Jenny Sturgeon announces debut album

Jenny Sturgeon band

Inspired by her home region, the north east of Scotland, Jenny Sturgeon explores themes of nature, legend, myth and everyday human experience as she celebrates a community that is both local and global. The songs and the range of musical influences they incorporate weave a web of varied styles and feelings that ebb and flow through the album.

Jenny’s lyrics and the album arrangements fuse traditional Scottish folk styles with contemporary musical genres across a range of styles and places. The songs create a rich tapestry – from local history and folklore through key life moments – and as a biologist, nature creeps in to all of Jenny’s work which is reflected in the striking artwork.

With exceptional vocal clarity Jenny weaves melodies with her thoughtful and poignant lyrics. From energetic and spirited songs to delicate ballads and gritty laments, ‘From the skein’ captures the range, depth and imagery of Jenny’s songwriting. As pointed out by Charlie West, Director of Stonehaven Folk Festival, she is skilled at producing songs across a wide range of styles: “taking a simple melody and creating a haunting ballad, or writing compelling narrative songs which immediately engage with the audience“.

From The Skein features Jenny’s regular bandmates and the album co-arrangers – multi-instrumentalists Jonny Hardie (Old Blind Dogs), Davy Cattanach (Catford) and Grant Anderson (Brothers Reid). Special guests include Fraser Fifield on whistle and saxophone, Brian McAlpine on accordion and cello player Aongus Mac Amhlaigh. Guest vocalists include Indian Carnatic singer Rahul K Ravindran and Gaelic singer Ana Maia MacLellan. The album was produced by accomplished piano player and songwriter Simon Gall (Salsa Celtica) with whom Jenny worked on the critically-acclaimed 2015 Clype album.

The album opens with ‘Maiden Stone’, one of several songs on the album inspired by regional folklore. This track features the distinctive low whistle of Fraser Fifield, whose melody weaves around the vocals and the driving bass line, building tension and giving the song the timeless feel of an old ballad first sung hundreds of years ago.

The breadth of inspiration in the album is apparent in the songs ‘Running Free’ and ‘Honest Man’. ‘Running Free’ is a track borrowing from folk as well as drum and bass genres to create an uplifting and energising song, featuring Brian McAlpine on accordion and punchy rhythmic instrumentation on guitar and bass. The delicate and light ‘Honest Man’ has a dream like quality with lush vocal harmonies and a rolling tenor guitar melody.

Other tracks such as ‘Linton’ highlight Jenny’s interest in local history. This song tells the tale of the Cutty Sark and her designer Hercules Linton – who hailed from Aberdeenshire. The steady rhythm and Rahul Ravindran’s thrilling improvised melody create a light and fluid song which dances over the guitar and percussion as a boat over water.

The power and emotion of Jenny’s voice and lyrics are clear in the only unaccompanied track on the album – the politically driven song ‘Judgement’ – as well as in ‘Cùlan’ which tells a variation on the tale of the popular traditional song ‘the cruel sister’. With Gaelic translation and delicate harmonies from Ana Maia MacLellan this track is hauntingly beautiful.

From The Skein is testimony to Jenny’s songwriting and storytelling ability as well as to the creativity of the musicians. It was born out of a love of folk music and the joy of creating new compositions and has produced a varied, vibrant and inspiring album.

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Artist’s website: www.jennysturgeonmusic.com

‘The Greenwood Side’ live, featuring Fraser Fifield:

PATSY REID: New album – The Brightest Path

Brightest Path

Label – Classy Trad Records

Release Date – 24th February 2014

 A new album from Patsy Reid is a rare and fine thing.

 

Her first solo recording since 2008, The Brightest Path combines newly unearthed traditional Scottish melodies with soaring self-penned tunes and sublime contemporary songs, displaying the full breadth of Patsy’s talents.

It was recorded in the remote Crear in Argyll (with a view overlooking Jura) with a core band of Ben Nicholls (double bass), Ewan MacPherson (guitars, mandolin and banjo), Signy Jakobsdóttir (percussion), Mhairi Hall (piano) and Mattie Foulds (drums). Playing live in such relaxed and beautiful surroundings gives The Brightest Path an organic and natural sound, despite the virtuosity present throughout its 10 tracks.

The album also features a dreamlike performance from Fraser Fifield – who Patsy describes as “the saxophone version of me”.  For her part Patsy is a one-woman string quartet; playing violin, viola and cello as well as co-producing the record with Mattie.

She also sings: The River Princes by the aforementioned Mr MacPherson, Half Acre by Brooklyn band Hem and Patty Griffin’s gorgeous Kite Song.

“I love singing but I’m not a folk singer,” Patsy explains. “So I took great care to find songs that I felt I had a right to sing.”

Patsy has become one of the most admired and in demand musicians in the UK – performing and recording with Breabach, Kathryn Tickell, Zakir Hussain, Bella Hardy, Tim Edey, Treacherous Orchestra and too many more to mention.

But with The Brightest Path we finally have an album that is the complete and unique sound of Patsy Reid. Treasure it because… who knows when we’ll get another?

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Artist’s website – www.patsyreid.com