EVAN CARSON – Ocipinski (Evan Carson Music – ECMCD001)

OcipinskiOcipinski is percussionist Evan Carson’s first solo album inspired by Jerzy Ocipinski and the Polish Resistance Movements of the Second World War. Why this subject matter you ask? It just so happens that Jerzy Ocipinski was Evan’s grandfather.

The album has taken somewhat longer to complete that originally planned, but as we all know Evan is a busy man recording and/or performing with The Willows, Sam Kelly and the Lost Boys, Carousel and more recently The Tweed Project, to name just a few. It was also recorded in places as far afield as the UK, Russia, Iceland and Australia so it was somewhat logistically challenging.

The music was co-written by Evan and Gleb Kolyadin, who also plays piano on the album masterfully. The lyrics are credited to Evan, Georgia Lewis, Jim Grey and Hannah Sanders who also provide their highly impressive vocal talents along with Evan himself and Ben Savage. Other musicians involved are Karl James Pestka (violin & viola), Graham Coe (cello), Toby Shaer (flutes), Chris Heales (electric guitars and bass), Josh Franklin (bass and synths), Chris Cawood (acoustic guitar and bass) and Archie Churchill Moss (melodian). You are probably already getting the feeling this is something you have to listen to.

The way the album flows is like a prog folk version of Genesis’ The Lamb Lies Down On Broadway, albeit shorter and without all the psychedelic imagery. Four of the seven tracks are over six minutes long and all are filled with intricate percussion, piano and vocals. The album is obviously percussion driven and those of you who have seen Evan with any of his bands will know he is not one to stick with a standard drum kit and 4/4 beat.

‘Sky’, the opening track is the shortest on the album and it creeps up on you like an instrumental dawn, it builds gently and then leads into ‘Shards’ (for me the best track on the album) with it’s syncopated drum beat and frenetic piano and wonderful lead vocals from Georgia (someone I must find out more about). This leads into ‘Chrysalis’ with more haunting vocal which has an Eastern feel to it.

‘Otriad’ starts with more great piano from Gleb, features Evan/Jim on lead vocal and has the strings from Karl and flutes from Toby which come to the fore in a middle instrumental section. ‘Bloodlines’ starts slower, but then there is more of that driving percussion with Hannah on lead vocals and Ben’s warming backing vocals. This leads into ‘The Fireflies Of Falaise’ which is mainly instrumental with a multi-vocal chant to take it to the end. The final track ‘Anders Prayer’, has an industrial feel to it with Georgia again on lead vocal and it closes out the album in fine fashion.

This is a truly original piece of work brilliantly produced by Joshua Franklin, which I encourage you to take 43 minutes out of your day to sit down and listen to from start to finish. If you’re at the more open-minded end of the folk world, you will thoroughly enjoy the experience.

Duncan Chappell

Artist’s website: www.evancarsondrums.com

‘Shards’ – in rehearsal:

SINGLES BAR 29 – a round-up of recent EPs and singles

Singles Bar 29VIRGINIA KETTLE is one of Merry Hell’s front line as songwriter and singer and formerly a successful soloist around the clubs. This eponymous EP with The Dreamcatchers (who are not named but who look suspiciously familiar) is, we’re told, the precursor to a solo album. Her songs tend to be human stories, often with a twist, some of which scale up for the band but these would not.

‘The Butter Song’, which opens the set, begins with the brilliant lines “Ever considered someone like me to spread the butter on your bread” and is sung over hand percussion. ‘More Than This’ sees The Dreamcatchers joining in, initially gently pastoral then building up and finally slipping away. As I’ve come to expect the songs are clever; sometimes quirky like ‘Little Warm’ or deceptively deep like ‘Freedom (The Sweetest Taste)’. We’re looking forward to the album already.
www.vkandthedreamkeepers.com

A collaboration between Brighton songwriters, Rebecca Brandler and Scott Booth, PAPER HAWK make their debut with The Tide, a four track download EP via local label Folklore Sessions recorded in the living room of their flat. The opening track, ‘Trails’, a number about the death throes of a volatile relationship, is what you’d probably call psych-folk with whispery-sung ethereal, echoey vocals, shimmering keyboard swirls, understated drum beat and skitterings of guitars. It’s a mood sustained with the watery finger picked acoustic guitar work accompanying Booth’s vocals on the breathily-sung and rather positive and idealistic ‘The Fourteenth Floor’, clattering percussion and a thumping drum beat gathering for the instrumental play out.

Underscored by spare bass guitar notes and plucked acoustic guitar, ‘Northern Sky’ is another airy piece from Brandler and, largely down to producer Josh Trinnaman, again builds the soundscape towards the close. That bass drum thump also underpins the final number, ‘Written In The Lines’, an electronic ambience enfolding Booth’s hushed vocals on a song that bookends the EP by both returning to the theme of a relationship past its use by date and with the outro mirroring the opening wordless ululation on ‘Trails’. An impressive debut that leaves you wanting to hear what else they can do.
https://www.facebook.com/paperhawkmusic/

Forget About You is a new EP by FINE LINES, a duo founded by singer-songwriter David Boardman and vocalist Zoe Blyth with a cast of supporting musicians – Mark Radclffe has been known to turn out on drums with them. The lead track and ‘Feet Don’t Touch The Ground’ both come from last year’s album, Hour Of Need while ‘Who Do You Love?’ and ‘Begging You’ are new songs. Their sound is acoustic rock with a slight country edge that sometimes forgets that it is supposed to be acoustic but it’s classy stuff.
www.wearefinelines.com

Book SongsANNE-MARIE SANDERSON is a singer-songwriter and multi-instrumentalist – guitar, cello and clarinet are among her accomplishments. Book Songs Volume 1 is her third EP and it will presumably be followed by a second volume in time. The five songs here are all inspired by novels, authors including such literary giants as Ian McEwan and Doris Lessing. As befits such inspirations, the songs are musically and lyrically complex. ‘Haweswater’ covers the same ground as Mike Turnbull’s ‘Drowning Valley’ and is a particularly fine song. ‘Mara’s Song’ is even better and like ‘Poisonwood’ is set in Africa – two very different Africas actually – one in the distant future and the other in the mid twentieth century. Anne-Marie plays every note on this EP and has fine voice with a hint of wildness in it that many critics have worked hard to describe.
https://www.annemariesanderson.com/

ShardsEVAN CARSON is the folk scene’s go-to percussion at the moment but now we learn that he is also a composer of no mean talent. ‘Shards’ is the first part of what is intended to be a musical story of his grandfather, George Ocipinski, who escaped from a labour camp and travelled west to join the French Resistance in time for the Normandy landings.

Lead vocals are by Georgia Lewis and the music is built up by the piano of Gleb Kolyadin, Karl James Pestka’s strings and Toby Shaer’s flutes. The nine-and-a-half minutes composition begins with the sound of the wind underneath glockenspiel or chimes – or possibly both – played by Evan himself. Then it rocks a bit with percussion that, to judge from the later lyrics, might be intended to imitate a train as George makes his escape. ‘Shards’ is a dramatic piece of work and there is an EP in the offing. We can’t wait.
www.evancarsondrums.com

Evan Carson releases the first installment of a long story

Evan Carson

‘Shards’ is part of an ongoing story inspired by George Ocipinski and members of the various Polish Resistance Units across Europe during 1939 – 1945 now being reconstructed in music by Evan Carson.

A collaboration between musicians from the UK, Iceland and Russia blending, folk, progressive and classical elements. This particular track highlights only one small part of Evan’s grandfather’s journey through the Second World War from escaping a labour camp in Eastern Europe, to joining the French Resistance during the Allied Landings in Normandy and beyond. The purpose of this project is to fill in the gaps and bring the whole story of both his grandfather and other Poles to life. Musically, this song focuses on piano, strings and bodhran influenced by eastern European time signatures.

Evan explained a little more. “The initial idea was just for me to put out a series of tracks that used a lot of ideas that I couldn’t get away with in the other bands I work for. This particular release is all about my family and others in Poland during the second world war. It’s an ongoing story that we are still tracking down all the parts to.”

Looking to the future Evan hopes to continue telling stories and combining styles and musicians from very different scenes and genres.

“I’ve had a very close working relationship with the pianist Gleb Kolyadin and the others so I’m looking forward to finishing the rest of the story with them all. Hopefully I’ll put together a live set as soon as I can get them all in one country.”

Written by Evan Carson

Lyrics by Evan Carson and Georgia Lewis
Vocals – Georgia Lewis
Piano – Gleb Kolyadin
Strings – Karl James Pestka
Flutes – Toby Shaer
Percussion, Vocals – Evan Carson
Additional Sound Design, Production and Engineering – Joshua Franklin
Artwork – Todd Robinson
Mastered – Josh Clarke/Get Real Audio
Written and Recorded in the UK and Russia

Evan currently tours with folk acts Sam Kelly and the Lost Boys (BBC Radio 2 Folk Awards Best Group Nominees), The Willows, Georgia Lewis (BBC Radio 2 Folk Awards Horizon Nominee) and has also performed with Seth Lakeman.

In 2016, Evan recorded percussion for Russian duo Iamthemorning’s Lighthouse (PROG AWARDS Album of the Year 2016) and has gone on to tour with them throughout Europe and Russia.

In 2018, Evan also guested on piano virtuoso Gleb Kolyadin’s (Iamthemorning) solo album opposite drummer Gavin Harrison (Porcupine Tree) and Jordan Rudess (Dream Theater).

Artist’s website: www.evancarsondrums.com

There will be an EP soon but here’s a short preview: