Dervish announce The Great Irish Songbook


As one of the world’s most renowned and imaginative interpreters of Irish folk music, Dervish have devoted the last three decades to gently reinventing the traditional songs of their homeland. On their debut release for Rounder Records, the Sligo-based band join up with over a dozen luminaries across an eclectic range of genres.

Featuring guests Steve Earle, Rhiannon Giddens, Vince Gill, Brendan Gleeson, Jamey Johnson, Kate Rusby, The SteelDrivers, Abigail Washburn and others, The Great Irish Songbook both preserves the spirit of each song and brings a new vitality to iconic traditional songs of their homeland.

Throughout The Great Irish Songbook, Dervish build off the dynamic they’ve brought to their thirteen previous albums and dazzling live performance: a kinetic union of technical brilliance and undeniable soul, endlessly fortified by their immense creativity. With the help of their guest artists, Dervish’s intricately sculpted sound expands and widens and takes on new textures, revealing the limitless possibilities within a single song. The result is an album that instantly transports you to a more charmed state of mind and-like all the most illuminating journeys-imparts a deeper understanding of what’s most essential in life.

Produced by Graham Henderson (a musician known for his work with artists like Sinéad O’Connor), The Great Irish Songbook delivers some of the best-loved songs in the Irish tradition. In assembling their lineup of featured guests, Dervish reached out to the many artists with whom they’ve bonded over a shared passion for Irish folk, then called on each musician to select their most cherished song within the genre. Recorded mainly at The Magic Room in Sligo, the finished product finds each collaborator imbuing the album with their own distinct sensibilities while lovingly upholding the time-honored character of the songs.

 The Great Irish Songbook encompasses everything from lovelorn ballads to traditional dance music to songs customarily sung at funerals, its moods continually shifting from longing to joy to delicately rendered heartache.

Within its first few tracks alone, The Great Irish Songbook shows the extraordinary scope of the album and the musicianship behind it. On “There’s Whisky in the Jar,” Nashville-based bluegrass band The SteelDrivers channel their freewheeling energy into one of the most widely performed traditional Irish tunes of all time (recorded by everyone from Thin Lizzy to Metallica to Jerry Garcia).

Poetry also infuses much of The Great Irish Songbook, such as on the Kate Rusby-sung rendition of “The Sally Gardens” (a W.B. Yeats-penned serenade) and the D.K. Gavan-authored “Rocky Road To Dublin,” a 19th-century story-song delivered with unabashed brio by famed Irish actor and part-time fiddle player Brendan Gleeson. Meanwhile, “On Raglan Road” transforms Patrick Kavanagh’s lovesick verse into a moment of sublime melancholy, thanks in no small part to the tender tenor of country star Vince Gill.

One of the two newly written pieces on The Great Irish Songbook has Steve Earle accompanying Dervish for a wistful yet rousing version of “The Galway Shawl,” closing out the track with a full-hearted sing-along.

Through the years, Dervish have toured the globe and shared stages with the likes of James Brown, Neil Young, and Sting, becoming the first Irish band ever to play Rock in Rio (the world’s most massive music festival), and steadily making their name as one of the foremost purveyors of Irish folk music.

As they approach their 30th anniversary, Dervish again prove the enduring significance of even the most timeworn songs. And in a way not unlike the folk revival of the 1960s, much of The Great Irish Songbook celebrates a spirit of togetherness, with a conviction that’s gracefully understated but powerfully felt. For Dervish, that sense of community and connection is both an ideal takeaway for the album and the driving force of its creation.

Accordionist Shane Mitchell, a founding member of the band, noted, “With this record we brought in people from genres sometimes totally unrelated to what we do, but still found a way to create some beautiful music together.” He reflects, “I think that’s an incredibly important thing to consider in life as well, especially now: everyone can find a way to collaborate, even if you’re coming from what feels like completely different places.”

In the coming weeks, Dervish will announce full details of The Great Irish Songbook Live, a show that will begin touring internationally in late 2019 and will feature guests from the album.

Artists’ website:

‘As I Roved Out’ – live with Kate Rusby and Kevin Burke:

ÉILÍS KENNEDY – Westward (own label)

WestwardÉilís Kennedy  comes from and still lives in Dingle in the far west of Ireland. She is half of Lumiere with Pauline Scanlon and Westward is her third solo album. Éilís is a much travelled artist and the album mixes music from both sides of the Atlantic in both English and Gaelic.

The opening track is an exception to the pattern. It’s Bill Caddick’s ‘John O’Dreams’ which is a difficult choice given that Bill performs it on a unison-tuned 10-string English guitar to produce that unique sound. Éilís, of course, starts again with co-producer William Coulter on guitar and Barry Phillips’ cello producing a rich, smooth sound to support her clear voice and exquisite diction. She makes you listen to the song with new ears and that is quite a feat.

Second up is ‘An tÚll’ an old song from the west of Ireland featuring Kevin Burke on fiddle and Jesse Autumn’s harp which reappears on the beautiful ‘Cailin Mo Rúin-Sa’, a Scots Gaelic song by Donald Ross. From West Virginia comes the gentle country of ‘The Elk River Dam’ and Gordon Bok’s ‘Hills Of Isle Au Haut’ comes from his time as mate on a Brixham trawler!

Éilís turns her hand to songwriting for the first time. First comes ‘Highway Mack’ describing a journey on the Pacific Highway in a Californian style and that is followed by ‘The Flannel Red’, a very Irish song inspired by the story of Éilís’ great grandfather who drowned near Dingle. The title refers to a local superstition and the song is given an almost orchestral arrangement with violin, cello and accordion. Two traditional songs follow. ‘The Saucy Sailor’ is well known and is decorated here by Cor Anglais provided by Shelley Phillips. ‘Will Ye Go To The Indies, My Mary’ was originally by Robert Burns but these words are slightly different. It was a very personal piece for Burns, describing as it does, his plans to travel to the West Indies with Mary Campbell.

Westward is a fine album by an artist who is not particularly well-known in the UK and really should be.

Dai Jeffries

Artist’s website:

‘The Flannel Red’:


I can’t remember where I first heard of this staging of Fairport Convention’s celebrated folk-rock opera but it proved irresistible enough for me to obtain a copy of this trimmed down ‘sampler’ DVD from a 2 hour show to 30 minutes. For those of us that were lucky (and old) enough to have witnessed the National Theatre’s excellent Lark Rise To Candleford in the late 1970’s will much appreciate that folk tales such as ‘Babbacombe’ Lee should adapt well to the stage and by utilising the strengths of predominantly Dave Swarbrick’s original songs and tunes employing a diverse array of talent from the ‘house band’ Little Johnny England and the ‘cast’ writer/director Kevin Burke should be proud of his efforts in conveying this tragic tale. With inventive use of aerial acrobatics (think Cirque Du Soleil) particularly on the effective “Dream Song” sequence, dance, magic lantern style puppetry and screen projected images the production would appear to move at a reasonably brisk pace. With only (to my knowledge) one production of the show it would be a great injustice to the ‘folk scene’ to be deprived of more outings and if there are any festival organisers reading this review could I suggest that you check out the video below:

Further information can be found at Kevin’s website here