Elliott Morris announces his second album

Elliott Morris

The Way Is Clear is the new album from singer/songwriter and guitarist Elliott Morris. It showcases Elliott’s expert percussive acoustic guitar playing, swooping and soulful electric solos, heartfelt lyrics and strong, honest vocals.

And he’s put together an all-star ensemble. Playing alongside are Paul Carrack (Ace, Squeeze, Mike + The Mechanics, Eric Clapton) on Hammond organ, Paul’s son Jack Carrack on drums, Innes Watson (Treacherous Orchestra) and Mike Vass (PRS Scots Trad Composer of the Year, SAY Award Nominee) on fiddles/strings, Laura-Beth Salter (The Shee) on mandolin and vocals, Rosie Hood (Dovetail Trio) on vocals, Stu Hanna (Megson) on mandolin and guitar, David Milligan (Larry Carlton, Mark Knopfler, Karine Polwart) on piano, Simon Bates (Jamie Cullam, Elvis Costello) on tenor saxophone, Alan Thomson (The John Martyn Band) on fretless bass and Elliott’s brother Bevan Morris (Dallahan, Pons Aelius) on double and electric bass. The album also features two other members of Pons Aelius, Jordan Aikin on Great Highland bagpipes, whistle and Alasdair Paul on bouzouki.

Music blog WriteWyattUK proclaimed that Elliott Morris “redefines folk…with a little John Martyn influence delivered in Seth Lakeman style” and BBC 6Music’s Tom Robinson described him as “absurdly talented”.

With hundreds of gigs behind him – and a coveted Danny Kyle Award from Celtic Connections – Elliott Morris has a formidable reputation as one of the hardest-working and most sought-after artists on the acoustic scene.

The singer-songwriter, featured in Acoustic magazine as “The Next Big Thing”, has a unique guitar style. Favouring open tunings, his extended techniques include percussive hits, string tapping, and occasionally slide.

Half English, half Scottish and raised in Wales and Lincolnshire, Elliott has continued this journey by honing his craft on the road. He has played all across the British Isles, from Orkney to Plymouth, Boston to Llangrannog, Belfast to Clonakilty. And further afield, he’s headlined shows in Germany, Holland, Ireland, Canada. Other key dates have included Upstairs at Ronnie Scott’s Jazz Club in London, as well as major events such as Cambridge Folk Festival, The Great British Folk Festival, Hop Farm, Towersey Festival, The London Acoustic Guitar Show and the Ullapool Guitar Festival.

He scooped a prestigious Danny Kyle Award at Celtic Connections in Glasgow, BBC Alba broadcast a duo performance with Dougie Maclean at Perthshire Amber and in 2019 Elliott is a Drake Yolanda Award grant recipient.

Elliott Morris twice toured the UK opening for Paul Carrack taking in over fifty major venues including a show at The London Palladium.

He has supported a seemingly endless list of other respected acts, among them Frank Turner, Andy McKee, Seth Lakeman, Lau, Big Country, The Levellers, Ed Sheeran, Cara Dillon and Eddi Reader.

But now Elliott moves centre stage, the spotlight focused on him. June 2019 sees him release his second album The Way Is Clear, with a launch show at Cecil Sharp House.

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Artist’s website: http://www.elliottmorris.co.uk/

‘One More Day’ – official video:

MARTIN BARRE – Roads Less Travelled (Garage Records GAR0002)

Roads Less TravelledI don’t think I’ve heard Jethro Tull for decades, but one of the highlights of the band’s music was, for me and many others, Martin Barre’s guitar work, so I jumped at the opportunity to check out his solo album Roads Less Travelled, for release on 31st August 2018. The CD features ten excellent songs plus an instrumental, all composed by Martin. As well as Martin’s guitars, banjo, mandolin and mandola, these tracks also feature regular members of the Martin Barre Band Dan Crisp (lead vocals on most tracks), Alan Thomson (bass/fretless bass) and Darby Todd (drums), augmented by Alex Hart and Becca Langsford (lead and backing vocals), Josiah J (percussion and Hammond organ), Aaron Graham (drums) and Buster Cottam (double bass).

If some of the tracks here make me think of 60s/70s West Coast and/or fusion music, that’s by no means a criticism, and it shouldn’t be taken as implying a dated approach. Partly, I think, it’s because Dan Crisp’s versatile vocals sometimes remind me of specific individuals from that era; partly because of the effective use of harmonizing lead guitars; partly because of the super-accurate way the guitars, bass and organ track each other’s lines.

Here’s the track listing.

  1. ‘Lone Wolf’, with the addition of Martin’s mandolin, mandola and banjo, borders on country-rock. And a splendid example it is. Slightly reminiscent of the Eagles or even Buffalo Springfield.
  2. ‘Out Of Time’ alternates some nifty electric riffing and athletic drumming with some gentler acoustic work.
  3. ‘I’m On My Way’ also benefits from Martin’s mandolin and mandola, as well as some tasty electric guitar.
  4. ‘Roads Less Travelled’ features some very nice lead guitar harmonies, and lots more.
  5. Becca Langsford takes over the vocals on ‘Badcore Blues’, a moody song supported by acoustic guitars, drums and bass guitar. A long way from country blues, but captures some of that desperation despite its sophistication.
  6. The nostalgic ‘Seattle’ balances acoustic and electric guitars with spot-on vocal and instrumental harmonies.
  7. ‘For No Man’ features breath-taking interplay between the guitars, fretless bass and organ over sophisticated changes.
  8. ‘(This Is) My Driving Song’ leans towards riff-driven 70s rock. Works for me…
  9. The jazzy ballad ‘You Are An Angel’ features Alex Hart on vocals, backed by Martin’s acoustic guitars and Buster Cottam’s double bass. Very classy.
  10. ‘Trinity’ is the CD’s only instrumental, with Martin playing all instruments. A tour de force, drawing on a wide range of musical influences.
  11. ‘And The Band Played Only For Me’ features Becca Langsford on lead vocals, ably augmented with Alex Hart’s backing vocals. Somewhere on the borderline between jazz and city blues, with lovely guitar and organ. If ‘Trinity’ is my favourite track, this is my favourite vocal track, though ‘You Are An Angel’ isn’t far behind it.

Excellent songs sympathetically sung, a master of the guitar (and no slouch on several other instruments), accompanied by a set of accomplished musicians and singers, and flawlessly produced: this is an album that’s going to stay on my iPod…

David Harley

Artist’s website: https://martinbarre.com/

The Martin Barre Band at The Citadel, Wigan:

Elliott Morris announces debut album

Elliott Morris

Lost And Found is the debut album from singer/songwriter and guitarist Elliott Morris. Recorded at Caribou Studios, Scotland and produced by Mattie Foulds, the album is a melting pot of folk, rock, blues and country. Blending progressive, contemporary ingredients with still vibrant British folk and roots traditions, this is folk music for the 21st century.

The album showcases Elliott’s expert percussive acoustic guitar playing, swooping and soulful electric solos, heartfelt lyrics and strong, honest vocals.

And he’s put together an all-star ensemble. Playing alongside are Paul Carrack (Ace, Squeeze, Mike + The Mechanics, Eric Clapton) on Hammond organ, Paul’s son Jack Carrack on drums, Innes Watson (Treacherous Orchestra) and Mike Vass (PRS Scots Trad Composer of the Year, SAY Award Nominee) on fiddles/strings, Laura-Beth Salter (The Shee) on mandolin and vocals, Lisbee Stainton (Seth Lakeman Band) on guitar and vocals, Jim Molyneux (4Square) on piano and Fender Rhodes, Alan Thomson (The John Martyn Band) on fretless bass and Elliott’s brother Bevan Morris (Dallahan, Pons Aelius) on double and electric bass.

Music blog WriteWyattUK proclaimed that Elliott Morris “redefines folk…with a little John Martyn influence delivered in Seth Lakeman style” and BBC 6Music’s Tom Robinson described him as “absurdly talented”.

Lost And Found is released both on CD and on iTunes worldwide on 16th June 2017. Elliott plays a special launch gig at Cecil Sharp House in London on 21st June, and at Café Portico in Lincoln on 30th June.

With hundreds of gigs behind him – and a coveted Danny Kyle Award from Celtic Connections 2013 – Elliott Morris has a formidable reputation as one of the hardest-working and most sought-after young artists on the acoustic scene.

The singer-songwriter, featured in Acoustic magazine as “The Next Big Thing”, taps the strings and beats the guitar’s body to create an intricate spectacle, together with an original and unique sound integral to his songs.

Half English, half Scottish and raised in Wales and Lincolnshire, Elliott is continuing this journey by means of his almost constant touring schedule. He plays across the British Isles, from Orkney to Plymouth, Boston to Llangrannog, Belfast to Clonakilty.

Elliott’s original compositions marry intricate guitar lines with heartfelt, honest vocals and clever wordplay, combining elements of folk, roots, jazz and country, all the time embracing the traditional and the contemporary.

Elliott has honed his craft on the road, regularly clocking up 120+ gigs a year. He has headlined in Germany, Holland, Ireland and Upstairs at Ronnie Scott’s Jazz Club in London, as well as performing at major festivals such as Cambridge Folk Festival, Hop Farm, Towersey Festival, The London Acoustic Guitar Show and the Ullapool Guitar Festival. He scooped a prestigious Danny Kyle Award at Celtic Connections in Glasgow, and last year BBC Alba broadcast a duo performance with Dougie Maclean at Perthshire Amber.

Elliott Morris twice toured the UK opening for Paul Carrack (Squeeze, Mike + The Mechanics, Ace, Eric Clapton), taking in over fifty major venues including a show at The London Palladium.

He has also supported a seemingly endless list of other respected acts, among them Frank Turner, Andy McKee, Seth Lakeman, Lau, Big Country, The Levellers, Ed Sheeran, Cara Dillon and Eddi Reader. But now Elliott moves centre stage, the spotlight focused on him.

Please support us and order via our UK or US Storefront 


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Artist’s website: www.elliottmorris.co.uk

‘Sirens’ and Elliott’s tour video:

MARTIN BARRE ANNOUNCES STUDIO ALBUM FEATURING TULL CLASSICS

Order Of PlayResponding to fans’ demand, legendary guitarist Martin Barre has announced the release of Order of Play. The album, due out on September 29th, is the studio version of the acclaimed show which sees him performing Tull classics with his talented live band.

“In January 2013, we headlined a festival in Somerset, UK. We wanted a live CD to be a summary of the last two years of our work and this was the idea opportunity. Fans had kept asking for a CD version of the show, but rather than record an actual gig, thought we would do something better and record ‘live in a studio’, with all the energy of a show but with the best sound quality possible. So, with the band in one place, and a couple of “days off” – explains Martin.  “We met at Middle Farm Studio the next morning, set the back-line up as we do onstage, with Dan in a booth, as he, rightly, felt that it was important to record all his vocals live.  It was really important to keep the feel and continuity the same as a live gig. By the end of the day, we had all the songs finished.”

Martin Barre is one of the most influential and respected guitarists in classic rock history. His sound was recognized as a major factor in Jethro Tull’s success, they went on to sell over 60 million albums worldwide. Martin has worked with many other artists including Paul McCartney, Phil Collins, Gary Moore, Joe Bonamassa and Chris Thompson and has shared a stage with such legends as Hendrix, Fleetwood Mac, Pink Floyd and Led Zeppelin. Over the past two years, Barre has performed live, some of Jethro Tull’s most loved classics, winning praise from both critics and fans.

Next to Barre, in charge of guitar and mandolin, we find an array of like-minded musicians including Dan Crisp on vocals, acoustic guitar and bouzouki, drummer George Lindsay, Richard Beesley on saxophone and clarinet who is one of London’s most versatile session players, having played with Michael Buble, Mark Ronson, the Funk Brothers and The Supremes among others. Bassist Alan Thomson is also a long term member of John Martyn’s Band and an accomplished song writer, with credits including Robert Palmer, Rick Wakeman, and Bo Diddley.

While Martin Barre & friends continue taking Jethro Tull to growing UK audiences, grab a chance to take the songs home with you. Order of Play is out September 29th on Edifying Records through RSK, in digipak format.

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Tracklisting:

1.     New Day Yesterday
2.     Fatman
3.     Watch your Step
4.     Crossroads
5.     Minstrel in the Gallery
6.     To Cry you a Song
7.     Steal your Heart Away
8.     Thick as a Brick (excerpt)
9.    Sweet Dream
10.  Song for Jeffrey
11.  Rock me Baby
12.  Teacher
13.  Still Loving you Tonight
14.  Locomotive Breath

Still a favourite JT song: and what a classic rocked out version it is…