Meet on the Ledge Release Long Shadows

MOTLCoverIt’s been a 10-year gap between recordings but fans of the folk veterans Meet on the Ledge will rejoice when they listen to the just-released “Long Shadows”.

Of course the folk harmonies and masterful instrumentation upon which MOTL built it’s well deserved legacy and following, are beautifully showcased and presented on its latest release. There’s no arguing that.

But if forced to choose one song that showcases the band’s musical chops and expertise it would have to be its cover of “Smoke on the Water.”

What the band did when it rethought and rewired the classic heavy metal anthem is a task at which only a master could excel. Clearly MOTL founder Ron Holmes, who has his own independent musical pedigree, and his band mates were more than up to the task.

They created a version of “Smoke on the Water” that has just enough electric guitar and pulsating drums to make it familiar. Yet the slower tempo and acoustic accents give it a whole new personality, showcasing an elegance that is often lost amid the clanging and banging of the heavy metal versions.

As fans know, Meet on the Ledge rarely make missteps and that’s certainly true on this 12-track gem. Just listen to “Who Told the Butcher,” the Peter Knight tune, which marries contemporary instrumentation to world-weary lyrics and binds them together with glorious harmonies. The same came be said of “Travelin’ Soldier,” a tune the band found in America, which gives a slightly different perspective to the lass who longs for a connection to a certain soldier.

Other don’t miss tracks include the upbeat (yes, really) “The Murdering of Edwin Jones,” – presented in a bit less grisly way than the much-loved “Matty Groves” — and the hearty, traditional “Last Boat from Bolton” written by long-time friend of the band, Kevin Day.

The album is as satisfying as a bowl of hot soup on a cold, winter’s day and just as tasty.

Welcome back, MOTL!

Reviewed by: Nancy Dunham

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
Physical link for the UK Store is: https://folking.com/folking-store/


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
Physical link to the US Storehttps://folking.com/folking-us-storefront/


Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.motl.co.uk

ColvinQuarmby CQV is reviewed by the folkmaster…

The new ColvinQuarmby album has now descended from CQ towers, and is heralding in, by a fab twelve page booklet containing of all Gerry Colvin  lyrics which are wrapped, in bright shiny, cherub packaging (beam me up Scotty).

In our opinion, we believe that CQV can sit proudly alongside the body of work that ColvinQuarmby have produced to date. This recording is enhanced by Allen Maslen and Marion Fleetwood involvement, both of which have made a noticeable contribution to the new line-up, joining the Nick Quarmby, Gerry Colvin and Martin Fitzgibbon fold (baa…)

CQV is their first album in 8 years and although the word play is as razor-sharp as ever, they have still have a little way to go to recreate, the CQ live experience on record but in truth, perhaps they never will as, seeing CQ in the flesh, with all the banter, is seeing the true measure of the band.

As you would expect from CQ, the tracks on CQV are a right old of mix of material, focusing on the political, social and relationship story songs that are Colvin’s trade mark. My personal favourites were: Broken man, The Gods Don’t Work, Dirt, South London Gang and the live favourite, Dylan Thomas’ Pen.

So in short, Gerry Colvin  has, once again written some brilliant new songs, which the band recorded at Blue Moon Studios in Banbury Oxfordshire where just about anybody who used to be, and in some cases still is, somebody, in the world of folk music have recorded. These include Fairport Convention, Kieran Halpin, Maddy Prior, Ade Edmonson and The Bad Shepards, Julie Felix to name a few. We understand that, CQV has taken a total of 220 studio hours and over two years from the start of recording to complete. Darren Beech

Here’s what Blue Moons owner/engineer Mark Lee had to say about his involvement with CQV

“Cq are without doubt one of my favourite bands to record. With such great songs and arrangements, fantastic singing and great playing it was always a real pleasure for me to press the record “GO” button. I truly wish the band every deserved success with what I consider to be a great album. An absolutely brilliant band. A world-class act in my opinion”