It slipped out late last year with virtually no publicity, so perhaps it’s time to shine a light on Voices Of Equilibrium (Silvertone), a four-track EP of covers from three part harmony Devon trio WILDWOOD KIN, sisters Beth and Emillie Key and cousin Meghann Loney. There’s some surprising choices, though Tracy Chapman’s ‘Talkin’ Bout A Revolution’ is the least so since it at least occupies the folk genre field. That said, the arrangement with its glistening keys and subsequent heavy drums immediately rings the changes on the original.
That’s certainly true of their take on ‘The Pretender’, not the Jackson Browne one but the Foo Fighters track, which they’ve slowed down into a moody dank folk affair while still bring urgency, albeit of a different shade to the refrain. Meanwhile, shifting the goalposts once again, ‘Dream On’ was a 2006 electro pop dance floor hit for Christian Falk and Robyn, though, even with its undulating electronic beat, even they might be hard-pressed to recognise this dreamy chamber folk reimagining with its cascading harmonies and twinkling sonic snowflakes.
Stevie Wonder provides the final cut, his boogie funk ‘Higher Ground’ transformed with a single vocal and hummed backing, handclaps and a muted drum thump gospel-like intro before the instrumentation fills out for a fixed and narrow-eyed tribal rhythm groove mid-section with what sounds like distorted scuzzy bass. A superb reminder that if you’re going to do a cover, especially crossing genres, then you need to make it your own. The trio have full possession.
ANNE LEITH & LES OMAN hail from Campbeltown and their EP, Poets, celebrates the work of two local writers, George Campbell Hay and Angus Martin. Anne and Les play guitars, bouzouki and keyboards but don’t overdo the accompaniments – the words are most important here. They stick to Hay’s English poetry but Martin’s ‘The Hird’s Hoose’ is in lowland Scots as far as we can judge. Anyone who thinks that they can write a “traditional” Scottish song (except Archie Fisher, who can do it) should listen to these songs – the opener, ‘The Fisherman Speaks’ is a gem.
A second taster for the upcoming self-released debut album, singer Lara Snowdon and violinist Kathryn Tremlett joined by Kev Jackson on electric guitar, Josiah Manning on keys and the rhythm section of Paddy Blight and Garry Kroll, VELVET & STONE follow-up ‘Oh Boy’ with, after a simply strummed intro, the equally fulsome sounding folk-rock ‘By The Water’, quite literally a love is blind story about confessing your feelings.
Is “Lena Kalinka, have you got space in your heart for a narcissist thinker” any way to begin a song? Absolutely. ‘Lena Kalinka’ is the first track on Poetical Resistance, the new EP by GABRIEL MORENO & THE QUIVERING POETS. Gabriel and the band combine English and Spanish musical strands and the influences of such songwriters as Leonard Cohen. He would be a perfect musical partner for Keith James. ‘Overstay Your Welcome’ is a string-drenched track with a very Cohenish structure overlaid with a Mediterranean gypsy violin and the closing ‘We Are What We Are’ is built on acoustic guitar. The chorus of ‘Silly Old Dreams’ strikes something of a false note but that is the record’s only fault.
There are eight of THE JAMESTOWN BROTHERS from Somerset although one or two of them would appear to be Jamestown Sisters and Singing For Our Supper is their debut EP. Their mixture of good-time country, folk and blues is reminiscent of the early days of The Men They Couldn’t Hang with fiddle and brass fleshing out the sound. A song like ‘Take Your Medicine’ over keyboards and horns is harder and almost mainstream while ‘Everybody Take A Drink’ has an Irish flavour. The Jamestown Brothers must be a great festival band.
Breathily-voiced Guildford-based country pop singer-songwriter EMMA STEVENS self-releases her Atoms EP, featuring two collaborations with Kevin Jeremiah from The Feeling, the jaunty strumalong ‘Because It’s You’ and the uplifting ‘Soldier On’. The title track, presumably written in response to her mother’s passing, is a gentle fingerpicked acoustic celebration of being a part of everything and how death is just another beginning, the remaining cuts being the upbeat romantic euphoria of ‘Bells And Whistles’ and the more staccato rhythms of the self-explanatory feelings of ‘Home’.
TRUE STRAYS are a blues-rock trio from Bristol although they have lots of friends helping out. Once you get past the silly introduction track, Homeward Bound is pretty good and as you listen you begin to realise that they are rather cleverer than the down-and-dirty image they like to promote. Their sound is built around a big bass played by Joe James and buzz-saw guitar by lead vocalist James Cameron, all laid over solid drums by Matt Cooke. We reckon that they must be great live.
Stourbridge-based acoustic bluesman SUNJAY returns to form after the well-played but soulless Black & Blues and the pointless covers set Sunjay Sings Buddy with ‘Ghost Train’ (self-released), a taster for the upcoming Devil Came Calling. Co-written with producer Eddy Morton, it’s a chugging piano and violin-coloured blues tribute to yesteryear heroes that namechecks a cast list that namechecks, among others, Holly, President Kennedy, Muddy Waters, Judy Garland, Babe Ruth, the Big Bopper Martin Luther King, and Monroe. By contrast, the flip side, ‘Too Close To The Sun’, another driving blues co-penned with Henry Priestman and Les Glover, deals with an increasingly unstable addictive relationship.
KARINE POLWART releases another single from her forthcoming album, Karine Polwart’s Scottish Songbook. ‘Since Yesterday’ is the 1984 synth-pop Strawberry Switchblade song but it begins with a crackly old recording of her grandfather singing ‘The Rose Of Tralee’. Originally about youthful angst, Karine’s piano-led reinterpretation of the song gives it to us old-timers. We’re looking forward to the album already.
‘Blue Hounds’ is the new single from REN. Superficially, it’s a gentle acoustic guitar driven song with some nice single string picking but there’s an underlying message about living in politically difficult times. No need to explain who the blue hounds are but Ren does have red roses growing in his garden.
PETE GARDINER tackles the world’s problems with his new single, ‘Dangerous People’. Originally from Northern Ireland, he adopts a laconic drawl over acoustic guitar for the verses and allows the song to build up over the choruses. His words are clever, inviting comparisons with Leonard Cohen and Bob Dylan, and his delivery seems instantly familiar without being a copy of anyone. We could use an album like this.
Singer and harpist KRISTIN REBECCA releases a single, ‘Siren’s Call’ which may be from a new album. Despite her being based in Maryland, you might take her for British at first – her voice is strong and clear and although her fellow New Englanders may be able to identify her accent it’s beyond us.
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