Evan Carson releases the first installment of a long story

Evan Carson

‘Shards’ is part of an ongoing story inspired by George Ocipinski and members of the various Polish Resistance Units across Europe during 1939 – 1945 now being reconstructed in music by Evan Carson.

A collaboration between musicians from the UK, Iceland and Russia blending, folk, progressive and classical elements. This particular track highlights only one small part of Evan’s grandfather’s journey through the Second World War from escaping a labour camp in Eastern Europe, to joining the French Resistance during the Allied Landings in Normandy and beyond. The purpose of this project is to fill in the gaps and bring the whole story of both his grandfather and other Poles to life. Musically, this song focuses on piano, strings and bodhran influenced by eastern European time signatures.

Evan explained a little more. “The initial idea was just for me to put out a series of tracks that used a lot of ideas that I couldn’t get away with in the other bands I work for. This particular release is all about my family and others in Poland during the second world war. It’s an ongoing story that we are still tracking down all the parts to.”

Looking to the future Evan hopes to continue telling stories and combining styles and musicians from very different scenes and genres.

“I’ve had a very close working relationship with the pianist Gleb Kolyadin and the others so I’m looking forward to finishing the rest of the story with them all. Hopefully I’ll put together a live set as soon as I can get them all in one country.”

Written by Evan Carson

Lyrics by Evan Carson and Georgia Lewis
Vocals – Georgia Lewis
Piano – Gleb Kolyadin
Strings – Karl James Pestka
Flutes – Toby Shaer
Percussion, Vocals – Evan Carson
Additional Sound Design, Production and Engineering – Joshua Franklin
Artwork – Todd Robinson
Mastered – Josh Clarke/Get Real Audio
Written and Recorded in the UK and Russia

Evan currently tours with folk acts Sam Kelly and the Lost Boys (BBC Radio 2 Folk Awards Best Group Nominees), The Willows, Georgia Lewis (BBC Radio 2 Folk Awards Horizon Nominee) and has also performed with Seth Lakeman.

In 2016, Evan recorded percussion for Russian duo Iamthemorning’s Lighthouse (PROG AWARDS Album of the Year 2016) and has gone on to tour with them throughout Europe and Russia.

In 2018, Evan also guested on piano virtuoso Gleb Kolyadin’s (Iamthemorning) solo album opposite drummer Gavin Harrison (Porcupine Tree) and Jordan Rudess (Dream Theater).

Artist’s website: www.evancarsondrums.com

There will be an EP soon but here’s a short preview:

SAM KELLY & THE LOST BOYS – Live at Cambridge Junction, City Roots Festival, 5 March 2018

Sam Kelly & The Lost Boys
Photograph by Philip O’Brien

Battling snow and ice on tour for the past week has clearly taken a toll on this group of musicians (amongst many others no doubt), but that won’t stop them putting on a storming show this evening.

Support act, Honey And The Bear (aka Jon Hart & Lucy Sampson) deliver a half-hour set of earwormy, catchy songs, culminating in ‘William’ from their 2016 EP, About Time Too and the galloping, riffling ‘Wristburner’. Their slightly low-key stage presence belies their lively, well-crafted and perfectly performed music. And it turns out that there’s so much more to this versatile duo: manning the merch stall, driving the van and even providing the evening’s sound tech. Headliners, book them now, while you can.

A short while later, the seven-piece line-up of Sam Kelly & The Lost Boys fills the stage as percussionist Evan Carson sets a grinding groove for the first song, ‘Hickathrift’, the tale of a legendary Norfolk giant-killer.

With so many big, sing-along tunes on both the band’s albums to date, from ‘The Golden Vanity’ via the deceptively jolly ‘Angeline The Baker’, the call-and-response of ‘The Keeper’ or the barrelling ‘Jolly Waggoners’, featuring a frenzied banjo part from Jamie Francis, it’s blindingly obvious why this band is such a festival success.

Then there’s the dry, irreverent and often charmingly unfiltered humour that allows them to respect what they do without being in thrall to it. If you’re after reverential folk that won’t poke fun at the often ludicrous and/or plain old sexist scenarios of some songs, this might not be the band for you. If you want a solid, tight set of superb musicians who know how to have a good time, then they’re a must-see.

Still, it’s not all wall-to-wall party. The well-paced set contains many quieter moments, such as the tender rendition of ‘If I Were A Blackbird’, and Cornish ballad ‘Grwello Glaw’ (‘Let It Rain’). Originating from Kelly’s time with The Changing Room, it’s an appropriate choice for a St Piran’s Day gig. (Also, we’re told, it will be the first dance the band plays for Hart and Sampson’s wedding in June. Altogether now: aaahhh!).

A rather different sound comes with ‘The Shiny Ship’, an effect-laden track from the Pretty Peggy album that has been reworked for the live environment. Carson’s shimmering cymbals and hard rapping drum offset Graham Coe’s shoulder-slung, psychedelic, droning cello to create an atmosphere of moody mystery.

For the family members present in the audience, Kelly dedicates a cover of Dire Straits’ ‘Sultans Of Swing’ which starts leisurely before building into a floorshaker. Finishing with Archie Moss’s melodeon leading the mischievous cross-dressing tale, ‘The Close Shave’ and buffered by tunes from Ciaran Algar and Toby Shaer, the set ends on a whirling high.

As the audience erupts in appreciation, the band returns in typically self-deprecating fashion. “The dressing room was locked” deadpans Algar. Meanwhile, there are two clear contenders for an encore among the crowd. Carson holds a vote, defying Algar’s sardonic, “This is not a democracy”. 48% want ‘The Chain’, but 52% are pro ‘Greenland Whale’, so there it is. Luckily, this is one vote that doesn’t cause deep or lasting division, as we all sing happily together before going our separate ways home.

Su O’Brien

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: http://www.samkelly.org/

‘Sultans Of Swing’ – live at the other Cambridge Festival:

SAM KELLY & THE LOST BOYS – Pretty Peggy (Navigator NAVIGATOR 102)

Pretty PeggyBased in Bristol, but born in Norfolk, Kelly stakes a claim for a Best Album nomination in next year’s Radio 2 Folk Awards to add to this year’s Horizon win. Backed by his six-piece live band, comprising Jamie Francis on banjo, fiddler/guitarist Ciaran Algar, percussionist Evan Carson, Graham Coe on cello with Toby Shaer and Archie Churchill-Moss providing woodwind and melodeon, respectively, Pretty Peggy their first album together, also features contributions from folk stalwarts Cara Dillon, Damien O’Kane, Mike McGoldrick and Geoff Lakeman.

Save for three numbers, all the material is traditional, refashioned and refurbished, opening with a rousing haul away tempo take of the whaling shanty ‘Greenland Whale’ that can’t help but bring Seth Lakeman to mind. Dillon and McGoldrick’s Uillean pipes complement ‘Bonnie Lass Of Fyvie’, the pretty Peggy-o of the title, a jaunty Celtic-hued version that successfully avoids sounding like any of the many previous recordings.

A tale of lost childhood love regret, the equally lively, thigh-slapping, fiddle-driven ‘Angeline The Baker’ has Appalachian roots and then comes the first of the original numbers, ‘When The Rievers Call’, a Jamie Francis song about the raids on the Scottish borders during the middle ages featuring, unsurprisingly, some fiery banjo work and again recalling that Seth Lakeman sound.

Returning to the traditional repertoire and featuring O’Kane on electric tenor guitar with a melodeon solo, ‘If I Were A Blackbird’ is a lovely, lilting and gently ripping take on the Irish love song, reversing the lyric’s genders and set to a tune based around Chris Wood’s ‘Ville De Quebec’. This is followed by the darkly menacing ‘The Shining Ship’, a suitably spooked and nervy six minute tale, sung in low, at times whispery tones with swirling sonics, of a woman lured aboard a ghost ship by her long lost lover and based on the 17th century Scottish ballad ‘Demon Lover’.

Featuring himself on piano and Shaer on fiddle, the only Kelly original is ‘Chasing Shadows’, another lively tune about understanding that “the deepest dark comes just before the dawn”, and one of the more contemporary sounding tracks. Then comes the comic relief, ‘The Close Shave’ being New Zealand singer Bob Bickerton’s variation of the traditional romp, ‘Barrack Street’, about a gold miner relieved of his treasure by a man posing as a woman.

The obligatory instrumental track comes with ‘Shy Guy’s Serve’, a jaunty fiddle medley of Shaer’s ‘Josh’s Slip’ and Algar’s ‘Rookery Lane’, before they dig into the more obscure pages of the Dylan songbook and turn up the volume for ‘Crash On The Levee’, a punchy and driving version of ‘Down In The Flood’ off The Basement Tapes. The penultimate number is another traditional English folk song, drums, fiddles and flutes pumping along sexually euphemistic ‘The Keeper’ with its call and response derry derry down chorus, the album ending with the intitially subdued but gradually gatheringly strident strains of The Rose, Kelly’s translation of the French song ‘Le Beau Rosier’, originally by Belgian outfit Naragonia with whom he played mandolin last year.

Having practised his art as a youngster singing to the family’s cows, in 2012 Kelly was a finalist for Britain’s Got Talent (the one won by Pudsey), at which time he said “I don’t want to make a mediocre album of covers just to sell as many as possible on the back of BGT…musical integrity is really important to me.” He’s clearly lived up to his words.

Mike Davies

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the SAM KELLY & THE LOST BOYS – Pretty Peggy link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artists’ website: www.samkelly.org

‘Angeline The Baker’:

John McCusker – new album

John McCusker

In celebration of his 25th Anniversary as a professional musician, John McCusker will release Hello, Goodbye on April 29th 2016 and tour the UK in April and May. A wonderfully evocative set of compositions, Hello, Goodbye is John’s first solo album in thirteen years, the first on his new record label Under One Sky Records and the first recorded in his state of the art studio, built over the last 2 years in a bothy dating from 1779, which neighbours his Scottish Borders home. Designed by legendary record producer and studio designer Calum Malcolm, the new studio is a winning combination of the traditional and the new, much like John’s music itself!

Hello, Goodbye was composed while John was on a world tour with Mark Knopfler. The core musical group for the album is an all-star cast of handpicked musicians with whom John has been fortunate to work over the past 25 years: James Mackintosh, Drums/Percussion (Shooglenifty, The Blue Nile, James); Ewen Vernal, Bass (Deacon Blue, Capercaille); Ian Carr, Guitar (Eddi Reader, Julie Fowlis, Swap); Michael McGoldrick, Whistle (Mark Knopfler, Capercaille, Sharon Shannon); Andy Cutting, Melodeon  (The Who, June Tabor); Tim O’Brien (Grammy Award Winning US bluegrass star); Phil Cunningham MBE, Accordion (Bonnie Raitt, Nicola Benedetti) and acclaimed Irish singer Heidi Talbot.

Born in Bellshill, near Glasgow, John began playing whistle and fiddle as a child and joined the legendary folk outfit Battlefield Band aged 17. During his 11 years with the band, he also released his first two solo recordings, 1995’s self-titled debut and 2000’s Yella Hoose. His most recent albums include Under One Sky and the reissues of Yella Hoose and Goodnight Ginger re-mastered deluxe.

John has long been renowned for his skill at transcending musical boundaries: striving to keep his music fresh and exciting, never leaving the past behind but always embracing new sonic adventures. As a live and studio guest he has shared stages with Paul Weller, Paolo Nutini, Teenage Fanclub, Graham Coxon and Eddi Reader. Since 2008, he has been a member of Mark Knopfler’s band, playing arenas around the world including a double bill with Bob Dylan at The Hollywood Bowl and 20 nights at the Royal Albert Hall.

An expanding portfolio as a producer features debut albums by Kris Drever and Idlewild’s Roddy Woomble. He’s also manned the controls for top folk chanteuses Eddi Reader, Heidi Talbot, Eliza Carthy and Linda Thompson. Film and TV work includes soundtracks for the movie Heartlands (2002) and 16 Years of Alcohol (2003), Billy Connolly’s World Tour of New Zealand (2004), Jennifer Saunders BBC sitcom Jam and Jerusalem (2008) & Starlings sitcom for Sky TV (2012).

John was awarded the coveted BBC Radio 2 Musician of the Year in 2003 and also The Spirit of Scotland Award for music in 1999 and again in 2009.

The John McCusker Band, featuring some of the finest traditional musicians including Andy Cutting, Adam Holmes, Innes White and Toby Shaer, will embark on an extensive UK tour in April/May:

“One of the UK’s most gifted and versatile musicians in any genre, John McCusker is equally in demand as a multi-instrumentalist, producer and composer.” The Guardian

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

‘Muireann’s Jig/Farewell to Whalley Range/Roddy McDonald’s’ – The John McCusker band live:

 

Artist’s website: www.johnmccusker.co.uk

CIARAN ALGAR – The Final Waltz (Fellside FECD270)

CIARAN ALGAR The Final WaltzThe Final Waltz is Ciaran Algar’s debut solo album – something to do in his gap year, allegedly – and it’s sort of what you’d expect but, then again, not really. We know Ciaran as a particularly fine multi-instrumentalist and he has added to his band another in shape of Toby Shaer with Eden Longson on drums, Giles Deacon on keyboards and Sam Kelly, who shares the vocal duties with Kitty Macfarlane. There are four songs in the set, three of them written by Ciaran but he sings only one. Quite why he decided this I can’t tell –he has a very characterful voice, albeit not as polished as Sam’s, but well suited to the material.

The songs give Ciaran a chance to stretch his arranging talents – and those of his band – away from the traditional tunes for which he is better known. All the subtlety of which he is capable comes out in ‘The Final Waltz’ and the downbeat sentiment of ‘Our Home Now’ but then we are immediately whisked away into the gaiety of a set like ‘The Luck Penny’ before ‘Until We Meet Again’ takes the mood down again.

Having set an emotional pattern on the album, Ciaran reverses it with a relatively upbeat song, ‘Locks’, followed by the desolate beauty of ‘The Wild Geese’. I like everything on this album and I’ve spent time thinking about how I would sequence it to balance the highs and lows – and of course, I couldn’t do any better. You just have to climb aboard and go with it.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.ciaranalgar.co.uk

‘Our Home Now’: