DAVEY DODDS – Toadstool Soup (Coalshed Music CSM031119)

Toadstool SoupDavey Dodds, rather belatedly it must be said, has had fame thrust upon him all because of a song he wrote back in the 1970s. The Unthanks recorded ‘The Magpie’ which was then used in The Detectorists and that resulted in a namecheck by Sam Lee from the stage of the Royal Albert Hall. Davey shrewdly re-recorded the song for his previous album, Kernowcopia. Although starting out as an unaccompanied folk singer, Davey’s passion was always prog as anyone who heard his band, Red Jasper, will testify and his second solo album, Toadstool Soup, falls between the two stools.

The opening track, ‘Lucia’, harks back to Davey’s other career as a fishing guide and the song concerns that most voracious of British fish, the pike. The words are definitely prog and could easily be death metal and the music is prog-folk, I suppose, with Davey on mandolins, whistles and percussion supported by Martin Solomon on violin and harp, Carlton Crouch on border pipes and recorder and Collette DeGiovanni, who also designed the booklet, on vocals. The sound manages to be light and earthy at the same time.

Two things are immediately apparent. Firstly, Toadstool Soup is, inevitably, rather more polished than its predecessor since Davey effectively started his career anew just a few years ago. Secondly, the album concentrates more on instrumentals and one or two of the songs sport long codas. The second track, ‘The Rocky Road To Bodmin’, combines one of Davey’s own tunes with the more familiar Dublin-bound piece and shortly after we have an adapted version of the ‘Sheep Crook And Black Dog’ tune. Between them is ‘Three Lines And A Whip’, a song about dark deeds in London and nothing to do with horses. ‘Sing The Sun’ is derived from pagan religion as, in its own way, is ‘Dancing With The Jedi’.

If you were around the folk clubs in this neighbourhood during the 1970s you will immediately recognise ‘The Drinking Song’ and Davey invites Jim Mageean, who recorded the song with Johnny Collins way back then, to join in on vocals. It takes me back, I can tell you.

Finally, we have the three-part title track, with instrumental variants, a slow air and a jig, framing a song about a fairy seducer and where better to go for inspiration than William Butler Yeats. If you’re going to steal, steal from the best. Toadstool Soup is really good and I hope it enables Davey to travel and perform rather more widely. It would be nice to see him again.

Dai Jeffries

Artist’s website: https://www.facebook.com/profile3901624600

‘Lucia’ – live at Slatehenge:

Video Wall 5

We just realised that the backlog of videos has built up again – it must be something to do with the summer weather bringing them out of hiding – so here is Video Wall 5.

We begin with Davey Dodds, formerly of Red Jasper, live at The Fleece in Bristol with ‘Kick Of Your Shoes’ from his new album Kernowcopia. This song features Martin Solomon on fiddle, Keven Taylor on harmonica and Bradders Bluesinger on bodhran.

DARLING WEST are Norwegian but you wouldn’t know that from listening to their brand of Americana/Folk. ‘After My Time’ is one of their newest songs.

Our friends MERRY HELL have a new EP out next week. The title track is ‘Come On, England!’ taken from their album, Bloodlines, as is the second track, ‘We Need Each Other Now’. Also on the disc are a preview of the forthcoming live album and a live track from the full band recorded in Clitheroe. The official video is still under wraps but here’s a live cut to be going on with.


This is the title track from the debut album from Chicago-based bluegrass-old-timey quartet, BIG SADIE. It’s called ‘Keep Me Waiting’.

Not quite so subtle are JO CARLEY AND THE OLD DRY SKULLS. ‘Dance ‘Til You’re Dead’ is from their new album, Them Old Bones.