If you’re the sort of person who reads the small print on CD covers, you’ll be familiar with the name of Louise Bichan. She is widely known as a photographer, particularly of Scottish artists but has been playing the fiddle for even longer. Out Of My Own Light is subtitled The Margaret S. Tait Project and is, I believe, her first solo album. Margaret Tait was Louise’s grandmother and both came from the Orkneys but Margaret’s uncle had emigrated to Canada and settled there. After the second world war Margaret was, in her own words, “restless and unhappy” and journeyed to Canada to meet her family.
Out Of My Own Light tells Margaret’s story in music and it’s a complicated one involving a recording for CBC radio in 1950 and the choice of two suitors. The record closes with a recently rediscovered but sadly scratchy and incomplete tape of that broadcast. The rest of the record is composed by Louise and performed alongside some of Scotland’s finest musicians: Mike Vass, Signy Jakobsdottir, Duncan Lyall, Su-a Lee and Jennifer Austin, whose piano makes a striking contribution to the album.
Although rooted in the tradition, Out Of My Own Light is something more. You might call it alt-folk or nu-folk but I prefer to think of it as modern classical with tracks titled for people and incidents in Margaret’s life. The man she chose to marry, Sydney Bichan, gets two pieces, ‘Sidney The Pilot’ and ‘Flying Farmer’ and ‘Swanbister’, the name of Louise’s label was also the home of Sydney’s family. Louise isn’t clear about this but I suspect that ‘Margaret’s Walk To The Pier’ and the cover photograph are of Swanbister.
This isn’t an album you’re going to get at first hearing but you’ll find expanded sleeve notes at http://www.outofmyownlight.com and in Louise’s blog.
Artist’s webside: www.louisebichan.co.uk
A behind-the-scenes look at Out Of My Own Light: