Already well established individually, Elkin and Schmidt bring their personal and professional lives together, their October wedding preceded by their debut duo album. The writing evenly shared with five tracks each, alternating on lead vocals (though not always on their own material) while the other provides harmonies, the songs inevitably focus on respective perspectives on life and love, on friendship, communication, tough and tender times and, on the Schmidt sung opening twang pop ‘Two White Clouds’, metaphors of marriage and future family. Confirming a deep romantic streak, tender ballad ‘Kiss Me Now’ was actually his proposal song.
Sandwiched between and reminding why she’s often likened to Iris Dement, Elkin takes over for her own ‘Echo In The Hills’, a slow, percussion rumbling meditation on retaining a sense of self in the coming together of two individuals, while, penned by Schmidt, the gradual gathering ‘Company Of Friends’ has a warbling Emmylou air to its country hymnal affirmation of belief in everything from inspiration and procreation to ink on paper and that all hearts will mend.
Elsewhere, the uptempo, bluesy ‘Sky Picked Blue’ celebrates the irresistible force of love, a jangly ‘Took It Like A Man’ finds Elkin singing of placing trust in commitment, while, on ‘Swing From A Note’, Schmidt brings a waltzing folksy air to Elkin’s lines about how “trust is not something to which I’ve grown accustomed” and, striking a somewhat different chord, the aching ‘Longing Moves The Ocean’ finds her addressing the mourning process.
The album closes with ‘Girl In The Woods’ Colin Brooks providing dobro behind Elkin’s simple personal affirmation that “I’m not afraid of the world, with you by my side.” If the life they make together is as well tuned as the music, then this is indeed a marriage for keeps.