A round-up of recent EPs and singles
His first new material since 2012 album Seven Songs, HENRY SPARKS releases the aptly titled Latest Waxing, an EP of five acoustic tracks sung in his distinctive swallowed vocals style. Incorporating lines from Blake’s poem, the tumbling ‘While We Were Building Jerusalem’, accompanied by Catriona Bryce on cello, sings of striving for a better life while, enveloped by fiddles, ‘If She Falls’ is a hymnal-sounding song of love and devotion. Again accompanied by cello, ‘So Like A Child’ is a slow waltzer lament for things lost, giving way to the unrequited love themes of ‘The Cowboy Song’ which, despite the title and featuring Alan Cook on pedal steel, sound quintessentially English in a Lilac Time sort of way. Accompanied by just sparse acoustic guitar, the last number is the moody, dark and leafy folk of ‘Migrant’, a timely musing on the hopes and fears of refugee in transit. He waxes eloquently.
The idea of singing Dolly Parton’s ‘Jolene’ a capella, slowed down with handclaps and percussion is just so far out but that is what SAID THE MAIDEN have done on their debut EP, Of Maids And Mariners. It is just such a great idea and it works. The lead track is an up-tempo version of ‘The Soldier And The Maid’ showing off Hannah Elizabeth’s fiddle playing and after ‘Jolene’ comes the Davenports’ ‘Spring Tide Rising’ featuring Kathy Pilkinton’s whistle and Jess Distill’s shruti. The first two tracks were produced by Stu Hanna and the latter two were recorded live. Said The Maiden will be huge before too long.
In celebration of Record Store Day 2016 Topic release a unique double A-side vinyl single. On top is a version of Booker T’s ‘Green Onions’ by MARTIN SIMPSON, ANDY CUTTING and TOM WRIGHT. Cutting takes the lead with Wright drumming and playing guitar lead. There’s a bass in there, too, although there is no indication who might be playing it. Underneath is SIMPSON CUTTING KERR with a specially recorded version of ‘Willie Taylor’ with Simpson on lead vocal and banjo. There is a distinctly transatlantic feel about this variant with a chorus that isn’t heard in English versions. Hedy West claimed it as an Anglo-American ballad but everyone seems to agree with enjoying the fact that the heroine was rewarded rather than punished for her action.
In support of the same event Fledg’ling release the latest of their replica EPs. English Songs Volume 2 features SHIRLEY COLLINS accompanied by Robin Hall. ‘Dance To Your Daddy’ carries none of the baggage that the last fifty-something years have added to it and doesn’t sound anywhere near as naive as you might expect. The version of ‘The Sperm Fishery’ is different from that on False True Lovers – no banjo, which only appears on ‘The Foolish Boy’. That track, together with ‘My Bonny Miner Lad’ seems rather slight by modern standards and the chorus of ‘The Foolish Boy’ is rather silly but all four tracks were recorded with a simple dignity that sometimes seems lost these days. The inner sleeve includes a vintage photograph of Alan Lomax And The Ramblers.
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