This year sees the release of Still Gannin’ Canny, the first album in over 30 years from veteran folk band Canny Fettle. Their debut album Varry Canny, released in 1975 on the Tradition Records label was highly regarded at the time and has been out of print for decades, their second album Trip To Harrogate followed in 1977, a collection of repertoire from the then newly-discovered Joshua Jackson Manuscript, after which the group effectively disbanded to pursue their individual careers in industrial chemistry and the aeronautics industry, only to reform in 2016 with the idea of a new recording.
The new album is a tribute to those classic albums of the 1970s, recorded in a vintage style – all musicians together in one room, captured honestly with a natural blend. Producer Ian Stephenson remarks on the process:
“It was a total pleasure to work with Canny Fettle on this new recording – With no disrespect to the lads, it was a bit like going back in time, like finding an old album nobody knew existed! My part in the production involved capturing the brilliant performances in a totally honest, real-time way, offering general encouragement, as well as trying to use a style of production in keeping with their previous albums. Everything from the cover design through microphone choice and musical decisions was decided with this in mind. One surprising thing for me was how much unique repertoire they brought to the recording sessions – the early mixes and pre-release copies of the album have been doing the rounds on Tyneside and many seasoned folk performer has remarked on how these recordings sound like classics, but ones which have never been heard before.”
The material featured shows their usual North-East bias, along with some melodies from further afield. There are old melodies from William Vicker’s Manuscript (1770) and Joshua Jackson’s (1798) all mixed up with both traditional songs and music hall songs from Tyneside and Lancashire. One advantage of releasing on CD or digital over vinyl, is the inclusion of extensive, well-researched liner notes giving historical context to the music, placing the music in a visceral context and giving it the gravitas it deserves.
Canny Fettle had its origins in the Manchester area in the late 60s when fellow students Bob Diehl, Gerry Murphy, and Anthony Robb joined with Royton singer John Williamson to form a group. They were influenced at this time locally by Harry Boardman and from further afield by Martin Carthy and Dave Swarbrick and of course the High Level Ranters.
The line-up featured on Still Gannin’ Canny is Bob Diehl – fiddle, Gerry Murphy – English concertina, Northumbrian pipes, Bob Morton – guitar, voice, with special guests: Jane Diehl (accordion), Grace Smith (vocals, clog), Ian Stephenson (piano), George Unthank and Pete Wood (chorus singing).
News of the band’s resurgence has been spreading and has also resulted in Fellside Records re-releasing digital versions of both Varry Canny (1975) and Trip To Harrogate (1977), whilst Still Gannin’ Canny (2017) is available from the band’s own website where both digital and CD versions include full liner notes.
The intention behind the album can be best presented as in the notes:
“To record a selection of new and old songs as a tribute to the many people who influenced them throughout the years and endowed them with the joy of music. This is above all what they collectively hope to pass on “
Artist’s website: www.cannyfettle.com
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