Tupelo release their foot-stomping album DIRTY MONEY…

Tupelo’s debut album DIRTY MONEY conjures images of a sinister, gangster-filled speakeasy in prohibition-era Chicago as the band fire out tunes to stir men of ambition and menace and brawn. Tracks like Bad Man and Cougar Cat tell that tale admirably. Others like I’m An Irishman and My Family’s Land echo the storytelling sentiments of patriotic icons like Luke Kelly giving a focused insight into their roots and aspirations. Firefly, Railroad and Blue Gardinia are the rousing, party pieces of the set in all their foot-stomping, yee-haw glory.

Tupelo are an exciting, original, acoustic roots act consisting of an eclectic line-up of instruments which includes banjo, guitar, fiddle, double bass, mandolin, harmonica and Dobro. Their sound is fresh and unique in today’s world of endless electric outfits, Mumford and Sons could be seen as a comparison. Few musicians can successfully blend a number of diverse genres, creating a sound they can exclusively call their own.

Even fewer composers can craft songs of heart, conviction and true grit to bring the best out of such a sound. Their music is a flurry of roots, rockabilly, bluegrass, country, folk and rock ‘n’ roll… often displayed all in the same song. The band’s front man and songwriter James Cramer delivers a tough, honest take on bad times and good times, struggles and triumphs, high spirits and solemn hopes… all in his own untainted accent, all in his own untainted words. Tupelo owes its name to Van Morrison’s Tupelo Honey album, a favourite of James and a massive influence on his song-writing. James says Emmylou Harris in part inspired the set up of the group. “I saw an Emmylou Harris performance on TV and I knew I had to have a fiddle in the band. It worked from the first song. You can search all your life and never find the right people but it was finally together and that was the start of Tupelo.”Amongst others, James sees The Band, Shane McGowan, Bob Dylan and John Lee Hooker as the biggest influences on the band. Being one of the hardest working bands on the road today means that Tupelo’s live shows are something special to look forward to. They can count Imelda May among their fans.

Imelda said of the band “They have a wonderful sound, great musicianship and fantastic song-writing.”

2012 has heralded the release of Tupelo’s superb album DIRTY MONEY, an album that captures perfectly their energetic live sound and should garner them a legion of new fans worldwide.

“…they have embraced the kitchen-sink approach to writing, building their songs from the ground up into thrilling folk-pop dervishes” Metro

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Changing Horses – The Nashville Sessions

Changing Horses are British Indie-Folk duo Richard Birtill (vocals and guitar) and Francesca Cullen (vocals, violin, mandolin and melodeon). Stylistically taking influence from the psychedelic likes of The Incredible String Band, and the experimental art-punk of The Fall, theirs is a patchwork of off-kilter folk that has drawn in the plaudits from numerous sources. After holing up in a Nashville studio with session musician / producer Chris Donohue (Elvis Costello, Emmylou Harris) the track ‘Cut All Strings’ featured on an HBO documentary and went on to pick up multiple plays on both the Steve Lamacq and Bob Harris BBC radio shows. Last year’s festival season also saw the band grace stages at Kendal Calling, Solfest, Brampton, Crawley Folk Festival and SO festival.

It’s on the live circuit the Changing Horses’ reputation has been built. The last few months have seen them perform as main support to the likes of Jeffrey Lewis, Pat Sansone (Wilco), Ade Edmondson and Adam Green. Captured here on The Nashville Sessions however, is a band vying for the unconventional, yet still maintaining core melodies. Flitting between the wistful (Cut All Strings), the fragile (One Million Screaming Angels) and the macabre (‘Till Death), when things do take a more popular twist, Birtill’s wrought vocals still punctuate Cullen’s neat string play. In turn, I Don’t Need It’s discordant opening phrasing soon makes way for a wave of anthemic guitars.

“Truly original and delightful” – Robin Williamson, The Incredible String Band

Deeply personal songwriting, tongue-in-cheek moments, macabre themes and innovative string playing make up Changing Horses’ The Nashville Sessions; a strong debut from a band that lives to draw the listener into their own lovesick universe.

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