GEORGE DUFF – The Collier Laddie (BEAGCD BEAG CD005)

Collier LaddieAlthough he’s been singing for many years and is well-known and respected in Scotland George Duff hadn’t until now made a solo album. He is The Collier Laddie of the title – a National Coal Board engineer, to be precise – and a fair part of his repertoire is made up miners’ songs. He hasn’t gone for a thematic record, however, and here you’ll hear romantic songs, two of Robert Burns’ lyrics and Hamish Henderson’s most famous song. George has a terrifically strong and clear voice and is steeped in Scottish tradition but his album encompasses modern production values, thanks in part to co-producer Kevin Macleod. The assembled musicians include Mike Katz, John Martin and Mark Dunlop – quality assured.

The album opens with the title track and ‘The Blackleg Miner’, performed in his typically robust style before switching to gentler thoughts with ‘The Banks Of The Bann’. I have to say that The Collier Laddie includes quite a few of my favourite songs of which this is one. There are some contemporary songs among the traditional. Brian McNeill’s ‘The Prince Of Darkness’ is as grim as any mining song I’ve ever heard; Geordie McIntyre’s ‘Remember Connolly’, with bodhran accompaniment from Dunlop, takes us into the political arena to be followed by Alistair Hulett’s heart-breaking ‘He Fades Away’ – an example of perfect sequencing in my humble opinion. I don’t suppose ‘The D-Day Dodgers’ can be considered contemporary any more but ‘When These Shoes Were New’ can. Michael Marra’s song is better known as ‘Take Me Out Drinking Tonight’ but this is his preferred title and it makes a fitting, if slightly stereotypical, ending to an album of Scottish songs.

I’ve really enjoyed this album and if you were beginning to think that people don’t make records like this any more, here’s one to prove that they do.

Dai Jeffries

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‘Rattlin’ Roarin’ Willie’ with Kevin Macleod:

BATTLEFIELD BAND – Beg & Borrow (Temple COMD2107)

BATTLEFIELD BAND - Beg & Borrow (Temple COMD2107)The idea behind this album is simple but the execution is rather less so. The Straits of Moyle are just twelve miles wide which means that on a clear day you can stand on the Mull of Kintyre and see the Ulster coast. Legends are full of conflicts between the Scots and the Irish but there was also trade and, inevitably, music. Beg & Borrow celebrates the musical trade between the two countries.

Battlefield Band is now a trio and well illustrate the international nature of Celtic music. Piper Mike Katz is from Los Angeles, fiddler Alasdair White from Lewis and singer/guitarist Sean O’Donnell from Derry. They have recruited twelve special guests to celebrate this global musical community. Furthest flung is Australian piper Barry Gray and the nearest to home is Robin Morton who, although actually Irish, is the boss of Temple Records and the studio in which he produced the record and plays bodhran. Other famous names are Christine Primrose, Alison Kinnaird, Mike Whellans and Nuala Kennedy.

In contrast to the modern style of bands giving their sets short, snappy titles the tracks here are billed rather more formally so we begin with ‘Reels’, ‘6/8s’, ‘Song’, ‘Slow Air & Jig’ and so on. I’m no expert but I suspect this was how they would be noted on dance cards in the 18th and 19th centuries – Scottish country dancing was the ballroom dancing of the period after all. There is sometimes something rather formal about the style of playing, too, although the record opens with a robust set of Irish reels featuring the melodeon of Leo McCann. The 6/8 set – ‘Drunken Man’s Frolic/We Will Go Merrily Sailing/Charlie Over The Water’ is rather more stately.

My favourite tunes are the strathspeys, possibly because we don’t hear them very much this far south. Their rhythm is quite different from the jig and the reel and although the dance is described as being stately and often slow the tunes themselves are bouncy and expressive. Of course Mike Whellans’ contributions with the moothie and Jim Kilpatrick’s snare and bass drums add uniquely to the tracks on which they appear and Alison Kinnaird gets an almost solo on ‘Ellen’s Dreams’, a tune written by her husband, Robin Morton.

The first song we hear is ‘The Blantyre Explosion’ powerfully sung by Sean O’Donnell with the addition of a Gaelic verse by Christine Primrose. I would have liked to hear more of her on this track but later she is joined by Nuala Kennedy for ‘An Gille Mear’ which she translated from Irish Gaelic to Scots Gaelic. That seems a bit esoteric to me but it’s a lovely track. Christine returns the compliment on Nuala’s song ‘Mo Bhuachaill Dubh Dhonn’.

Beg & Borrow is an album you have to give some time to. The music here is something over and above the usual mix of Celtic music while still being firmly rooted in the traditions of Scotland and Ireland. While many musicians try to push the envelope, Battlefield Band and their friends have found plenty to explore in its dustier corners.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.battlefieldband.co.uk

BATTLEFIELD BAND – Room Enough For All Temple Records COMD2106

Battlefield.Band-Room.Enough.For.AllBattlefield Band never stand still. They’re a forty year old institution but their line-up is fluid – players come, players go and sometimes return. The current twin-bagpipes/twin fiddles set-up of Mike Katz, Ewen Henderson, Alasdair White and Sean O’Donnell has been together for a while – White joined as a teenager over a decade ago – and seems very comfortable.

That’s not meant as a criticism but Room Enough For All could be described as a pastoral album, or whatever the equivalent is for music firmly rooted in the traditions of the western isles. That isn’t to say that it doesn’t spring a few surprises. The record opens with a setting by O’Donnell of Louis MacNeice’s ‘Bagpipe Music’, a poem perhaps best remembered now as the starting point for Leon Rosselson’s ‘Brass Band Music’. The poem, written in the 30s, describes the decline of indigenous culture in Scotland and, as the band point out, it applies equally today with only minor updates to the objects of desire. This is a hell of a good time to record it.

Towards the end of the disc is a new setting of Aaron Kramer’s ‘In Contempt’, published in 1950 and included in a selection called In Wicked Times – another piece appropriate to our times. In between are tunes and songs old and new – sparkling dance tunes and wistful airs, and a song about the return of Scots exiles, ‘Farewell To Indiana’ – quiet and reflective but full of optimism.

The multi-instrumental band members don’t need much help. Mike Whellans adds harmonica to one track and producer Robin Morton adds bodhran and bass drum to the final set but that’s all. Listen to the dancing fiddles on ‘The Garron Trotting’ set and you’ll understand why. 

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist web link: www.battlefieldband.co.uk