New OYSTERBAND album: Diamonds On The Water – Navigator Records – February 17th 2014

DiamondsRagged Kingdom, Oysterband’s reunion collaboration, with the English folk legend June Tabor, was fROOTS Critics’ Poll Album of the Year, Mojo Folk Album of the Year, won three BBC Radio 2 Folk Awards and saw the group featured on Later… With Jools (BBC2 TV).

After two years touring that project, Oysterband is now very happy to announce a new studio Oysterband album, DIAMONDS ON THE WATER, to be released on 17 February 2014  –  their first new collection of original songs in seven years.

“It was time”, says fiddler Ian Telfer, “to get back to some of the other things we do best  –  make new music and get out there on the road.”  And in fact they will be touring full-on in UK through February and March 2014.

Singer John Jones took time from the studio to talk here about the new album:

“After Ragged Kingdom, which was a kind of re-immersion in traditional song”, he says, “it seemed so important to us to get back to working on our song-writing skills in the light of that.  We’ve loved every bit of the collaborative projects  –  which include the Big Session Festival too, of course  –  but the writing is a vital part of our growth and continuity as a band.  And if we can give a little back to the folk tradition, so much the better”.

These are the first Oysterband recordings since the departure of Ray “Chopper” Cooper to pursue a solo career. Al Scott, the band’s long-time producer, has stepped in on bass and mandolin, and, says John, “with the power and inventiveness of Dil [Davies]’s drumming, our sound has become simpler and punchier, as it was in the early days.  Over a summer of great festivals, including Glastonbury, we stripped the sound down and went for it, with Al and Ian singing more to support guitarist Alan Prosser’s backing vocals.  We all had to dig deep to make something new.  And it has had a great reaction”.

“The song-writing has certainly begun to flow.  We’re searching as usual for uplift in the melodies and insight in the words… and there’s maybe an element of the autobiographical this time round. The writing has had the effect of throwing Alan, Ian and myself back together again as the main creative focus of the group. Not an easy thing when, after so many years, the cushioning and supportive mortar of Chopper and June is taken away from between three sharp‐edged stones! Thankfully there was little sound of grinding – we do understand where each other’s songs come from”.

Oysterband1“As usual we recorded in Brighton, where we can draw on the skills of many friends, quite an impressive bunch actually” – including Adrian Oxaal, “a Brighton mate”, former lead guitarist with the band James, but also a fine cellist.  Adrian will be appearing on the album tours.  Rowan Godel, who often sings on John’s ‘walking tours’, came in and added “an emotional vulnerability” to some songs as well as “an uninhibited quality when she soars”.  Lindsey Oliver played double bass “to give us that warmth and swing at the bottom end”.  Ex-Oysterband drummer Lee Partis even dropped in and added his distinctive high harmonies to a couple of tracks, and Pete Davison (trumpet), Eira Owen (French horn) and Sarah Leeves (euphonium) contributed splashes of brass.

What has emerged with these new recordings is a feeling of warmth, both musical and personal, that makes the songs come alive.  “We had sessions where we all just gathered around two microphones. It has a wonderful sound and this ‘choir’ of varied voices has become an essential part of the album.”

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Ray Cooper aka Chopper is leaving Oysterband…

We have just had word that Ray Cooper, also known as Chopper, is leaving Oysterband to pursue a career as a solo singer-songwriter.

Ray says; ” After 24 years of constant touring and recording, it is not easy to give up the friends, the fans and the life I have known. We shared a lot of ups and downs and have grown together to be more like a family than a band. However, since the release of my solo album ‘Tales of Love War and Death by Hanging’ a couple of years ago, I knew that a door had been opened for me and another, more challenging path lay waiting. I have to sing”.

His last show with OB will be February 23rd in Treorchy, Wales, which is also the last date of the highly successful Ragged Kingdom tour featuring Oysterband with June Tabor.

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JUNE TABOR & OYSTERBAND – Ragged Kingdom (Topic Records TSCD585)

No one could ever accuse the ‘oysters’ of not opening up and here, fitting tighter than a pair of latex gloves on a surgeon’s hands June Tabor and Oysterband come together for a celebratory recording after a 21 year hiatus.  Although they never split up per se the quintet embody everything that is good about folk-rock with plenty of attitude particularly on the opening track “Bonny Bunch Of Roses” where the almost Spaghetti Western arrangement would make Ennio Morricone proud…not yee-ha perhaps but pretty close. Some marriages are made in Heaven and what better juxtaposition than Tabor and John Jones to convey the gory blood-fest that is Child’s ballad no.13 here re-titled “Son David”. The almost jaunty melody provided by Alan Prosser’s guitar, Ray ‘Chopper’ Cooper’s mandolin and Ian Telfer’s fiddle underpinned by Dill Davies somewhat muted drums and producer Al Scott’s bass makes the story a more than palatable experience and one that I’m sure will have the band’s enthusiastic audience joining the refrain. Of course, it’s not only traditional fare that receives the Oyster treatment as their acoustic version of Ian Curtis “Love Will Tear Us Apart” provides (for me at least and with no offence intended) an uncluttered, even cultured experience that was never evident on the original Joy Division recording. So, a little something for everyone whatever your taste in music that could see the band make appearances on stage at Glastonbury or, just as easily Aled Jones radio show. The British ‘folk’ scene owes a debt of gratitude to artists such as these and we should be grateful the band are still bringing home gold…unlike some of our athletes at the moment. 

PETE FYFE

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