This interview was conducted and recorded by Tim Pennick, who lives in Suffolk. Tim and I are vaguely related by marriage and I asked him to re-edit the piece for us. The musical excerpts are from the original recording of The Transports. Dai Jeffries
Many visitors to Folking.com will know the music of Peter Bellamy and the story of The Transports.
Henry Kable is believed to have been the first European settler to set foot in Australia. The transportation of Henry and his future wife provided the narrative for Peter Bellamy’s folk opera The Transports written and originally recorded in the 1970s. Suffolk based historian Barry Cable discovered his relationship with Henry as a result of a TV documentary viewed by his daughter in 1988. We spoke to Barry about his distant relative, Henry’s death sentence for theft, his reprieve, and eventual transportation to Australia. The interview was recorded in the museum in Laxfield in Suffolk and includes mention of a number of nearby villages where Henry’s early life took place. The interview is interspersed with excerpts from the 1977 recording of The Transports featuring the voices of Peter Bellamy and the fiddle of Dave Swarbrick. The sound of the church clock of Laxfield recorded as we arrived, precedes the first excerpt.
Tom Paxton once remarked about one of his songs that it originally sounded as if it had been written a century ago, but that he no longer considered that a virtue. Fortunately, Peter Bellamy had no problem with “telling it like it was”. His ballad opera The Transports was, in the opinion of many, the best example of how effectively he could write songs that sounded as if they had been written around the time of the events they describe, which happened in the late 18th century. The Transports – A Tale Of Exile And Migration, released on January 12th 2018, is not, of course, the first recorded version of the opera.
The first recording was released in 1977, and included some enormously influential artists, including some whose influence has survived long after they themselves left the stage. (For example Bert Lloyd, Cyril Tawney, Dave Swarbrick, and Peter Bellamy himself.) The ‘silver edition’ released in 2004 included not only the (remastered) original recording, but also a collection of newer recordings by other artists, including members of Fairport Convention; Coope, Boyes & Simpson; Steve Tilston; and Damien Barber and John Kirkpatrick. This latest CD, produced by Andy Bell, features a younger generation of singers and musicians, including members of The Young ‘Uns, Bellowhead, Faustus, Waterson: Carthy, Whapweasel, and Belshazzar’s Feast, as well as Nancy Kerr, Matthew Crampton and Greg Russell.
This live CD isn’t just a reproduction of the original recording with different musicians, however: it mirrors the touring revival from 2017 (which at the time of writing is just beginning another 14-date tour that ends in Norwich on the 24th January: see the website linked below for details). While it’s still based on the true story that captured Peter Bellamy’s imagination all those years ago, it uses spoken narrative between songs rather than the four sections of ‘The Ballad Of Henry And Susannah’ from the original recording. The narration, by Matthew Crampton, also draws parallels with the plight of 21st century forced migration. Perhaps the only reservation that I have about the CD is that while the narration is very capable, even a new listener might not want to hear it every time after they’ve become acquainted with the story. But in this age of iGadgets and personal playlists, I suppose people are much less likely to simply put on a CD and play it all the way through.
The production also includes Sean Cooney’s own recent song ‘Dark Water’, about Hesham Modamani, who swam from Turkey to Greece in his bid to escape from Syria. Live performances include stories of migration researched by the Parallel Lives project. While the song doesn’t have the ‘traditional’ quality of Peter Bellamy’s songs, it doesn’t jar – on me, at any rate – and it’s an excellent performance.
For comparison with previous recordings, here’s a listing of the songs: there are 28 tracks altogether, including the spoken tracks.
‘Us Poor Fellows’
‘The Robber’s Song’
‘The Leaves In The Woodland’
‘The Ballad of Norwich Gaol’
‘I Once Lived In Service’
‘Sweet Loving Friendship’
‘The Black and Bitter Night’
‘The Humane Turnkey 1’
‘The Plymouth Mail’
‘The Humane Turnkey 2’
‘The Green Fields of England’
‘The Still and Silent Ocean’
For reasons of space, I won’t go through the performances individually: the songs are of a uniform high quality (and, happily, the booklet includes the lyrics). The vocals (both solo and ensemble) and instrumental work are never less than very good, though Nancy Kerr’s bravura performance on ‘The Leaves In The Woodland’ deserves a special mention.
If you already have an earlier version, it’s still worth taking a look at this for its change of focus (and, of course, some excellent performances). If you’re not acquainted with The Transports but like the sound of songs that are very much in a traditional vein and tell a fascinating historical story with 21st century resonances, you should definitely take a look. And if you tend to prefer more contemporary renditions of contemporary material, take a look anyway. You might just surprise yourself.
Please support us and order via our UK or US Storefront