SAOIRSE MHÓR – Ghosts Of Tomorrow (own label)

Ghosts Of TomorrowSaoirse Mhór is an Irish singer-songwriter living and working in Germany. British and Irish folk is big there but Saoirse is barely known in England except as the frontman of Fleadh. Ghosts Of Tomorrow is his third solo studio album and he is supported by, among others, Andy Horn and Andrew Cadie of Germany’s top British folk-rock band Broom Bezzums and their regular guest vocalist Katie Doherty.

There is a vein of melancholy running through Saoirse’s songs together with a feeling for lyrics that it typically Celtic. The opener, ‘Tree Of Oak’ is a simple song laden with the despair of a man fully aware of his own failure but it’s offset in part by ‘Fanore’, a village in County Clare where our man finds refuge from his life but leaves a part of himself there. ‘The Thief’ and ‘White Birds’ make for an interesting pairing. In the first, the writer is escaping from a damaged relationship but in the second he waits for the end of winter to be reunited with his love – two very fine songs.

The author of ‘Sleeping And Working’ is at rock bottom and the song ends bitterly with “Remember…if you work harder then love and good fortune will soon come your way”. Yeah, right. The bankers figure in that song and also in ‘Hill Of Plenty’ which begins optimistically until reality intrudes on what seems to be an ideal life.

Ghosts Of Tomorrow is big on sweeping strings and backing vocals with the fiddles of Andrew Cadie and Marcus Eichenlaub often taking the lead in melodic decoration with Michael Busch’s guitar sitting alongside Saoirse’s. He may live in Germany but Saoirse hasn’t really left Ireland far behind and there is a thread of a simple rural life running through the songs. ‘The Cleggan Bay Disaster’ takes us right back there and the final track, ‘Good Friday’, is an account of that day – a reflection of Saoirse’s Catholicism, perhaps.

His albums are available as downloads from the usual sources but for a physical copy you’ll need to visit his website. It’s worth going to the trouble.

Dai Jeffries