Shrewsbury Folk Festival – tickets are now on sale

Shrewsbury Folk Festival
Kate Rusby

Tickets have gone on sale for the 2019 Shrewsbury Folk Festival as organisers have shared the first names to be added to the bill.

Weekend tickets to the four-day event, that will take place at the West Mid Showground from August 23 to 26, are expected to be in high demand. Last year the first tier of tickets were snapped up in less than 30 minutes and weekend tickets sold out a month before the August Bank Holiday event.

Two of the UK’s top solo stars Kate Rusby and Martyn Joseph will be topping the bill along with the legendary Oysterband and female supergroup Daphne’s Flight, who are returning after a triumphant performance in 2017. Scottish folk rockers Skerryvore have also been invited back after wowing crowds earlier this year.

Grace Petrie – photograph by David Wilson Clarke

Gary Stewart’s Graceland – a reworking of the Paul Simon classic – has also been signed up along with solo shows from Show of Hands frontman Steve Knightley, singer songwriter and activist Grace Petrie and appearances from The Phil Beer Band and Merry Hell.

Exclusive to the festival will be a special day of programming on its Pengwern stage by duo Chris While and Julie Matthews to celebrate the 25th anniversary of their musical partnership. The While and Matthews Takeover will see the pair curate performances on August 25th that will culminate in a big band show to close the night.

Granny’s Attic

Other acts will include Chris Elliott and Caitlin Jones, Edgelarks, Geoff Lakeman, Granny’s Attic, Mankala, Paul Downes, Rapsquillion, Reg Meuross, Track Dogs, the Urban Folk Quartet, and Winter Wilson. Festivalgoers will also be able to watch folk opera Here At The Fair by Mick Ryan.

Festival Director Sandra Surtees said many more artists are yet to be revealed.

“As ever the Shrewsbury line-up will feature some of the biggest names in folk, some popular performers that have been requested by our audience and a number of world and Americana acts.

“But the festival is about so much more than just the music – there’s so much to do during the weekend for all ages. The festival has its own magical atmosphere and we have many visitors who wouldn’t class themselves as ‘folkies’ but they just come to enjoy the relaxed and friendly atmosphere with friends and family and listen to great music.

“The festival continues to go from strength to strength with a devoted audience who return year after year, demonstrated by the fact that we regularly sell out in advance.”

The festival has four main music stages, a dance tent featuring ceilidhs, workshops and dance shows, children and youth festivals, workshops, crafts, food village, real ale, cocktail and gin bars and on-site camping and glamping.

There are also fringe events at local pubs with dance displays held in the town centre and a parade through the streets on the Saturday afternoon. Weekend and day tickets can be booked at  www.shrewsburyfolkfestival.co.uk/booktickets/.

JIM CAUSLEY AND FRIENDS – I Am The Song (WildGoose Records WGS420CD)

I Am The SongYoung Jim Causley returns once more to the writing of his distinguished relative, Charles. I Am The Song, unlike the serious and sometimes mysterious Cyprus Well, is a collection of poetry written for children. As you might suppose many of the songs are quite short and Jim crams twenty-one of them onto the record. Equally, you might suppose that the poems are funny to the point of silliness and to an extent you would be correct but there are dark moments and the humour sometimes conceals a serious point.

The set opens with ‘Python On Piccolo’, a song about animals forming a band and typical of the surreal images in some of Charles’ poetry also represented by ‘Good Morning Mrs Croco-Do-Dile’, ‘Tabitha Tupper’ and ‘Mrs McPhee’. Next comes a bit of social observation in the shape of ‘Newlyn Buildings’ although the line “who had the top apartment no-one ever seemed to know” adds a frisson of mystery. ‘Here We Go Round The Roundhouse’ is a calendar song that will creep into the club repertoire before long I have no doubt.

Of the darker songs, ‘Lord Lovelace’ leads the way followed by ‘Lady Jane Grey’ and ‘A Mermaid At Zennor’, although Charles steers clear of being too explicit about the fate of the titular lady in the former or the churchwarden’s son in the latter. My personal favourite is ‘I Saw A Jolly Hunter’ which will make children laugh but says a lot about Charles’ views.

Jim’s accordion arrangements provide an appropriately jolly West Country lilt to the poems but he is exceptionally generous to his friends, notably Becki Driscoll and Nick Wyke, Keith Kendrick and Sylvia Needham and Mick Ryan who take a share of the lead vocals. Nick manages the most excruciatingly perfect flat notes on ‘The Money Came In’. Other players include Jeff Gillett who provides most of the finger-picked guitar, Matt Norman who plays various banjos and Mary Humphries and Anahata.

Charles Causley said that he could never decide which poems were for children and which for adults and this collection will prove that. The standard omission is ‘Timothy Winter’ which was included in the children’s collection but only because Jim recorded it on Cyprus Well. Buy this for the kids just before they grow out of nursery rhymes or buy it for yourselves because you’ll enjoy it too.

Dai Jeffries

Artist’s website: www.jimcausley.co.uk

Sarah Morgan Memorial Concert

Memorial
Winchester Community Choir, Carolyn Robson, Moira Craig and Mary Eagle
April 13th 2014

I know it isn’t done to review an event like this and I have no intention of doing so. But I do feel that a concert that meant so much to so many people should be reported.

Sarah Morgan died, suddenly but not unexpectedly, on 14th September 2013. In her last days she laboured to complete her doctoral thesis under the watchful eyes of her friends and her doctorate was awarded posthumously. That was the sort of her person she was. It transpires that the idea for a memorial event was discussed before she died and Sarah even made a list of the people she wanted to appear. It was thought by some – those who had given up singing seriously several years ago – that this was Sarah’s last little joke but not one person refused the invitation to appear. It fell to Sarah’s final musical partners, Moira Craig and Carolyn Robson to make the idea a reality on April 13th at Winchester Guildhall.

The Community Choir movement, with which Sarah was so heavily involved in recent years was represented by five groups: choirs from Winchester, Alton and Petersfield, The Spotlight Singers and The Andover Museum Loft Singers. I believe Sarah founded three of these and their repertoires included songs that Sarah arranged, published and sometimes wrote tunes for.

Friends old and new filled the bill. From the past we heard Val Higson, a member of Curate’s Egg alongside Sarah way back in the 1970s and Sheila March, formerly of Bread And Roses, Sarah’s first all-female group. Representing the younger generation was Susannah Starling who proved what a remarkable accompanying instrument the double bass can be. From America came Mary Eagle who first came here thirty years ago and captured everyone’s heart and her friend and fellow Appalachian singer Joe Penland. Sarah’s musical connections covered a lot of ground.

Major names who travelled across the country for their ten or fifteen minutes on stage included Lester Simpson, John Kirkpatrick, The Askew Sisters, Ron Taylor, Jeff Gillett, Eddie Upton and Grace Notes. Mary Humphreys & Anahata, Mick Ryan, Tom & Barbara Brown and Doug Bailey didn’t have quite so far to travel and neither did Belshazzar’s Feast who closed their set and the concert proper with ‘Home Lads Home’ – words by Cecily Fox Smith and music by Sarah Morgan.

No memorial is over without a big finish and ‘Only Remembered’, also sung at Sarah’s funeral, had become a sort of theme. “Only remembered, only remembered, only remembered for what we have done.” Sarah did so much.

Dai Jeffries