After the release of 2013’s Love Calling, his fourteenth album in thirty years, the Austin-based singer-songwriter considered calling it a day, unsure he had anything left worth saying or that anyone was even listening. Instead, he turned to exploring creative avenues outside of the traditional music business, writing an as yet unpublished book on artists’ perspectives on work, doing songwriting workshops and helping put together a non-profit group called Song-Writing-With-Soldiers, a program to bring professional songwriters and veterans together to write songs about combat and returning home.
This, in tandem with growing older and getting sick of the cynicism of those in power and feeling the need for compassion for strangers, sent him back to reconsider material he’d written over the past five years, both by himself and in collaboration with the likes of Bruce Robison and Matreca Berg. Narrowing the total down to twelve, he recruited a bunch of his favourite musicians, among them bassist Roscoe Beck, guitarist Charlie Sexton and the legendary David Mansfield and, with Beth Nielsen Chapman among those providing harmonies, went back into the studio, persuaded that, yes, he did have something to say and that hopefully someone out there might need to hear it, even if it only changed one person’s day for the better.
Everything is the result, and the self-reflection that went into its genesis can he heard on the lazing lope of the Radney Foster co-penned ‘Soul Searching’ as he sings about “trying to find where I belong” and “what I want to leave behind me when I’m gone”, that contemplation of legacy also to be found on the Simon-esque title track about making the most of life and “when I’m gone here’s a song I hope the angels sing.”
It’s upbeat tone is reflected in many of the songs, notable cases in point would be the repeated piano riff opener. ‘Blessings’. (“just remember that you make a difference and the world is better off that you are here”) and the celebration of individuality in the acoustic rippling ‘Against The Grain’.
Co-written with Berg, ‘Firefly’ is a love song with a classic Jackson Browne flavour while thoughts of mortality inform ‘I Love You, Goodbye’, another song of the heart, this time informed by a friend’s passing, about remembering to take the time to let people know how you feel while you still can.
A timely song about the need for human kindness, ‘Love Will Win The War’ is, Mansfield on mandolin, a strummed folksy march beat with a crowd friendly chorus of ‘hate may win a battle, love will win the war.”
Elsewhere ‘Carousel’, a gently waltzing reflection on a past relationship co-written with Robison, features Kelly Willis on harmonies, album closer ‘Can You See The Moon’ has a late night blues vibe while, another Foster co-write, ‘Forever’ reps the album’s only glimpse of hopelessness and despair, telling of a woman walking out of an abusive marriage and, quite possibly, walking into the water to drown , though it’s equally possible to see it as a cleansing and rebirth before she starts a new life.
Smith says he set out to make an album that brings people together, an affirmation in the face of a world that seeks to them apart. Everything is a whole lotta love.
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Artist’s website: www.dardensmith.com