Jackie Oates’ new album, her seventh, is an intensely personal one with songs spanning four generations of her family from her grandfather to her daughter Rosie. The latter can be heard on several tracks notably her “theme tune”, ‘Rosy Apple’. The Joy Of Living reflects on new life and death – Jackie’s father died unexpectedly five days after Rosie was born, and I really can’t imagine the tumult of emotions she must have felt.
So a makeshift studio was set up in her kitchen and producer Simon Richmond would travel to hers and they would get as much work done as possible in the time available – hence young Rosie’s contributions to some of the tracks. The album opens with Hamish Henderson’s ‘Freedom Come-All-Ye’. Jackie’s father fought in the 51st Highland Division, Henderson’s regiment, and she sings the beautiful tune sensitively but without excessive emotion. From there we turn to the new life with ‘Spring Is Coming Soon’, a song that Jackie made up when Rosie was very small and it paves the way for several other children’s songs scattered through the album.
John Lennon’s painful ‘Mother’ comes as something as a shock and I’m still not sure how to interpret it. Is Jackie lifting the lid on something better left concealed? If so she quickly slams it shut again with a reprise of ‘Spring Is Coming Soon’ with its repeated “we’ll be happy very soon”. It’s certainly a stunning performance and one that Jackie is not afraid to tackle on stage. The traditional ‘Virginny’ is a song that Jackie learned from her father and is faithful to his version and now we have encompassed all four generations.
‘The Joy Of Living’ had quite an impact on the young listeners at the launch event but, being an old codger, I can’t help but contrast it with ‘The Manchester Rambler’, written when MacColl was a young man. The love of the mountains is present in two songs written roughly fifty years apart in very different contexts. But I digress. ‘Unicorns’ is another song that Jackie grew up with and I suppose that ‘Catch Me If You Can’, ‘The Bird’ and ‘Sweet Farewell’ fall into that category. The last two songs return to Jackie’s father. ‘The Last Trip Home’ was one of his favourites and ‘Rolling Home’ is actually a fragment of a recording of him in a session – Jackie picks up the song as the clip fades out.
Musically, there is great variety but nothing is overbearing – how many musicians can you actually record in a kitchen at one time? The piano was already there but John Parker had to bring his double bass, Barney Morse Brown his cello and Matt Allwright his pedal steel. Jack Rutter is Jackie’s regular sidesman now, John Spiers dropped in and Megan Henwood was around a lot to provide the backing vocals. The Joy Of Living was recorded over a long period and not necessarily under ideal circumstances but it comes over as fresh and spontaneous and, indeed, a joy to listen to.
Artist’s website: www.jackieoates.co.uk
‘Nay Ivy Nay’ – live:
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