REG MEUROSS – 12 Silk Handkerchiefs (Hatsongs HAT013)

12 Silk HandkerchiefsThis is not your typical Reg Meuross album. Not that it doesn’t have his consummate songwriting with its finely crafted melodies and emotive resonance and not that it isn’t beautifully sung; it’s just that, while he features on backing, Reg only sings two tracks. It is, in fact, a concept album, a song cycle about the Hull triple trawler tragedy when, in 1968, bad weather sank three separate trawlers in less than a month, with only one survivor from the total crew of fifty-nine men.

The album is based on Brian W. Lavery’s book, The Headscarf Revolutionaries, which documents the subsequent campaign of Lillian ‘Big Lil’ Bilocca, one of the trawlermen’s wives and her friends to bring about changes in the fishing industry. As such, it comprises both song and spoken word, the narration delivered by Lavery himself, while Hull folk singers Sam (as in Samantha) Martyn and Mick McGarry provide both vocal and spoken tracks.

There’s six songs, each preceded by Lavery’s scene setting, opening with the waltztime shanty ‘Wash Her Man Away, McGarry on vocals, Meuross providing harmonies and acoustic and Martyn on harmonium, a number rooted in superstitions about bringing back luck, here a meticulously tidy housewife not doing the laundry on the day before her skipper husband sets sail, the lyrics evoking such portents as the men leaving their small change behind.

The intro to ‘I Am A Fish House Woman’ conjures the fellowship of the women in the cold of the fish processing plant, detailing the work, talk of missing ships and introducing Lily, on her last shift for two years. This time, it’s Martyn on vocals, Meuross on strummed dulcimer, for a six minute, chorus-friendly anthem to the women, the conditions they work under (“my mother was a skinner ‘til the freezing took her lung”) in their nine-hour day, slicing the ‘silver darlings’ and how, while the men are away “fighting for their lives, we’re fighting for their rights”.

Sung heartbreakingly in the first person, ‘John Barry Rogers’ recounts the story of the eighteen-year-old deckhand who, when their ship went down in an Atlantic storm, saved the life of first mate Harry Eddom, the sole survivor, getting him onto the raft, before dying of exposure. Backed by harmonium and guitar, McGarry again sings lead on a classic Meuross lyric as the doomed boy talks of his mother and sweetheart, left behind in the siren call of the sea.

As you might guess, one of the two tracks sung by Meuross, ‘The Man The Sea Gave Back’, turns the focus on Eddom, a flavour of early Dylan to its brisk strum with Martyn adding flute, as he sings of Eddom watching the other two survivors eventually fall victim to the cruel sea.

Both the narrative and the lyrics to ‘Sleep You Safely’, sung by Martyn, turn the spotlight back on Bilocca, who was ejected from the campaign group she’d founded after appearing on the Eamonn Andrews show when, asked how the men spent their time on shore, talked of the single ones going to the pub “with their tarts”, a term that had a different meaning back home at Hessle Road to the one the studio audience assumed. The men she’d fought for also turned against her after a ban on fishing in bad weather meant they lost catches to Icelandic trawlers, but counterpointed by a meeting with a young galley boy on her way back from the meeting.

A melancholic, slow paced number, again featuring one of Meuross’s trademark uplifting choruses, it gives way to the lilting title track, the intro noting how, after her husband’s death, Lily moved home to a council house, weighed down by her treatment by the media and the feeling of being abandoned and her fight ignored, falling into ill health and eventually dying of cancer at 59 in 1988.

The title refers to her last request to her daughter to buy the handkerchiefs which, on the day before she died, she handed out to all those who had looked after her. Sung by Meuross with Martyn and McGarry on harmonies, the simply strummed song itself takes a more metaphorical approach, the handkerchiefs also symbolic of, as the chorus notes, the months of the year, “the twelve holy fisherman keeping her loved ones from fear” and “all the company men In their temples of greed she battled and beat in the end And for all the men and boys who are called by the sea…to bring them home safely to thee.”

It ends with ‘Times and Tides’, a reading by McGarry from Lavery’s book that, like the album, is a finely spun tribute testament to the men who risk their lives to harvest the ocean and the women “who never waved…Nor wavered” and the kids waiting for their fathers’ return “Christmas every twenty-one days.” It’s rich in honest emotion, deep humanity, resonant lyrics and infectious melodies. Typical Reg Meuross after all, then.

Mike Davies

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Artist’s website: www.regmeuross.com

’12 Silk Handkerchiefs’ – live:

 

BEGGAR’S BRIDGE – Short Stories Tall Tales (own label)

BEGGARS BRIDGE Short Stories Tall TalesBeggar’s Bridge are a six-piece band from Hull whose music is rooted in the characters and history of East Yorkshire. Most of their songs are written by Alan Catton (guitar and mandolin) and vocalist Mark Pollard. Their style is acoustic folk-rock: Martin Hainstock’s bass doesn’t pound or chug and there are no screaming electric guitar breaks; the decorative lines coming from Dave Watts’ violin and Sam Martyn’s whistle. Sam is also the second vocalist providing a counterpoint to Mark’s gruffer tones – particularly effective on ‘The Bonny Black Hare’, one of the two traditional songs included here.

Short Stories Tall Tales is the band’s second album, and Sam also has a solo CD: that and the band’s debut are both tempting purchases. The “heroes” of the songs include Hannah Hauxwell, who worked her farm in the remote North Riding until she became the subject of several television documentaries. Her story is told in ‘Daughter Of The Dales’. Then there is ‘Peg Fyfe’, reputedly a witch who flayed alive a stable boy who thwarted her plans to steal a horse. She was sent to the gallows but was killed before the noose could do its work. The album ends with the story of notorious burglar and murderer, ‘Charlie Peace’.

An episode from Hull’s maritime history is recounted in ‘The Gamecock Fleet’ when trawlers fishing the Dogger Bank were fired on by the Russian Baltic Fleet in 1904 while ‘The Devil’s Claw’ tells of the hard life of the men who worked the Grimsby boats. There’s nostalgia in ‘Had It All’, ‘Looking For Emily Street’ and the instrumental ‘By The Cleveland Way’ and a touch of politics in the opening track, ‘Don’t Forget’.

Beggar’s Bridge craft songs from stories in the way that John Conolly and Bill Meek did in their heyday and that is high praise indeed.

Dai Jeffries

Artists’ website: http://www.beggars-bridge.co.uk/

‘Daughter Of The Dales’ with documentary film of Hannah Hauxwell: