You know the kind of friendships where you don’t see one another for ages, yet when you next meet up, you just pick up right where you left off, like you’d never been away? Well, that’s the sound of Still Gannin’ Canny, right there.
It might be some 30 years since Canny Fettle last released an album, but it could just as well have been a week ago. There’s such an easy meshing of the musical talents, a comfortable way of playing together that simply shines through. The trio of Bobs Morton and Diehl, plus Gerry Murphy produce a rich, warm yet roomy sound that producer, Ian Stephenson, has captured superbly, ensuring each element has enough room to breathe and be heard clearly.
There’s a deliberate absence of technical whizz-bangs and gizmos, just an attempt to set down the tracks with honesty, care and respect. Accompaniments by Jane Diehl, Grace Smith, George Unthank, Peter Wood and Ian Stephenson add meaningful, subtle embellishments, including clogging, to the songs and tune sets.
And yet, there is something distinctly redolent of yesteryear here – and it’s not just the cover art’s very pleasing shade of 1970s mustard. There’s a certain quality to the band’s delivery of songs like ‘Old Miner’, ‘Happy Sam’ and the woozy fairground waltz of ‘Ashton Mashers’, that unleash something very Proustian, to these ears at least, taking me back to various dialect songs that fringed my Lancashire childhood.
The informative, extensive liner notes explain much more about the song choices, so I’m not going to regurgitate them here, only to say that they are very well worth the read.
This fine collection of music from Scotland, the North East and North West sounds as if it’s always been there, perhaps in a corner of our collective memories, just waiting for us to return and listen again. That it’s all a brand-new work somehow makes it even more remarkable. Still Gannin’ Canny has a timeless quality that fully deserves “instant classic” status.
Artists’ website: http://www.cannyfettle.com
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