BBC Radio 2 Folk Awards – the winners

Radio 2 Folk Awards

Leonard Cohen inducted into Radio 2 Folk Awards Hall of Fame
Dervish and Wizz Jones win Lifetime Achievement Awards

The winners of the BBC Radio 2 Folk Awards 2019 have been announced in a ceremony presented by Mark Radcliffe at Bridgewater Hall, Manchester as part of the Manchester Folk Festival. The ceremony was also broadcast live on BBC Radio 2 and BBC Sounds.

The full list of winners

The Horizon Award for best emerging act – presented by Andy Burnham, Mayor of Greater Manchester
Brìghde Chaimbeul

Musician of the Year – presented by Blue Peter’s Lindsey Russell
Seckou Keita

Best Original Track – presented by comedian, writer and musician Rich Hall
I Burn But I Am Not Consumed’, written by Karine Polwart and Steven Polwart

Best Duo or Group – presented by Countryfile’s Ellie Harrison
Catrin Finch & Seckou Keita

Best Traditional Track – presented by award winning author, Joanne Harris
The Foggy Dew’ by Ye Vagabonds

Life Achievement Awards were given to:
Wizz Jones – presented by singer and founding member of The Hollies, Allan Clarke
Dervish – presented by journalist and BBC Breakfast presenter, Steph McGovern

Best Album – presented by musician and songwriter Graham Gouldman, of 10cc
Hide And Hair by The Trials of Cato

Folk Singer of the Year – presented by actor and comedian, Miranda Richardson
Ríoghnach Connolly

Radio 2 Folk Awards Hall of Fame
Leonard Cohen

During the evening, contemporary folk musician and singer Maddie Morris, who is based in Leeds, was presented with the BBC Radio 2 Young Folk Award. It was presented to her by folk duo and former winners of the award, Greg Russell and Ciaran Algar.

The Radio 2 Young Folk Award is an educational talent contest, open to musicians from the UK aged 16-21, that exists to discover the next generation of folk and acoustic acts. Eight shortlisted acts performed at a public concert at the HOME venue in Manchester on Tuesday 15th October and from those acts, Maddie was chosen as the winner by a panel of judges. This year marks the 21st annual Young Folk Award.

Leonard Cohen was inducted to the Radio 2 Folk Awards Hall of Fame, joining such past greats like Nick Drake, Sandy Denny, Woody Guthrie, Ewan MacColl and Cecil Sharp. Leonard (1934 –2016) was a Canadian singer best known for his seminal song, Hallelujah (1984) which has been covered by over 300 vocalists including John Cale, Jeff Buckley, k.d. Lang and Alexandra Burke.  He embarked on a world tour in 2008-2010, which saw him perform on the Pyramid Stage at Glastonbury Festival (2008) and in 2018, he won a Grammy Award for best rock performance for You Want It Darker, joining the likes of David Bowie and Ray Charles who have also received awards posthumously. The BBC Two documentary Marianne and Leonard: Words of Love, which tells the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse Marianne Ihlen is available to watch on BBC iPlayer.

As a tribute, singer-songwriter Thea Gilmore performed Cohen’s 1984 song, ‘Dance Me To The End Of Love’, during the ceremony at Bridgewater Hall this evening. Thea, who has just released her 16th studio album at 39 years old, has gathered a host of high-profile advocates from likes of Bruce Springsteen and Joan Baez to Neil Gaiman. Her latest album, Small World Turning, is an entirely independent album that echoes the changing political and social landscape of 2019 Britain.

Lewis Carnie, Head of Radio 2 said: “A huge congratulations to all of the winners at the Radio 2 Folk Awards tonight. I am delighted that at Radio 2, we can keep celebrating the very best of folk music every year, and we’re honoured to have witnessed such an array of sensational performances on stage this evening in Manchester.”

Lifetime Achievement Award winners Dervish, who performed at the ceremony this evening, have been bringing Irish traditional music to the world for 30 years, and have played at festivals across the globe – from Rock In Rio to Glastonbury. The band features some of Ireland’s finest traditional musicians, and is fronted by one of the country’s best known singers, Cathy Jordan.

Shane Mitchell from Dervish says: “We are thrilled and so delighted to be receiving this very special honour at the BBC Radio 2 Folk Awards, particularly as this is the 30th anniversary of the band.”

Influential folk and blues guitarist Wizz Jones, also a winner of a Lifetime Achievement Award this year, is admired and emulated by some of folk and rock’s greatest players. On the 1960s club scene, he was an early influence on the likes of Keith Richards, Eric Clapton and Rod Stewart. Bruce Springsteen is among the artists to have covered Wizz’s songs. At 80 years old, he still tours the country, regularly performing live with his son, Simeon Jones, and fellow guitarist Pete Berryman. Wizz also performed at the Radio 2 Folk Awards this evening.

Wizz Jones says: “I am so surprised to get this award so thanks a million to whoever suggested it!”

Opening the show was Manchester band Edward II, who fuse English and Jamaican influences. Young English voice Kitty Macfarlane joined the band on stage. There were also fantastic performances from Welsh-Senegalese duo Catrin Finch and Seckou Keita, English folk singer-songwriter Kate Rusby and O’Hooley & Tidow, who performed their song Gentleman Jack, which featured in the BBC One TV show of the same name. Dervish were also joined on stage during their performance by Kate Rusby, for a version of Down By The Salley Gardens, which then exploded into thrilling Irish tunes.

Mark Radcliffe was also presented with a special Folk Award during the ceremony this evening by Ralph McTell, to celebrate his 40 years in radio. Mark started at Piccadilly Radio in 1979 as an assistant producer of drama and classical music, then in 1981 presented his first show, titled Transmission. In 1983 he become a producer at BBC Radio 1 and went on to present the Breakfast Show and Afternoon Show with Marc Riley, before joining Radio 2 in 2004 where, in 2007, he began co-hosting The Radcliffe & Maconie Show with Stuart. And in 2011 they joined the BBC Radio 6 Music family. Mark presents The Folk Show on Radio 2 on Wednesday evenings, 9pm-10pm.

The Radio 2 Folk Awards will be available to listen to for 30 days after the live broadcast on BBC Sounds. Plus, selected highlights can be heard the following week on BBC Radio 2’s The Folk Show with Mark Radcliffe (Wednesday 23rd October, 9pm-10pm).

The BBC Radio 2 Folk Awards are produced by 7digital.

https://www.bbc.co.uk/mediacentre/latestnews/2019/folk-awards-winners

 

Dervish announce special London show

DerviishBrendan Gleeson, Imelda May, Abigail Washburn, David Gray and Kate Rusby To Join Dervish For A Very Special Evening Of Irish Folk Music

Dervish are delighted to announce that they will be joined by multi instrumentalists and top session musicians, Graham Henderson (Sinead O Connor band / Fairground Attraction/ Moving Hearts) and Seamie O Dowd (Christy Moore band and a long list of others) for their big 30th anniversary show at The Palladium on Thursday September 19th. The eight-piece Dervish have been in rehearsals in Sligo and the band are very excited about how the music is sounding. The set list for the show will have many surprises on the night.

Dervish will be honoured with a Lifetime Achievement Award at this year’s BBC Radio 2 Folk Awards ceremony, to be held at the Bridgewater Hall, Manchester on Wednesday 16 October 2019 as part of the Manchester Folk Festival.

Dervish have been bringing Irish traditional music to the world for 30 years, and have played at festivals across the globe – from Rock In Rio to Glastonbury. The band features some of Ireland’s finest traditional musicians, and is fronted by one of the country’s best-known and most beloved singers, Cathy Jordan.

Shane Mitchell from Dervish says: “We are thrilled and so delighted to be receiving this very special honour at the BBC Radio 2 Folk Awards, particularly as this is the 30th anniversary of the band.”

Tickets on general sale: http://bit.ly/2TW5fpk

‘Down By The Sally Garden’ – live on TV:

DERVISH – The Great Irish Songbook (Rounder Records)

The Great Irish SongbookDervish release The Great Irish Songbook on April 12th. I don’t really need to say very much more to persuade anyone to give this a listen. But, since that would be a rather short review, I will do.

The Band – Dervish have been playing Irish traditional music for nearly thirty years – in festivals as large as Rock In Rio (to an estimated quarter of a million people) or sessions as small as those in Sligo pubs where they still enjoy playing. They have a line-up which includes some of Ireland’s finest traditional musicians, fronted by one of the country’s best-known singers in Cathy Jordan. They’re renowned for live performances, dazzling sets of tunes and stunning interpretations of traditional songs.

The Music – Where would you start in choosing thirteen songs for an album called The Great Irish Songbook? How about ‘The Rambling Irishman’, ‘There’s Whiskey In The Jar’ and ‘Molly Malone’? These are the first three tracks on the album – all of them, I suspect, not only familiar to fans of Irish music but to anyone who has even a passing interest in listening to any kind music. Nor does the selection go downhill thereafter. Given the nature of this album, it’s probably worth listing the other tracks: ‘The Galway Shawl’, ‘She Moved Through the Fair’, ‘The Rocky Road To Dublin’, ‘Down By The Sally Gardens’, ‘On Raglan Road’, ‘Donal Og’, ‘The Fields Of Athenry’, ‘The May Morning Dew’, ‘The West Coast Of Clare’, finishing with (really, despite the Scottish claims to the song, what else would you chose?) ‘The Parting Glass’.

The Guests – The publicity for the album says “In assembling their line-up of featured guests, Dervish reached out to the many artists with whom they’ve bonded over a shared passion for Irish folk, then called on each musician to select their most cherished song within the genre. Recorded mainly at The Magic Room in Sligo, the finished product finds each collaborator imbuing the album with their own distinct sensibilities while lovingly upholding the time-honored character of the songs.” The guests on this album are a fine set of singers and players in their own right. They include: Steve Earle, Rhiannon Giddens, Vince Gill, Brendan Gleeson, Imelda May, Andrea Corr, Jamey Johnson, Kate Rusby, The Steeldrivers, Abigail Washburn, David Gray. They build on Dervish’s sound and, as Shakespeare might have it, their “friendship makes us fresh”.

I’ve enjoyed listening to this album, initially superficially but then much more closely. Firstly I’ve listened to the musicianship and the fresh approach to songs I’ve known for a while and, secondly, I realised I didn’t really know the history to many of these songs and have spent time researching them with the album playing at the same time. Some are newer than I’d realised, some much older. All give an insight into the history of Ireland, its music and, in some cases, its poetry.

If you’re well versed in the Irish tradition, this is a great album for hearing some different takes on songs – the video link below, for example, takes you to ‘The West Coast Of Clare’ and features David Gray. If you want to introduce yourself or someone else to The Great Irish Songbook, it’s a pretty good starting point.

Mike Wistow

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‘The West Coast Of Clare’:

Dervish announce The Great Irish Songbook

Dervish

As one of the world’s most renowned and imaginative interpreters of Irish folk music, Dervish have devoted the last three decades to gently reinventing the traditional songs of their homeland. On their debut release for Rounder Records, the Sligo-based band join up with over a dozen luminaries across an eclectic range of genres.

Featuring guests Steve Earle, Rhiannon Giddens, Vince Gill, Brendan Gleeson, Jamey Johnson, Kate Rusby, The SteelDrivers, Abigail Washburn and others, The Great Irish Songbook both preserves the spirit of each song and brings a new vitality to iconic traditional songs of their homeland.

Throughout The Great Irish Songbook, Dervish build off the dynamic they’ve brought to their thirteen previous albums and dazzling live performance: a kinetic union of technical brilliance and undeniable soul, endlessly fortified by their immense creativity. With the help of their guest artists, Dervish’s intricately sculpted sound expands and widens and takes on new textures, revealing the limitless possibilities within a single song. The result is an album that instantly transports you to a more charmed state of mind and-like all the most illuminating journeys-imparts a deeper understanding of what’s most essential in life.

Produced by Graham Henderson (a musician known for his work with artists like Sinéad O’Connor), The Great Irish Songbook delivers some of the best-loved songs in the Irish tradition. In assembling their lineup of featured guests, Dervish reached out to the many artists with whom they’ve bonded over a shared passion for Irish folk, then called on each musician to select their most cherished song within the genre. Recorded mainly at The Magic Room in Sligo, the finished product finds each collaborator imbuing the album with their own distinct sensibilities while lovingly upholding the time-honored character of the songs.

 The Great Irish Songbook encompasses everything from lovelorn ballads to traditional dance music to songs customarily sung at funerals, its moods continually shifting from longing to joy to delicately rendered heartache.

Within its first few tracks alone, The Great Irish Songbook shows the extraordinary scope of the album and the musicianship behind it. On “There’s Whisky in the Jar,” Nashville-based bluegrass band The SteelDrivers channel their freewheeling energy into one of the most widely performed traditional Irish tunes of all time (recorded by everyone from Thin Lizzy to Metallica to Jerry Garcia).

Poetry also infuses much of The Great Irish Songbook, such as on the Kate Rusby-sung rendition of “The Sally Gardens” (a W.B. Yeats-penned serenade) and the D.K. Gavan-authored “Rocky Road To Dublin,” a 19th-century story-song delivered with unabashed brio by famed Irish actor and part-time fiddle player Brendan Gleeson. Meanwhile, “On Raglan Road” transforms Patrick Kavanagh’s lovesick verse into a moment of sublime melancholy, thanks in no small part to the tender tenor of country star Vince Gill.

One of the two newly written pieces on The Great Irish Songbook has Steve Earle accompanying Dervish for a wistful yet rousing version of “The Galway Shawl,” closing out the track with a full-hearted sing-along.

Through the years, Dervish have toured the globe and shared stages with the likes of James Brown, Neil Young, and Sting, becoming the first Irish band ever to play Rock in Rio (the world’s most massive music festival), and steadily making their name as one of the foremost purveyors of Irish folk music.

As they approach their 30th anniversary, Dervish again prove the enduring significance of even the most timeworn songs. And in a way not unlike the folk revival of the 1960s, much of The Great Irish Songbook celebrates a spirit of togetherness, with a conviction that’s gracefully understated but powerfully felt. For Dervish, that sense of community and connection is both an ideal takeaway for the album and the driving force of its creation.

Accordionist Shane Mitchell, a founding member of the band, noted, “With this record we brought in people from genres sometimes totally unrelated to what we do, but still found a way to create some beautiful music together.” He reflects, “I think that’s an incredibly important thing to consider in life as well, especially now: everyone can find a way to collaborate, even if you’re coming from what feels like completely different places.”

In the coming weeks, Dervish will announce full details of The Great Irish Songbook Live, a show that will begin touring internationally in late 2019 and will feature guests from the album.

Artists’ website: https://www.dervish.ie/

‘As I Roved Out’ – live with Kate Rusby and Kevin Burke:

Cathy Jordan – All the Way Home

Dervish front-woman, Cathy Jordan finally presents her eagerly anticipated debut solo album. A more sparse offering than the vibrant sounds produced by Dervish, All The Way Home presents an opportunity to focus on Jordan’s vocal prowess, and it’s an opportunity that rewards the listener handsomely. A largely subdued affair, with some inspired and original interpretations of familiar traditional material, it frequently allows Jordan the opportunity to demonstrate a subtle yet utterly disarming potency.

Minimal accompaniment alongside a sparse but determined vocal restores the humanity and poignancy to stories that have long been lost within the high jinx of beer-swilling, bawdy sing-alongs. Suddenly, “Bold Fenian Men” is less a triumphant celebration of rebellion, and more a moving personal recollection of individual characters, their families and the heart-wrenching realities of a lifetime’s struggle. “Eileen McMahon” is delivered as a beautifully sumptuous duet with Eddi Reader, and yields a similarly unique and solitary tale, making a devastatingly stirring impression.

With lyrics built from the excerpts of a Patrick Devine poem, “In Curraghroe” is worth singling out, offering an insight in to the loneliness of rural life alongside the rapturous joys of the sights, sounds and smells of the surrounding landscape.

There are moments of exuberance here too, nestled amongst the earnest memories. Punctuating the more candid, personal tales are a few instrumental tracks featuring contemporary compositions, written firmly within the Irish traditional style, that speak of life’s pleasures with a spirit and energy that words could not match. “Ould Ballymoe” takes a fair shot at this however, offering a carefree and colourful vignette of village life.

Jordan’s voice is instantly recognisable, with a diction and tone that maintains her Irish accent prominently, contributing to her distinctive, unique sound. The very fact that Jordan’s voice alone has so much to offer means that the “less is more” maxim is certainly something that works well for her, and further exploration of the more stripped-back production that works so well here would doubtlessly produce a timeless, attractive and edifying body of work.

Mike Wilson

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Cathy Jordan – All The Way Home

Musician and vocalist Cathy Jordan, long time member of multi-award winning traditional Irish band Dervish, will launch her debut solo album on 2nd April 2012.  Cathy’s first ever performance as a solo artist took place on Friday 20th January at the Tron Theatre at the Celtic Connections Festival.  The gig featured guest appearances from album contributors including fellow Dervish star Liam Kelly, flute/whistle legend Michael McGoldrick and members of Swedish band Väsen.

The new album, All The Way Home, is the highly anticipated solo showcase of the musical and vocal talents of the Roscommon native. This seminal work, some twenty years in the making, features many of the most notable names in the folk world, both at home in Ireland and abroad.  All The Way Home, which was produced in Sweden by acclaimed producer, multi-instrumentalist and long time collaborator Roger Tallroth, intimately communicates the rich cultural tapestry resulting from Cathy’s unique musical and personal journey from early childhood through her professional success to date.

All The Way Home allows the listener a glimpse into a more personal side of Ms. Jordan’s life. Among the twelve tracks are traditional ballads Cathy would have heard sung in the family home from the earliest age. Performing these songs with family and friends was a fundamental part of family life and became embedded in Cathy’s musical psyche. They are songs that now represent the tradition of her childhood, a tradition that has experienced a renaissance of interest in recent times. For this reason Cathy wanted to reintroduce these songs to a new generation with a vibrant and contemporary energy, whilst retaining some of the traditional methods of how they were intended to be performed. To achieve this Cathy worked with acclaimed musicians such as Roger Tallroth (guitars), Gustaf Ljunggren (lap steel/banjo/piano) and Lars Andreas Haug (tuba) of Sweden, Ireland’s Andy Irvine and the distinctive sounds of singer song-writer Eddi Reader with whom she duets on Eileen McMahon.  Also featured are Michael McGoldrick on uileann pipes, Rick Epping on concertina and harmonica, Seamie O’Dowd on fiddle, Liam Kelly on flute among others

To write a fitting chapter to the story that is All The Way Home Cathy includes four of her own songs, which mirror an early chapter and somewhat of a conclusion to developments in Cathy’s own life.  The first of these The Road I Go, co-written with Brendan Graham, tells the story of the restlessness of youth, of a young person bored with the familiar surroundings and experiences of home and longing to see the world and what it has to offer, yet well prepared by a strong sense of place and family. The final song, and title track to the album, tells the opposite story, a story of a longing to return to the familiarity of home after seeing what the world actually has to offer and finally realizing that ‘home’ is where the heart belongs.

For Cathy there is special place in her heart for this album; “These singing sessions and songs provided the soundtrack to my life for many years.  Every social occasion had a singing session to mark it; births, deaths marriages’, christenings, house Stations, Easter, Christmas; you name it we sang our way through it.”

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Artist Web link: www.cathyjordan.com