand new studio album Rooted on August 30 on Topic Records. Produced by Andy Bell and recorded in Sheffield and Oxfordshire, Rooted will be available on CD, LP and digital with the deluxe 2CD and deluxe digital versions including a bonus disc of instrumentals, Seeded.

Summing up the themes of his new album, Martin says:

“The music and songs embrace nature and travel, mental health, real life stories, loss, politics and history… and the threads that bind all this together can be followed back a long way, to 1965 when I got my first guitar and started to soak up material and ideas at a very rapid rate.”

Rooted features an array of stellar guest musicians, including Nancy Kerr (fiddle and viola), Andy Cutting (melodeon and diatonic accordion), Liz Hanks (cello), John Smith (electric guitar and vocals), Ben Nicholls (string bass and electric bass guitar), Julie Matthews (vocals), Alan Barnes (clarinet), Max Simpson (vocals), Amy Smith (vocals), Chris While (vocals) and Tom A Wright (drums and percussion). Richard Hawley and Dom Flemons contribute backing vocals and bones respectively to first single ‘Neo’ (out 21st June).  As well as vocals, Martin himself plays banjola, 5-string banjo, 6-string fretless banjo, electric bass guitar and electric and resonator guitars!

Hand in hand with his long and storied solo career, Martin has been central to seminal collaborations like The Full English, The Elizabethan Sessions and Simpson Cutting Kerr. He has worked with a dazzling range of artists from across the musical spectrum: Jackson Browne, Martin Taylor, June Tabor, Richard Hawley, Bonnie Raitt, Danny Thompson, David Hidalgo, Danú, Richard Thompson and Dom Flemons, to mention a few. He is consistently named as one of the very finest acoustic, fingerstyle and slide guitar players in the world and is the most nominated musician in the history of the BBC Folk Awards, with a remarkable thirty-one nods. A true master of his art.

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Artist’s website: http://www.martinsimpson.com

There is nothing from the new album out there yet (apart from a 41 second teaser) so here’s an old film of guitar mastery:

Plus, as an additional treat, here is a second video (this time, from the folking archive) – Louisiana 1927 from Gosport and Fareham Easter Festival in 2010.

ROSIE HOOD – The Beautiful & The Actual (Rootbeat Records RBRCD36)

The Beautiful & The ActualRosie Hood’s debut solo album impresses on so many levels. Firstly, there’s her voice – a model of power and clarity; secondly there is the restraint of the accompaniments, even allowing for the presence of a string trio and Emma Smith’s mighty double bass and, finally, the template for the record. The Beautiful & The Actual is a quotation from Alfred Williams’ Folk Songs Of The Upper Thames and if you know anything about Williams you’ll know that he collected only words, never tunes, on the grounds that no-one would want to sing these songs again.

Many of Williams’ songs are unusual variants and I suspect that some of them, ‘Baker’s Oven’ for example, are unique. They provide a rich source of material for both singers and composers which is where Rosie comes in. She isn’t the first person to arrange Williams’ songs but probably the first to dedicate almost a whole album to him. She opens with ‘Lover’s Ghost’ matched with the tune of Packie Byrne’s version of ‘Holland Handkerchief’. This is an undeniably spooky tale made more so by its apparent simplicity. Having chilled your blood, Rosie injects some humour with a song of her own, ‘Furlong Of Flight’ concerning the unlikely story of an 11th century monk who constructed a pair of wings and flew down Malmesbury High Street before his crash landing.

‘William’s Sweetheart’ is a reworking of ‘William Taylor’ and ‘Lord Lovel’ borrows Peter Bellamy’s tune. ‘The Little Blind Girl’ is an unpublished text with a tune by Rosie who also wrote new melodies for variants of ‘The Red Herring’ and ‘The Cruel Mother’. Of the contemporary songs two, placed side by side, stand out. ‘Adrift, Adrift’ is Rosie’s song about refugees lost in the Mediterranean and John Archbold’s ‘The Hills Of Kandahar’ looks at the other end of the ongoing story, telling of a soldier killed by an IED in Afghanistan.

Supporting musicians include co-producer Tom A Wright, Ollie King, Jefferson Hamer and Emily Portman but Rosie’s voice dominates as it should with traditional music. The Beautiful & The Actual is high on my list of albums of the year.

Dai Jeffries

Artist’s website: www.rosiehood.co.uk

Rosie Hood and her band – ‘William’s Sweetheart’ live: