It’s surprisingly hard to recall, on this bright sunny Spring day, that a little over a month ago, snow and gales stopped play. Back then, I should have been reviewing Ben Smith and Jimmy Brewer as part of the Cambridge Roots Festival. This afternoon comes my chance to make amends, courtesy of Anglia Ruskin University’s programme of “Lunchtime Sessions”. A mixed audience of students and civvies flow into the theatre’s darkness from the warm sunlight outside.
The artists formerly known as Ben Smith and Jimmy Brewer have recently undergone a, some might say, rather overdue metamorphosis. Now appearing simply as Smith and Brewer, they proudly display the embossed guitar straps bearing their respective surnames. Yes, maybe it does sound a tiny bit like a craft ale, but it rolls off the tongue so much more easily. And I have been known to say it often when evangelising about this pair to anyone within earshot. Not normally Americana/Country’s loudest advocate, I’m utterly beguiled by this duo’s charming blend of close harmonies and melodious songs. It’s an obvious, perhaps even rather tainted comparison to make, but they’re a sort of English Simon and Garfunkel – without the relationship issues, hopefully.
Starting off with ‘Isabella’, a natural classic from their eponymous EP, they motor on through ‘Another Shade Of Blue’ and the vigorous, sassy guitar of ‘Life’s Too Short’. ‘Blow Wind Blow’, another EP track, follows after which Smith leads on a sweetly tender ode to his young son, ‘Better Than Your Father’. As a young artist in the front row makes rapid sketches of them, Brewer delivers some Spanish-tinged guitar with ‘Love You Forever’.
‘A Lovely Day For Doing Nothing’ is another of those instant classics: but despite sounding deceptively like a chilled summer anthem, it’s lyrics are rather gloomier. It’s still not entirely an obvious choice to appear on a Dutch horror movie soundtrack, but do be sure to listen out for it, coming soon to your local Dutch cinema.
It’s not just their facility with melody and harmony; they are richly proficient guitar players too, with a cooperative style that elaborately interweaves Smith’s warmth with Brewer’s steelier tones. Mostly, they look quite relaxed, but their most “guitarry” song, ‘Julietta’ (continuing a tradition of four-syllable female name song titles), features a lengthy, fast and energetic break that illuminates the physicality beneath their playing.
The forceful, lively ‘Favourite Photograph’ follows, and they close with the angular ‘Don’t Say You Don’t Love Me’. Although time hasn’t really been allotted for an encore, such is the crowd appreciation that they return anyway to finally round off proceedings with the gently funk-inclined ‘Hold On’.
A group of students filing out say, “Well, that was really great”, and mean it. It was, really great.
Artist website: www.smithandbrewer.com
‘A Lovely Day For Doing Nothing’: