SINGLES BAR 36 A round-up of recent EPs and singles

Singles Bar 36Following her debut album, Away From My Window, Aberdeenshire singer IONA FYFE looks across the Atlantic for her EP, Dark Turn Of Mind. Aside from Gillian Welch’s title track and Gregory Alan Isakov’s ‘If I Go, I’m Goin’, all the songs are traditional and have roots in the Ozarks and the Appalachians. ‘Swing And Turn’ comes from Jean Ritchie and uses the tune often associated with ‘Gypsy Davy’ and is a typical southern mountain song.

‘The Golden Vanity’ is found in variations all across the English-speaking world including Scotland of course. Iona’s version combines Child’s version with Cecil Sharp’s and she notes that it was recorded by Jean Ritchie more than fifty years ago. ‘Little Musgrave’ comes from Sharp and Jeannie Robertson in this version although it was known in print in the 17th century. Between these is ‘Let Him Sink’, an Ozark variant of ‘Farewell He.”

The EP is built on Rory Matheson’s piano which gives Iona scope for some powerful singing. Aidan Moodie plays guitar and adds perfectly judged harmony vocals while Graham Rorie adds more decoration on mandolin.
https://ionafyfe.com/

Singles Bar 36THE MARRIAGE is a new Americana union formed by singer Kirsten Adamson, the daughter of Skids and Big Country founder Stuart Adamson, and former ahab member Dave Burn on guitar and harmonies, making their debut with the self-released folksy strum of ‘Live, Love, Cry’, a rather fine taster for an EP and full album in 2019.
https://www.wethemarriage.com/home

Singles Bar 36She Wynds On was commissioned to promote a new tourist route through the Cairngorms – a project called SnowRoads. The music was composed by CALUM WOOD and he is supported by Robert Black, Ross Ainslie, Stuart Spence, Charlie McKerron, Tom Oakes, Brigid Mhairi and Julia Dignan. It opens with the title song, a sort of overview of the four sections of the route from Blairgowrie to Grantown-On-Spey via Braemar, Ballater and Tomintoul. I suppose there was a contractual obligation to include the line “the heart of the Cairngorms” but that’s the only jarring moment. The four instrumental tracks are dramatic without being overblown and Scottish at their very heart.
www.callumwood.com

Singles Bar 36Black country Americana singer-songwriter Joseph Hicklin, aka DEATH BY STAMPEDE, has released Contemporary Depressive, a 5-track download/stream EP from his Soundcloud site that, exploring the contemporary nature of depression (“this great big, looming Monster/ That holds you near and calls itself your home”), serves as an acoustic introduction to his music. With a dusty, slightly gravelly vocal reminiscent of the Handsome Family, Rod Picott or Willard Grant Conspiracy, it opens with ‘Daydream 27’, a mid-tempo fingerpicked chug musing on how “we all die on our own”. It’s followed by the choppier, early Dylan-like strum of ‘Neon (Reflecting)’ with its urban paranoia, the notion that reflecting on the past can be pointless and a chorus about “going to where the neon glows. where angels dance without halos.” ‘Songs of Love & Truth’ takes the pacing down again before building to an urgent climax, lines like “the moon is a thumbprint on a dirty widow” and the future being “just a fat man with a bird upon his shoulder singing songs of death, but also love and truth” underscoring his way with words and imagery.

‘Fool’ is another aching, world weary, introspective fingerpicked ballad (about being stuck in a rut and a sense of impotency how, since “life isn’t real and death is a joke” you may as well make the most even if “it seems so brave and it seems so cruel to live like a god and die like a fool.”

It ends with the slow melancholic gradually building sway of ‘My Morning Pill’, a feeling of helplessness and ennui where “nothing but smoke came out of my mouth” and “my whole life is like a train past my window sill” mingled with a desire to crawl out of the black hole “and get through the year and get through the day.” Closing with the line “I was an addict, just after one taste, it’s not too bad, I know now darling”, this is a breathtaking debut and unquestionably among the finest Americana releases of the year, you really should seek him out, he has the potential to be one of the greats.
https://www.facebook.com/deathbystampede/

Singles Bar 36‘Shooter On The Mound’ is the second single from country-folk duo HENGISTBURY and is also the opening track on their debut album, Add Another Minute. Jessica Mary and Pete Briley produce a big sound and this song reverberates with earthy guitar, banjo and lap steel. Both single and album are available in digital format and physical copies of the album are available from the band’s website:
www.hengistburymusic.com

Singles Bar 36An early taster for their forthcoming self-released album, Rivers That Flow in Circles, Birmingham’s BOAT TO ROW release ‘Spanish Moss’, a musically variegated, tempo-shifting affair that layers African percussion and electric guitars over a persistent bass line, before the instrumental playout with a wash of guitars, synths and violins. The album promises to be a more expansive and explorative musical palette than their debut.
https://www.boattorow.com/

Singles Bar 36Familiar Strangers is a fine debut by NEW TOWN JACK, a singer-songwriter out of Southampton. The theme of the EP is, reasonably enough, strangers but it isn’t that simple. Friends can become strangers in ‘Change The Rules’ – something we’ve all experienced – and people can deliberately isolate themselves as explained in ‘Let Me Be’, although the story is rather fanciful. Deeper down, it’s also about people looking for people in both the physical and metaphorical meanings.
www.newtownjack.co.uk

Singles Bar 36Also from Birmingham, RED SHOES contribute to the festive singles list with their download only ‘Time Stands Still’, Mark Evans providing the cascading strummed acoustic chords while Carolyn sings a moving lyric that draws attention to the homeless at this time of year, 50% of all profits being donated to Crisis UK. Available from their website:
www.redshoes-music.com/charity

Singles Bar 36CARA DILLON has also been into the tinsel cupboard and, in response to the reaction performing it on her last couple of Christmas tours, emerged with her cover of Joni Mitchell’s Christmas-themed ‘River’ from her classic Blue album. Featuring John Smith on acoustic guitar and John Garrison on keys, it’s a beautiful version that conjures the feeling of snow falling on a silent night. To complement it, she’s also covered The Pretenders’ festive hit ‘2000 Miles’, giving it a folksy serenade with cascading guitar notes and fiddle. Both are downloadable from the usual platforms.
http://www.caradillon.co.uk/

Singles BarRICK FOOT’s Christmas song isn’t terribly Christmassy, nor is it very long. In fact ‘A Message To The Future’ weighs in at just 39 seconds! It can be argued that this is quite long enough to tell the future to get its shit together and Rick sums up the current situation in seven words and double-tracked double bass.
http://www.rickfoot.com/

Singles Bar 36Back on a Christmas note, YVONNE LYON offers up the twinkling ‘I Believe In Christmas ‘(Self-released) with its silvery rippling keys and bells backdropping the strummed acoustic guitar as it builds to a choral finale. It’s backed with the ringing guitars of the more folk rock ‘Dear December’ with its hints of Amy Macdonald.
www.yvonnelyonmusic.com

Canadian singer-songwriter ALLISON LUPTON joins forces with BBC Radio 2 Folk Music award winning trio The Young’uns and guitarist Craig Werth for the self-released ‘The Eve Of Christmas Day’, a more carol-like affair that also features a warm silver brass quintet arrangement by Tom Leighton.
http://allisonlupton.com/

 

SINGLES BAR 30 – a round-up of recent EPs and singles

Singles Bar 30Following on from 2016’s Trick Star, accompanied by Steve Mayone on mandolin and nylon string guitar, pedal steel player Chris Tarrow, Jason Mercer on upright bass and Alex Hargreaves providing fiddle, ANNIE KEATING’s latest is a five-track collection of road songs originated from last year’s European tour. It opens with the title track, ‘Ghost Of The Untraveled Road’, a Dylanish mid-tempo waltzer about listening to a song on an Italian radio station, understanding the sense if not the word, sparking ‘busy bees’ in her a thinking about how things might have turned out differently (“Should I think of you fondly, or not much at all?/Shall I cherish confessions of bury them all?”) had she taken different paths.

Reflectiveness also feeds into the gently jogging country breeze of the fiddle-accompanied ‘Forever Loved’, Hargreaves again adding colour and texture to the wearied ‘Kindness Of Strangers’, essentially a song about how the warmth and hospitality of those you meet along the way can keep you going. There’s more musing introspection about the past on ‘Sting of Hindsight’, another fiddle-led waltzer with pedal steel streaks as she ponders “Maybe I’m built for a life on the road” and concludes that all you can do is “Be here, let go of regret”. It ends all too soon with such regret riding the mournful pedal steel and fiddle tide on “Forget My Name”, the chorus shading the song’s Nanci Griffiths colours with hints of Tom Petty.

There’s a sense that the EP is about refocusing herself and reminding why she’s committed herself to making music and spending on the road, and of the grace notes that balance the times when it all seems like a weight. As such, she’s clearly emerged at the right end of the tunnel and hopefully a new full length will be on the not too distant horizon.
www.anniekeating.com

Through The FayreWe featured THE MEADOWS in these pages back in 2015. They are a young family quartet from Wales who recently sent us their debut EP, Through The Fayre, five songs about or set in fairs, although for some reason they play ‘Carrickfergus’ as an instrumental. Actually, it’s very good with Fantasia Meadows’ piano and Melody Meadows’ flute dominating a delightfully pastoral sound. They open with ‘Brigg Fair’, effectively a vocal solo by Titania Meadows, followed by ‘Scarborough Fair’. ‘She Moved Through The Fayre’ features vocal harmonies by the three sisters over Harvey Meadows’ electric guitar for a very different sound and we hear more of Harvey as he takes the lead vocal on the final ‘Star Of The Country Down’ at a cracking pace.
www.themeadowsband.co.uk

UnpluggedTHE GRAVITY DRIVE are a married couple, Elijah and Ava Wolf, from the south-west. While working on their second album, they also chose to record a back-to-basics EP, Unplugged, to showcase acoustic versions of four songs. They begin with ‘No One’s Gonna Tell You’ – a fairly basic guitar strum with minimal but perfectly judged decoration and their two voices alternating and harmonising some clever lyrics. Potential for a real ear-worm here. There is also some nice amplified acoustic lead on ‘Candle In The Dark’ and more clever lyrics (“only love can be your candle in the dark”) over a rolling country melody. ‘What Is Love’ has a very Dylanish guitar – if Elijah had gone into ‘All Along The Watchtower’ I wouldn’t have been surprised – until Ava takes over with a 1930’s feel about her share of the vocals. Finally, ‘Breakheart Hill’ has the feeling of traditional Americana – in a full arrangement it would cry out for pedal steel or mouth harp.
http://www.thegravitydrive.com/

Kete BowersLiverpool singer-songwriter KETE BOWERS has a new two self-released track single well worth seeking out. ‘Northern Town’ is a confessionally sung, spare, moody five minute strum about drinking to numb heartache, which only takes you deeper into depression, the lyrics extending to parallel this with a sketch of a town that’s sunk into the same state with “Boards on the windows and nailed shut doors/Broken benches where men sat and talked/No dreams to dream here anymore.” The same idea extends to ‘A Town With No Cheer’, which, evocative of Springsteen’s bare-bone acoustic work, spins a haunting image of broken hopes and dreams (“the ghost of banjo Harry picking out some lonesome tune/When we were young we’d shoot for the moon/Now nothing here is sacred and there’s little or no regard”) in a former ship-building town brought to its knees and the emotional numbness that has swallowed up both it and those that live there, stripped of faith and drowning in drink and despair.

The Wind Blows ByAmerican singer/songwriter JOEY COSTELLO releases what would seem to be his debut EP, The Wind Blows By, although he has a fair number of singles to his name. What is immediately apparent is the sincerity of his approach to his music but it isn’t matched by the production. There is an unacceptable amount of guitar squeal, particularly on the lead track and a shrillness that leads to reaching for the volume control. His vocal style has been likened to those of Damien Rice and Ray LaMontagne so if you like them you’ll probably like Joey too. There are some decent songs here but too much getting in the way of them.
https://joeycostello.com/

Black FeathersCurrently working on their new album, BLACK FEATHERS offer a taster of things to come with ‘The Ghosts Have Eaten Well’ (own label) Sian Bradley and Ray Hughes duetting on a catchy acoustic uptempo rootsy Americana number, the evocative title a metaphor for the dangers of being consumed a constant reflection on regret and guilt that cannot be changed but which prevent you from moving on.
https://theblackfeathers.com/

Last SwallowVeteran singer-songwriter, guitarist and sound engineer ROSS PALMER has a new four-track EP, Last Swallow. The lead track is a wistful, acoustic reflection on lost love but ‘Make It Last’ picks up the pace a bit with a bigger arrangement including electric guitar and drums. There’s no indication as to who is playing what but Ross is probably doing most of it although Melanie Crew is prime suspect for the female voice. Ross doesn’t really do rock’n’roll so ‘Separated By Water’ and ‘Ghosts & Echoes’ are very much in the same style. An album is expected later this year.
https://www.rosspalmermusic.co.uk/

HengistburyUK country duo HENGISTBURY have released their debut single, ‘What Folks Don’t Know’ available as a download with a limited number of CDs. There’s sprightly banjo under Jessie Mary’s vocals while the ‘B-side’, ‘My Body Ain’t A Temple’ boasts a bigger arrangement with piano. It’s all very nice but quoting “shining like a National guitar” is a bit naughty.
https://www.facebook.com/hengistburymusic/